Pop Culture

Soap operas are the most prominent form of dramatic narrative in which actors age in real time. François Truffaut’s sequence of films starring Jean-Pierre Léaud as the filmmaker’s alter ego, Antoine Doinel; Richard Linklater’s Boyhood (2014); and Jia Zhangke’s Caught by the Tides (2024) are films in which actors age onscreen in the same role, shot over a couple of decades. In the
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In an influential and controversially sweeping formulation, cultural theorist Fredric Jameson argued 40 years ago that “the story of the private individual destiny is always an allegory of the embattled situation of the public third-world culture and society.” To tell stories from the decolonizing global South using forms and genres developed and disseminated within the
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British electronic collective Seefeel reappeared after a 13-year hiatus with two mini-albums in 2024 and now present Sol.hz, their first full-length release since the 2011 self-titled LP. The group’s claim to notoriety is as one of the first guitar-based groups signed to the fabled British electronic label Warp, with their 1995 sophomore album Succour. Rock listeners may
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M.C. Taylor, the artist behind Hiss Golden Messenger, composed I’m People in New Mexico, California, and his home base of Durham, North Carolina. The tracks were recorded at Woodstock’s Dreamland Recording Studios with a team of like-minded musicians, including Josh Kaufman (who, along with Taylor, played stringed instruments and co-produced the album), JT Bates (drums and percussion), and
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An outsider who, through sheer hard work, rose to the top of his industry and became a magical bringer of joy for thousands of children while giving tirelessly for charity and befriending all in high society…Only for the world to learn that his outlandish public image was a mask hiding someone who leveraged connections and
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At this writing, media outlets have reported that President Donald J. Trump and the Department of Defense are preparing a $200 billion supplemental request for the conflict in Iran. Perhaps the ceasefire will alter that figure. It’s a convenient coincidence that $200 billion is essentially what Elon Musk, Vivek Ramaswamy, and the Department of Governmental
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Sitting down one afternoon to catch up on Glastonbury highlights way back in 2016, Tom Rowlands, one-half of bona fide electronic legends, the Chemical Brothers, caught a set that stopped him dead. Hijacking the screen was diminutive Norwegian singer Aurora, who delivered a masterclass in otherworldly art-pop.  After leaving such a profound impression, Rowlands asked
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Peter Gabriel’s engagement with indigenous cultures and music became a defining moment in both his artistic trajectory and the broader musical landscape of the 1980s. Rooted within a more political and experimental approach, this fascination matured into a refined peak in So (1986), where diverse global influences were stylized and seamlessly integrated into a sophisticated pop
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The Red Hangar (Hangar Rojo) narrows its focus to the first day of Chile’s 1973 coup and follows one man through the speed and confusion of institutional collapse. Directed by Juan Pablo Sallato and based on Fernando Villagrán’s autobiographical chronicle published in 2002, Disparen a la bandada (<em>Shoot the Flock</em>), it follows Air Force captain
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The diverging black metal strands prevail in April. On one side, Black Hurst take up the mantle of Necromantia and Varathron, imbuing their sound with a classically metallic tinge. On the other hand, Evil Warriors continue to blossom from their proto-black/death dreams into an overarching, hallucinogenic extreme metal beast, their third full-length being their most
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Indie rockers Hurray for the Riff Raff won widespread acclaim for 2024’s The Past Is Still Alive album, on top of earlier praise for 2022’s Life on Earth. Both albums featured heartfelt, personal songs that courageously dared to critique America’s troubling decline, with singer/songwriter Alynda Segarra’s socially conscious perspective striking a chord with fans and
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Nu Metal Anomaly 1: Slipknot Slipknot’s rise wasn’t supposed to make sense, but it was undeniable. I’d seen them open for Coal Chamber on the Livin’ La Vida Loco tour, where they made quite an impression on my 13-year-old impressionable mind. Their feral energy was contagious, and they were contaminating Ozzfest-minded fans by the minute.
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