Air-conditioned Broadway held its own as New York City plunged ever deeper into a hot summer last week, with total box office receipts keeping steady at $31,520,593, a tiny increase of 2% over the previous week. Total attendance for the 30 Broadway productions was 257,204, consistent with the previous week but up nearly 15% over
Broadway Box Office
Box office for most Broadway shows last week wilted a bit as June’s Tony glow gave way to plain old New York summer heat, though a couple newcomers were among the handful bucking the downward trend, one very impressively so. In its second week of previews, Back To The Future: The Musical grossed a whopping
Back To The Future: The Musical landed on Broadway last week in overdrive: The stage adaptation starring Casey Likes and Roger Bart scored a dizzying $1,035,256 for just four preview performances, filling 98% of seats at the Winter Garden. The musical, which opens August 3, features a book by Bob Gale and new music and
Broadway continued on its post-Tony glow last week, with the 32 productions grossing $34,004,232, about 3% more than the previous week and 10% over the same week last season. In all, attendance for the week ending June 25 was 270,206, 4% higher than the previous week and 18% over last year. This year’s Tony winners
Strong showings at the June 11 Tony Awards – both in terms of trophies and on-air performances – seem to have made an equally sturdy impact at the box office, with best musical Kimberly Akimbo and nominated & Juliet – posting their best numbers yet, and best play Leopoldstadt making significant gains over the previous
With the Tony Awards – and a seriously orange New York City sky – prompting some Broadway productions to reduce their playing schedules last week, total box office and attendance was down a bit, with the 33 shows taking in $30,961,479 for the week ending June 11. In all, four productions – Kimberly Akimbo, New
Broadway box office was down 6% last week – the second week of the 2023-24 season – with even some Tony-nominated productions taking noticeable hits. Camelot, New York, New York, Life of Pi, Fat Ham, Parade, Prima Facie and Shucked were among the productions reporting at least some box office slippage. In all, the 34
Broadway box office overall held steady last week, even as the recent Tony Award nominations already seemed to lose some of their power to boost ticket sales. Some shows with nominations saw declines at the box office, from Good Night, Oscar and Some Like It Hot to Leopoldstadt and New York, New York. For the
The Phantom of the Opera, Andrew Lloyd Webber’s musical that closed its Broadway run on Sunday after 35 years, went out on a very high note: Box office receipts for the show’s final week hit a best-ever $3,739,934. Playing, of course, to standing room only audiences at longtime venue the Majestic Theatre, Phantom commanded a
Broadway showed signs of a spring blossoming last week, with box office receipts and ticket prices taking their traditional climb during the tourist-bumped week leading up to Easter. In all, the 33 productions grossed $38,594,054, a 12% increase over the previous week. Attendance for the week ending April 9 was 280,760, up 4%. The more
With two weeks left in its 35-year Broadway run, Andrew Lloyd Webber’s The Phantom of the Opera posted a huge box office gross last week of $3,247,106, nearly 10% of Broadway’s total take for the seven-day period ending April 2. The beloved musical – which, Lloyd Webber has suggested, might well find its way back
Broadway’s The Phantom of the Opera had yet another smashing, down-to-the-wire week at the Majestic, grossing more than $3 million for the second consecutive week as the countdown to its April 16 closing continues. Meanwhile, another villainous character – the bloodthirsty killer of the ecstatically reviewed Sweeney Todd, The Demon Barber of Fleet Street –
Broadway’s old and new teamed up last week to boost total box office nearly 20%, with The Phantom of the Opera (the old) posting a best-ever $3 million weekly gross and The Jonas Brothers (the new, to Broadway anyway) taking in $1.6 million for their five-concert residency. In all, Broadway’s 29 productions grossed a total
A raft of Broadway’s recent arrivals led by Sweeney Todd: The Demon Barber of Fleet Street helped push the industry’s total box office last week to $28,638,821, up 13.8% from the previous week. Total attendance was up commensurately to 229,771. Sweeney Todd, starring Josh Groban and Annaleigh Ashford, contributed a whopping $1.8 million to the
The revival of Sweeney Todd: The Demon Barber of Fleet Street, with Josh Groban and Annaleigh Ashford in previews at the Lunt-Fontanne, is firmly in Broadway’s $1 million club, with receipts for the week ending March 5 at a bloody good $1,526,254. And that’s just for six performances. The Stephen Sondheim-Hugh Wheeler musical filled every
Some recent Broadway arrivals added both star power and box office receipts to the weekly grosses reports, with both Sweeney Todd: The Demon Barber of Fleet Street and Parade selling out (the latter despite some loudmouthed neo-Nazi protesters), and A Doll’s House starring Jessica Chastain and Andrew Lloyd Webber’s Bad Cinderella coming close. The musical
Broadway continued filling seats last week as the annual deep-discount Broadway Week promotion (actually three weeks) came to a close. Total receipts for the 21 productions tallied to $23,064,393, with attendance of 192,323 at 95% of capacity. Topping the box office roster for the week ending Feb. 12 was, once again, The Phantom of the
Discounts, winter promotions, benefit performances and the absence from the roster of now-closed solid earner The Piano Lesson added up to a slide in Broadway box office for the week ending Feb. 5, down about 9% from the previous week to $23,518,702. Total attendance was down only 5% through (to 195,520), with the smaller average
The long-running The Phantom of the Opera was once again Broadway’s highest grossing show last week, taking in a mighty $2,483,532 for the week ending Jan. 29, outpacing runners-up Funny Girl ($1,872,862) and Hamilton ($1,871,921) by a noticeable margin. The Andrew Lloyd Webber musical at the Majestic has experienced a remarkable resurgence in interest (and
With a slimmed-down roster and many productions offering 2 for 1 tickets during the annual Broadway Week promotion, Broadway box office was down 24% for the week ending January 22, with the 23-show total at $25,835,362. Attendance of 204,847 was off 17% from the previous week when 29 shows were on the boards. Despite the
Broadway lost six productions on January 15 – including the top-grossing The Music Man – to the usual January roster-thinning, and each show went out on a happy note with strong attendance. With 29 productions on the boards, Broadway grossed $33,859,988 for the week ending January 15, down about 9% from the previous week when
Broadway box office took the expected drop last week, declining nearly 30% (to $37,394,931) from the previous week’s holiday-pumped $52M figure. Attendance for the 32 shows was down about 12% (to 275,834), but remained at a solid 92% of total capacity. The reason for the decline, of course, is the previous week’s New Years week
Big holiday ticket prices, bonus performances and large audiences spurred a hefty surge of nearly 50% in Broadway box office last week (ending Jan. 1) over the previous week, with productions including Funny Girl, MJ, Six, Beetlejuice and & Juliet among the shows smashing house records. With 20 of the 33 shows adding a ninth
Funny Girl broke a house record with more than $2 million in receipts at the August Wilson Theatre, A Beautiful Noise continued its $1 million-plus weekly take, and The Piano Lesson topped the list of highest-grossing non-musical productions with $914,752, each contributing to Broadway’s $37M box office tally for the week ending Dec. 18. Heading
The holiday spirit – at least the kind measured at the box office – seemed to arrive on Broadway last week, for some shows anyway. Obvious case in point: A Christmas Carol, starring Jefferson Mays in his tour de force as every last ghost, miser and Cratchit in the story, was up a bountiful 34%
A Beautiful Noise, The Neil Diamond Musical took in more than $1 million at the box office in the week leading up to, and including, its opening night on Sunday. Filling 91% of seats at the Broadhurst, the jukebox bio-musical joins & Juliet, Leopoldstadt and The Piano Lesson as one of the strongest newcomers of
Even with one fewer show on the Broadway boards, and overall attendance at the 33 productions down a smidge from the previous week, Broadway box office was up 22% during Thanksgiving week, scoring a plump $37,475,773 due to plumper holiday ticket prices. Not coincidentally, average ticket price was up 22% from the previous week, hitting
A busy week on Broadway saw three official openings (including the Take Me Out return) and three additions to the line-up of previewing productions, with grosses for the 34-show roster jumping by 8% (to $32,314,920) over the previous week. Attendance for the week ending Nov. 13 was up 11% to 272,232. Starting with the openers,
Two of the fall Broadway season’s buzzy new musicals – A Beautiful Noise, The Neil Diamond Musical and Some Like It Hot – began previews last week, both doing solid business in their first, partial weeks. A Beautiful Noise pulled in an impressive $845,074 for five performances, filling 88% of seats at the Broadhurst with
EXCLUSIVE: Comic monologist Mike Birbiglia has made an early Broadway splash with his new show The Old Man & the Pool, selling out his first four previews last week – the only other production with all seats filled was The Phantom of the Opera – and, Deadline can report exclusively, getting a two-week extension of