Barbie

Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering the conversation
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Globally, including most everywhere overseas, 2023 box office was led by a mix of Barbie, The Super Mario Bros. Movie and Oppenheimer, curious bedfellows who nevertheless proved that cultural phenomena can come in different forms and set turnstiles spinning. Both the global and international box office saw improvement in 2023 versus 2022 with an estimated
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Billie Eilish experienced ‘existential dread’ before working on the Barbie soundtrack. She credited the ’empowering’ movie with helping her out of that ‘dark episode’. (Getty) Billie Eilish said that Greta Gerwig’s blockbuster Barbie really “resonated” with her and has revealed that being able to work on the blockbuster’s soundtrack helped her come out of a “dark episode”. 
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They faced each other in a box office royale that wound up mushrooming to become the biggest box office weekend of the year. Now, Warner Bros.’ Barbie and Universal’s Oppenheimer will go toe-to-toe at the Golden Globes on January 7. Interestingly enough, coming away from the Golden Globes nominations Monday morning, Barbie bests Oppenheimer by
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With awards shows’ ratings dropping annually, many have pinned that on mainstream viewers tuning out because their favorite tentpoles are overlooked in the Best Picture categories. Popular Best Picture candidates and hosts have traditionally been tied to Oscars’ ratings. However, the Golden Globes has continually had respect for popcorn pics between their drama and musical/comedy
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AMC Entertainment swung to a profit last quarter and saw revenue jump 45%, besting Wall Street forecasts. CEO Adam Aron found the numbers “quite satisfying.” But, he said, the short-term impacts of the writer’s and actor’s strikes will cause additional and needless challenges for AMC in 2024. Without taking sides as to who is to
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Warner Bros. Discovery’s third quarter was mixed with ‘Barbie’ coin and free cash flow beloved by Wall Street offset by sluggish advertising and the impact of the actors’ strike on the one of the industry’s biggest content creators. Streaming, which turned profitable in the first quarter ahead of most rivals, but lost $3 million in
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‘Barbenheimer‘ was completely unexpected, but the studio behind Barbie gladly leaned in, said Dana Nussbaum, EVP of worldwide marketing for Warner Bros. Pictures, calling the unusual double-feature frenzy one of a few unforseen and welcome twists while rolling out the Greta Gerwig’s blockbuster. “That was absolutely a surprise to us. But one that we found
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EXCLUSIVE: Heading into the Swift snowfall this weekend at the box office, here’s what we can tell you about the AMC-distributed film. As has already been reported, a $100M+ projection per distribution sources is in store and another $50M+ overseas (for $150M WW debut); but part of the stats indicating this come from box office
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Refresh for latest…: Warner Bros/New Line’s The Nun II continued to conjure strong business around the globe this weekend, taking the top spot again worldwide and overseas. The sophomore session of $30.1M in 72 offshore markets brings the international box office cume to $102.3M and worldwide to $158.8M so far. More on The Nun II
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Refresh for latest…: There’s a lot to unpack this weekend at the international box office, including a flying start for Warner Bros/New Line’s The Nun II, Indian superstar Shah Rukh Khan continuing to outdo himself and a major milestone afoot for Christopher Nolan’s Oppenheimer. Meanwhile, Barbie has danced past $1.4B worldwide. Let’s start with the
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Barbie will contribute more than $125 million in gross billings to Mattel this year, the toymaker’s CFO said today in a shout-out to the “nice contribution” from the blockbuster film as it closes in on $1.4 billion worldwide. Chief financial officer Anthony DiSilvestro, speaking alongside CEO Ynon Kreiz at a Goldman Sachs media conference, said
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Though Labor Day is upon us domestically — and its somewhat equivalents in many overseas markets to mark the end of summer — the hits keep coming as holds this session were strong on the season’s leaders while a new entry surprised. To wit, and starting with the latter: Sony/Escape Artists’ The Equalizer 3 blazed
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The two seemingly unstoppable phenoms of summer 2023 are each setting new milestones this weekend as Greta Gerwig’s Barbie through Friday has become the No.1 film of the year globally, overtaking The Super Mario Bros Movie with $1.365B. In the same breath, Christopher Nolan’s Oppenheimer this frame is continuing its incredible run with the Universal
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This summer’s box office is set to hit $4 billion for the 13th time ever, +16% over last summer. Barbie and Oppenheimer, which together rep 22% of that figure created a blast radius, finally bringing infrequent moviegoers back to cinemas after Covid sidelined audiences. However, with the ongoing strikes set to upset both the production
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National Cinema Day did 8.5 million admissions we hear off of a Sunday total day box office that’s estimated around $34M. All tickets for all movies and showtimes were $4 vs. last year’s $3. Note this figure could go up later today once final numbers are tabulated. Last year’s National Cinema Day drew 8.1M. The
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