A24‘s Alex Garland political thriller, Civil War, is off to a solid start with $2.9M in Thursday previews at 2,931 locations, the movie on its way to $20M+ opening. That is the best ever in previews for an A24 movie, more than double Hereditary ($1.3M). Nobody, rivals nor A24 are complaining about that for what
A24
EXCLUSIVE: A24 is taking an opportunity with a blank spot on the calendar for a wide release, April 12, and moving its Alex Garland Civil War movie to that weekend. The action film about a near-fractured America balanced on a razor’s edge was originally set to go on April 26, but know A24 will have
The indie box office busted out this year, hitting is stride post-Covid with an eclectic string of releases that made a splash artistically and financially. Independents and mini-majors saw $1.47 billion in box office receipts as of Dec. 27, up from $811.7 million in 2022, according to Comscore. Focus Features had the biggest limited opening
In the wake of A24‘s pay-one deal with Showtime expiring, the specialty film studio will now see its movies go through HBO and Max in a new exclusive multiyear pay-one output agreement. Both new A24 movies and the existing library will play on Max, HBO and Cinemax; in total over 100 movies over the term
A24’s Dicks: The Musical had one of the best limited openings of the year, grossing $220,867 on seven screens in New York, Los Angeles and San Francisco. It expands in NY/LA/SF next weekend ahead of a national rollout starting 10/20 for the R-rated romp directed by Larry Charles (Borat, Seinfeld). The film, based on a
EXCLUSIVE: A24 and Chernin Entertainment’s Dicks: The Musical, in the wake of having a rowdy world premiere at TIFF’s Midnight Madness, is tweaking its release date, now going limited on Oct. 6 instead of Sept. 29. The movie, directed by Borat filmmaker Larry Charles and starring and written by Aaron Jackson and Josh Sharp, will
Monday night’s special 40th anniversary screening of Jonathan Demme’s Stop Making Sense at the Toronto Film Festival is now Imax’s highest-grossing live event, the company said. The groundbreaking Talking Heads concert film, from A24, earned $640,839 and sold out 25 screens across 165 Imax locations in North America and the BFI Imax in London. The remastered world premiere
EXCLUSIVE: A24’s Sofia Coppola directed movie, Priscilla, will now go wide on Nov. 3 instead of Oct. 27. The news comes on the heels of a glowing world premiere out of the Venice Film Festival where the movie based on the Priscilla Presley’s memoir Elvis and Me grabbed a 94% critics score on Rotten Tomatoes. With
In its second weekend in theaters, MGM and director Emma Seligman’s teen comedy Bottoms broke into the top ten films for the weekend (no. 7) on 715 screens, a major North America expansion from a 10-theater opening last week. An estimated $3 million gross for the three days, and $3.6 million for the four-day Labor Day
EXCLUSIVE: Despite all paranoia on behalf of exhibitors and studios that the theatrical release schedule will switch-up more due to strikes, awards season fare continues to be dated, the latest being A24’s dark comedy Dream Scenario starring Oscar winner Nicolas Cage on Nov. 10. The movie from director Kristoffer Borgli (Sick of Myself) and produced
A24’s supernatural horror Talk To Me by first time filmmakers Danny and Michael Philippou blew past box office projections grossing over $10 million on 2,340 screens opening weekend. The breakout by the first-time filmmaker brothers and popular YouTubers from Australia was no. six at the domestic box office. The film was well reviewed as a
EXCLUSIVE: In light of the current strikes, A24 is pausing the release of Julio Torres’ Problemista which was set to launch limited on Aug. 4. The new release date will be determined down the road. The studio is doing this to support filmmaker Torres, furthermore these awards-type indie movies need their stars, Tilda Swinton here,
Utopia’s Squaring the Circle (The Story of Hipgnosis) grossed an estimated $10k from one engagement at NYC’s Film Forum, where it was the top-ranking pic. Celebrated filmmaker and photographer Anton Corbijn’s first feature documentary is the story of Hipgnosis, the iconic album art design studio that was a force in the music industry behind some
Celine Song’s Past Lives from A24 is very much here and now, grossing $232k on four screens for over $58k per location, a nice number for Song’s debut film as the second-biggest limited opening of the year so far. A24 also had the highest in April with Beau Is Afraid at $80k per theater at
Beau Is Afraid posted the top per-screen average of the year so far and the best limited opening for distributor A4 since Uncut Gems, grossing an estimated $320,396 at four locations in New York and LA for a hefty per screen average of $80k+ to sold out shows on both coasts. (Uncut Gems with Adam
Ari Aster, the horror maestro behind Hereditary and Midsommar, is out with Beau Is Afraid on four screens as A24 presents the SXSW-premiering film In LA (AMC Century City and Burbank) and New York (AMC Lincoln Square, Alamo Brooklyn), in Imax on both coasts, followed next week by a regional Imax expansion and into to
The head of the VC firm that invested several hundred million dollars in A24 a year ago says the indie producer-distributor’s “extraordinary” momentum could lead to a large international business and potential acquisitions. As is their wont, A24 executives are not talking publicly, but Stripes partner Ken Fox did speak with Deadline soon after the
In the wake of delivering Talking Heads frontman David Byrne his second Oscar nomination with Everything Everywhere All at Once, A24 has acquired worldwide rights to his former band’s 1984 cult hit concert pic Stop Making Sense for theatrical release later this year. A24 will give the director Jonathan Demme’s first concert pic a 4K
EXCLUSIVE: A24 has mapped out three films for summer release: the Nicole Holofcener-Julia Louis Dreyfus reteam You Hurt My Feelings, the Celine Song directed/written title Past Lives and the distributor’s hot Sundance horror pick-up Talk to Me. You Hurt My Feelings, which played to great laughs at the Eccles Theater, will go wide nationwide over
EXCLUSIVE: A24’s The Whale, whose Oscar-nominated star Brendan Fraser scooped the prize for Male Actor in a Leading Role at the SAG Awards on Sunday night, is enjoying a strong run globally, having crossed $30M worldwide in the latest frame. Now at $32.3M global and with more overseas markets to release, the drama counts $15.5M
A24’s The Whale crossed the $11-million mark in week six as it jumped to 1,500 screens from 835 as the Brendan Fraser-starrer and other contenders continue to tweak theatrical runs through awards season. The film, which received a PGA nomination for Best Motion Picture this week along with SAG noms for Fraser and co-star Hong
The motion picture industry remains in a state of rehabilitation. Just look at the majors’ domestic box office alone. Back in 2019, four studios grossed over a billion apiece, with Disney-Fox reaping $4.28 billion alone. This year, only three studios grossed $1 billion or more. And while we do get down to the nitty gritty,
A24’s release of Darren Aronofsky’s The Whale had a strong holdover its second weekend out, grossing $168.5k on the same six screens in NYC and LA where it opened its first frame to the biggest per theater average of the year – beating the distributor’s March release of Everything Everywhere All At Once. This weekend’s
Darren Aronofsky’s The Whale from A24 swam to the biggest limited opening of the year in NY and LA this weekend, beating the per screen record set by in late spring by the indie distributor’s Everything, Everywhere All At Once. The film starring Brendan Fraser sold out shows at all six theaters this weekend grossing
Updated: This year’s arthouse breakout, Everything Everywhere All at Once has hit the $70M mark finally at the domestic box office with its global ticket sales now at $103M. The film from Dan Kwan and Daniel Scheinert crossed $100M a while ago. The pic previously broke records as A24’s highest grossing ever, both on a worldwide
A steady flow of specialty films starts this weekend with the return of a key player to cinemas and a broader arthouse slate that will expand steadily into awards season. This is still a weird theatrical landscape but independent distributors and theater owners have agreed for months that there’s no recovery without a brisker pace
Cohen Media Group hopes a Spanish film can dent the tough market for foreign language fare, Bleecker Street is out with a hostage drama and A24 presents Owen Kline’s directorial debut about a teenage cartoonist as the arthouse market flexes more muscle than it has in weeks. The dearth of new releases itself nudged some
Lionsgate thriller Fall will make an estimated $2.5+ million this weekend at 1,548 locations for a PSA of about $1,618. The audience (54% male and 61% over 25, according to PostTrak) was broader than it might have been after a company founded by director Scott Mann swapped dozens of f-words, moving Fall from an R
A24’s Bodies Bodies Bodies hit theaters with the per-screen average this weekend in a limited opening, and the second best of the year. That record was set last spring with Everything Everywhere All at Once as the indie distributor piles up successes. Halina Reijn’s Gen-Z whodunnit comedy grossed $226,526 on six screens in NY and
A24’s highest grossing movie ever, the martial arts fantasy Everything Everywhere All at Once, is going wide again in cinemas on July 29. The latest cut from Dan Kwan and Daniel Scheinert, which took off like a rocket ship from its SXSW world premiere, will include a new introduction from the filmmakers and eight minutes of