Broadway box office held steady last week, with impressive attendance for recent arrivals Almost Famous and Kimberly Akimbo, and Leopoldstadt again setting a house record at the Longacre with receipts of $1,158,051. In all, the 28 Broadway productions grossed $28,585,160 for the week ending Oct. 23, just about dead-even with the previous week. Total attendance
Broadway Box Office
Broadway box office held steady at $28,621,480 last week as a slate of new productions began or continued previews (Almost Famous and Kimberly Akimbo filled more than 90% of their seats), MJ and Leopoldstadt set house records and The Phantom of the Opera was once again standing room only as the long-running Andrew Lloyd Webber
Broadway held fairly steady at the box office last week, with recent arrivals Leopoldstadt and The Piano Lesson leading the pack of fall newcomers with grosses of $758,988 and $704,051, respectively. In all, Broadway’s 25 current shows took in $25,208,583 for the week ending Oct. 2, a slight 4% slip from the previous week, possibly
The Piano Lesson led the pack of Broadway’s recent arrivals at the box office last week, with the August Wilson revival starring Samuel L. Jackson, John David Washington and Danielle Brooks grossing $795,306 for its first seven performances at the Ethel Barrymore Theatre. Coming in a close second, in terms of gross receipts, was Leopoldstadt,
A slate of four new productions and renewed interest in a couple of old ones pushed Broadway box office up by 20% last week, with total receipts for the 24 shows reaching $24,954,517 and attendance climbing 14% to 201,321 for the week ending September 18. Among the newcomers: Death of a Salesman, 1776, Cost of
Even with a Covid-shortened performance schedule, Lea Michele’s star turn in Funny Girl was serious business last week, with box office for the musical revival more than doubling from the previous week. For the week ending September 11 — Michele’s first week as Fanny Brice — Funny Girl grossed $1,639,212, a dramatic upturn from the
Broadway gave Billy Crystal a fine send-off last week, with the star’s Mr. Saturday Night musical grossing more than $1 million during its final week of performances. That number – $1,014,614, to be precise – is a big jump over the show’s weekly box office takes in recent months. About 98% of seats at the
Most of the 21 Broadway productions on the boards last week showed some signs of summer doldrums, with 17 shows reporting drops in box office over the previous week. Still, with The Music Man back on the roster after a week’s hiatus, the overall total box office take of $23,513,592 was up about 6%. Total
Broadway box office drooped in the final, sun-baked weeks before the Fall arrivals of new shows, with the roster of productions down to 20 last week and total box office slipping 19% from the previous week to $22,232,527. Attendance was down about 15% to 181,785, roughly commensurate with the lesser number of productions (down from
Broadway’s heavy hitters withstood New York’s heatwave last week, with MJ, Dear Evan Hansen and Hamilton selling out and Hadestown, Harry Potter and the Cursed Child, Into The Woods, Moulin Rouge!, Six, The Book of Mormon, The Lion King and The Music Man coming very close. In all, the 23 Broadway productions took in $27,682,655
Broadway box office held steady last week, with most productions keeping pace, for better or worse, with their recent trends. In all, the 25 shows took in a total $29,531,601 for the week ending July 24, up about 2% from the previous week. Total attendance was 224,884, not much difference from the previous week. Some
Box office for most Broadway shows – Funny Girl and Mr. Saturday Night included – was up a bit last week, as the hits – Into The Woods and MJ included – stayed strong and even some struggling shows saw a slight uptick in attendance. Although total Broadway box office was down 4% from the
News of Lea Michele’s upcoming arrival in Broadway’s Funny Girl will certainly hand the musical a revival in advance ticket sales, welcome news for producers who saw last week’s box office continue its recent downward pivot. The musical, currently starring Beanie Feldstein (who has missed some recent performances) played to houses only 65% full during
Broadway’s traditional post-holiday January doldrums teamed up with a slate of show closings and a national skyrocketing surge in Omicron cases to send box office tumbling by nearly a third last week. Combined grosses of $18 million for 27 Broadway productions were down 31% from the previous week’s $26 million. The figure – $18,251,734, to
Broadway box office receipts rebounded by a significant margin last week, climbing to $26 million from Christmas Week’s grim, Covid-decimated $14 million estimate. That’s an overall, week-to-week increase of 87%, and reflects a tally largely in keeping with recent pre-Christmas Week figures. Still, compared to the $43 million b.o. from the same week in a
Broadway box office tumbled last week, dropping 26% from the previous week to a combined tally of $22,511,627 for the 31 productions. Attendance for the week ending Dec. 19 – a week marked by the emergence in New York of the Omicron covid variant and the beginning of a rush of Broadway cancellations – was
Broadway box office settled back to its pre-Thanksgiving levels last week, with grosses for the 29 shows totaling $26,214,735, a 19% drop from the previous week’s holiday take. Attendance for the week ending Dec. 5 showed a commensurate decline, falling about 12% to 210,795. About 83% of available seats were filled, with an average ticket
Broadway box office saw a Thanksgiving holiday boost of about 30%, with total receipts for the 33 productions rising to $32,543,570 for the week ending Nov. 28. Total attendance was up about 12% (to 238,354) over the previous week, indicating that much of the increased box office tally was due to higher holiday-week ticket prices.
Broadway box office held steady last week, slipping a negligible 2% from the previous week to $25,074,048, with paid attendance of 212,819 off a small 1%. Though there was one additional production on stage compared to the previous week – the revival of Company joined the roster – Harry Potter and the Cursed Child was
Broadway’s total weekly box office of $25,565,641 was up last week by about 12% over the previous week, with new re-arrival of a slimmed-down, one-part Harry Potter and the Cursed Child joining the roster. For the week ending Nov. 14, the 31 Broadway productions drew a combined total attendance of 214,681, up about 11% from
Broadway box office was up about 16% last week, with three new productions joining the playing roster and all 30 of the shows taking in a combined $22,855,192. The figure, which represents box office grosses for the week ending Nov. 7, indicates an expected rebound from the $20 million tally of the previous week, which included
Broadway’s 27 productions took in a $19,663,438 total box office last week, a drop of about 11% from the previous week’s tally, according to figures from the Broadway League. For the week ending Oct. 31, total paid attendance was 168,169, about 78% of the combined capacity for all productions. The season-to-date box office (since Aug. 4)
The Broadway League, which announced last summer that it would not release weekly box office figures – known in the industry as the grosses – due to the modified and even erratic performance schedules of this year’s productions, has decided to release weekly box office totals, the trade organization said today. “Due to the increased
Broadway producers are “cautiously optimistic” as attendance figures for last week show little, if any, immediate impact from the global coronavirus scare. Charlotte St. Martin, president of the Broadway League trade organization representing producers and theater owners, said in a conference call with reporters this afternoon that she was “even a bit surprised” with today’s
Broadway box office was down 11% last week, but don’t jump to any coronavirus conclusions: Attendance was down a small 3%, and the slide in receipts can be chalked up at least in part to theater-going children. With more than a dozen productions participating in the annual Kids Night On Broadway – children free with
Heading into the final stretch of its limited Broadway run, David Byrne’s American Utopia set a box office house record at the Hudson Theatre, grossing $1,416,344 for the week ending February 9. The figure – for only seven performances – beat out the previous high-water mark set by an eight-performance week of Sunday in the