This was supposed to be a big year for the Academy Awards. The battle between Barbie and Oppenheimer that had been raging all award season (and that began when both films hit theaters on the same day back in July) promised a level of enthusiasm for Hollywood’s biggest night that would hearken back to the
Oscars
Ryan Gosling wowed the audience with his performance. (Getty) Ryan Gosling’s performance of ‘I’m Just Ken’ at the Oscars turned into the ultimate karaoke-worthy moment, and we can’t get Kenough. Gosling took to the stage at The Academy Awards on 10 March to serenade the audience with his performance of the Mark Ronson and Andrew
Forget what that Christmas song says! Here at TV Fanatic, we think award season is the most wonderful time of the year. And in terms of both television ratings and general global interest, award shows don’t get any bigger than the Academy Awards. The stakes are higher than usual this year, as some major blockbuster
EXCLUSIVE: MTV Documentary Films has announced a return theatrical engagement for its Oscar-nominated documentary The Eternal Memory, beginning today and extending throughout the month of February. Maite Alberdi’s film, a love story that Deadline has compared to the narrative features Amour and Doctor Zhivago, will play exclusively at IFC Center in New York and in
A handful of indies bow or expand this weekend as Oscar hopefuls from Poor Things to The Holdovers and American Fiction crowd theaters after nominations earlier this week. Anatomy Of A Fall is getting a big bump. Oppenheimer is back on Imax. New specialty releases include Daisy Ridley-starring Sometimes I Think About Dying by Rachel
In a weekend without any studio wide entries — all due to the strikes– the overall theatrical marketplace is bound to reach some sort of low: Either lower than 2023’s bottom of $51.8M for all movies (Sept. 22-24) or lower than 2022’s floor of $35M (Jan. 28-30). After last weekend saw a 2024 YTD low
Trace Lysette is determined to get an Oscar nomination for trans-led drama Monica. (Getty Images) Trans actor Trace Lysette is fighting to land an Oscar nomination for her role in Monica as an estranged daughter reconnecting with her dying mother. The 42-year-old actor and vocal trans rights activist first rose to prominence in Prime drama
First thing’s first: Happy birthday, Taylor Swift! Closing out a year that has seen the now 34-year-old superstar score nothing but touchdowns, the shindig beau Travis Kelce has planned Wednesday night in New York City promises to be quite the celebration. And well it should be. With a record-breaking tour that brought in more than
Six months in, the strikes are over. Ten days out, the holidays begin. As for the movies—unfortunately, the most exciting part of the year is already behind us. It’s disconcerting to realize that there is no unavoidably dazzling, must-see, pop cultural event film on the schedule for the rest of 2023. Certainly, some fine pictures,
Cillian Murphy and Christopher Nolan are marking their sixth collaboration with Oppenheimer, the biographical epic about the titular complicated and brilliant physicist tasked with leading the Manhattan Project, the secret effort to create the atom bomb, and the moral and political struggles that followed. This is the first time Murphy, who plays Oppenheimer, is essaying
The head of the VC firm that invested several hundred million dollars in A24 a year ago says the indie producer-distributor’s “extraordinary” momentum could lead to a large international business and potential acquisitions. As is their wont, A24 executives are not talking publicly, but Stripes partner Ken Fox did speak with Deadline soon after the
No, no one got slapped at this year’s Oscars — but then again, there’s something to be said for a little bit of unscripted chaos. It’s been a strange couple of years for the Academy Awards: The 2021 ceremony was an awkward, socially distanced COVID-era affair that sunk to a new ratings low (just 10.4
Oscar-nomination afterglow for this year’s Best Picture contenders was largely felt more in the home than it was at the box office, with a majority of titles already available to be viewed on the couch except for 20th Century Studios/Disney’s 3D title Avatar: The Way of Water. Since noms were first announced on January 24
EXCLUSIVE: Scientists, explorers, lovers. Katia and Maurice Krafft, the stars of the Oscar-nominated documentary Fire of Love, were all those things. On Valentine’s Day, National Geographic and Neon are bringing the film about the ill-fated couple back to theaters for one night only. The engagement will see the film play at several theaters in New
Can we finally talk about movies for a minute? I mean, those of us who aren’t full-blown, always on-it awards professionals. The Republicans have had their Speakership brawl. The Democrats have observed their J6 vigil. The Twitter Wars have settled into the usual trench exchange between Left and Right. And the weary nation having survived
It was fascinating to see my good colleague Valerie Complex describe, in her review of the Antoine Fuqua/Will Smith slavery drama Emancipation, having almost walked out of the film, not because it was unworthy, but because she found the depiction of Black suffering and death almost too much to watch. In the end, Complex stuck
Buffalo 8 Distribution has acquired the North American rights to Jan P. Matuszyński’s Leave No Traces starring Tomasz Ziętek (Corpus Christi), Sandra Korzeniak (Influence) and Jacek Braciak (Edi). The film, which debuted at the Venice Film Festival, is Poland’s official selection for Best International Feature at the upcoming Academy Awards. Buffalo 8 will release the
My good colleague Pete Hammond tells us the film awards season is in full swing, live and in-person. Screenings. Panels. Parties. Lunch with the stars. Just like 2019. Now, if the audience would only catch up. This weekend, an extremely important connection got missed, as Steven Spielberg’s West Side Story, meant to be a crowd-pleaser,
Neon and Participant opened animated documentary Flee to a $25,033 debut in four locations. That makes for a strong per-theater average of $6,258 ahead of a rollout early next year for the much-decorated Danish film ahead of Academy Award nominations Feb. 8. It’s one of a few rather particular offerings, including Drive My Car, that
When Regina King confidently strutted her way through Union Station at the top of this year’s Oscars broadcast with candy-colored movie-style credits popping up behind her, I got excited that this year’s show might actually be different. And indeed, it was… but that’s not necessarily a compliment. Yes, Sunday’s Oscar broadcast on ABC comes with
Disney, which has been experimenting with the theatrical window lately with simultaneous movie releases on streaming service Disney+ Premier much to the upset of theater owners, dropped a PSA during the Oscarcast waving a flag for exhibition. Filled with first person testimonials of exhibition workers and clips from upcoming big pics like F9, No Time
No matter which film takes home Best Picture Sunday night, that title will be the lowest grossing ever in Oscar history. According to Comscore, Kathryn Bigelow’s 2009 title The Hurt Locker stands as the lowest-grossing Best Picture Oscar winner at the domestic B.O. with $17M. That title will likely be upset this Sunday by Chloé Zhao’s
While it’s not really a time to take a victory lap at the box office with only 3,1k movie theaters opened out of U.S. and Canada’s 5,8K, five out of the eight Oscar nominated best pictures this past weekend in theatrical release reaped the halo effect of Monday’s noms. Keep in mind many arthouses, especially
Chloe Zhao recently became the first Asian woman to win a Golden Globe for Best Director and now has a shot to repeat that at the Oscars with her awards-season darling Nomadland garnering six nominations today for Best Picture, Director, Editing, Adapted Screenplay, Cinematography and Actress. Still, despite the accolades, questions remain: Will Nomadland ever see
EXCLUSIVE: “Don’t be in a panic!” These are the sage words from Sony Pictures Classics’ Co-President Michael Barker about the future of independent films at the theatrical box office. While the pandemic and the proliferation of streamers has sent a number of awards season contenders into the home, he believes that arthouse fare will still
Yeah, yeah, yeah, Universal/DreamWorks Animation’s Croods: A New Age led the box office for its fifth weekend out of 13 running, and crossed $50M, inching closer to becoming the top grossing movie of the pandemic, and potentially upsetting Warner Bros.’ Tenet ($57.9M). However, in a business where the transparency of numbers has always been public, for
Danish filmmaker Thomas Vinterberg is back in the Oscar race with Another Round (Druk), a film whose star, Mads Mikkelsen, calls “an embracement of life.” The drama has an intriguing premise: four weary high school teachers test the theory that a constant level of modest inebriation opens our minds to the world. The friends experience
What a great time not to be a movie marketer. Theaters half-closed, with COVID-19 again rising. Pipeline dried up. Academy of Motion Picture Arts and Sciences asking, in a survey that was due last week, how the pandemic is affecting your craft. Or what’s left of it. But movie promoters on the whole are an
Will the movies ever let religion back into the mainstream? It doesn’t seem likely, given the secular bent of most critics, festivals, and film awards. But the question could certainly occur to any thoughtful viewer of Marco Pontecorvo’s Fátima, which is set for release by Picturehouse in theaters and via PVOD on Aug. 28. The
In or around 1976, I caught a forlorn moment near New York’s Bleecker St. It was early morning. The sun was just up. Two ragged guys were shuffling toward me on the sidewalk, when one offered the other a bottle in a bag. But the drink was declined. “I guess I lost my taste for