Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
Disney
Fanboys will have to wait until San Diego Comic Con to see footage from Marvel Studios‘ 2025 release Captain America: Brave New World, but exhibitors do not. On Thursday during Disney‘s closing CinemaCon session, the studio showed off the new Anthony Mackie movie that picks up after the events of the 2021 Disney+ series The
Disney truly saved the best for last at CinemaCon — and that’s Dwayne Johnson. You can’t call it a CinemaCon without the action star, who is a regular here. Before he stepped onstage, a group of Hawaiian dancers and percussionists performed. They were shortly joined by the man who voices the film’s demigod, Maui. Exhibitor
The former Disney actor announced the news. (Getty) Congratulations are in order! Bridgit Mender has become a mum to an adopted child, she recently announced. The former Disney actor took to X (formerly Twitter) on 20 February to announce the happy news, revealing that she had actually adopted the toddler back in Christmas 2022 after
Marvel Studios said Wednesday that it has moved the release date for Thunderbolts to the start of summer on May 2, 2025, while pushing back Fantastic Four to July 25, 2025. The news comes the same day it confirmed the cast for its long-awaited reboot of Fantastic Four, which will star Pedro Pascal as Reed
EXCLUSIVE, UPDATED: It’s official. The Disney+ movie, Young Woman and the Sea, is getting a limited theatrical release on May 31. This is after the Daisy Ridley movie tested in the high 90s. I also hear that the movie will have a marketing campaign tailored to a limited release. Originally, we heard from a non-Disney
EXCLUSIVE: In an arguable first for a Disney+ movie, Disney is contemplating a theatrical release for the Daisy Ridley starring, Joachim Rønning directed feature take of Glenn Stout’s Young Woman and the Sea after the picture scored in the high 90s. Deadline is hearing that a May 31 theatrical release date is being eyed with
Globally, including most everywhere overseas, 2023 box office was led by a mix of Barbie, The Super Mario Bros. Movie and Oppenheimer, curious bedfellows who nevertheless proved that cultural phenomena can come in different forms and set turnstiles spinning. Both the global and international box office saw improvement in 2023 versus 2022 with an estimated
In an intriguing move, yet retro, move for Disney on the 2024 theatrical release calendar which is starving for product, three Pixar movies –2020’s Soul, 2021’s Luca and 2022’s Turning Red –which were sidelined on Disney+ during the pandemic, are getting special engagement theatrical runs. We hear all three will receive moderate to wide theatrical
Disney CEO Bob Iger blames the pandemic effect as part of the reason for the dismal box office results on The Marvels. Speaking at a New York Times business summit earlier this week, Iger said the studio needs some revitalization. ″The Marvels was shot during Covid,” he explained. “There wasn’t as much supervision on the
Rejoice exhibition, because some wide releases are keeping their dates on the theatrical film schedule next year, despite it being wrecked by the actors strike. Disney had April 5 on hold and that’s being designated to 20th Century Studios’ psychological thriller The First Omen, the prequel to the classic 1976 horror film. The original movie,
A storm is brewing, and this one could usher in the end of times. Disney+ has released a new trailer for Percy Jackson and the Olympians, and there’s a good chance it will be the streaming service’s best series this year. With the Marvel Cinematic Universe imploding on both the big screen and on streaming,
Remember the bright shining light that was Captain Marvel when she showed up to shepherd Tony Stark to safety in the first few minutes of 2019’s Avengers: Endgame? Well, judging by this weekend’s projections for Carol Danvers’ latest outing, that light has dimmed. Disney/Marvel’s The Marvels is headed for an estimated global opening through Sunday
EXCLUSIVE: Marvel Studios‘ sequel, The Marvels, has clocked around $6.5M in Thursday night previews we hear from sources. Disney will be reporting their official figure this morning and we’ll update you then. Previews began at 3PM. The fear out there by many is that this $200M budgeted sequel to 2019’s Captain Marvel –which stands as
As we told you Wednesday, Disney/Marvel‘s Deadpool 3 is moving off it summer launch date of May 3, 2024, leaving the season without a kickoff film for now. The Shawn Levy-directed pic, which is going back into production, will take over Captain America: Brave New World‘s release date of July 26 next year. But Captain
Here’s something we don’t see often: Opening projections plummeting for a Marvel Studios movie. Their latest sequel to 2019’s Captain Marvel, The Marvels, which is also an extension to Disney+ series WandaVision and Ms. Marvel, has seen its weekend forecast collapse from $75M-$80M three weeks ago to around $60M stateside. Some tracking services, such as
Let the feast begin: Thanksgiving releases and awards season contenders, Disney‘s Wish and Apple Original Films and Sony‘s Napoleon are set to open over the Wednesday to Sunday holiday stretch with respective grosses of $50M+ and $24M+. Both movies open on Thanksgiving eve, Nov. 22. Wish, if it hits its projection, would rep the biggest
Disney distribution executive Matt Kalavsky has been promoted to Senior Vice President and General Sales Manager, Domestic Theatrical Distribution, for Disney Entertainment. He succeeds Ken Caldwell, who is retiring at the end of the year. Kalavsky will oversee domestic distribution, which includes U.S. and Canada, for all of the studio’s film labels including Disney, Walt
“No one is really creating original sci-fi blockbusters anymore, it’s an endangered species.” Such was the wise insight from Gareth Edwards at the special screening of his latest movie The Creator last week. This from a filmmaker who has run the gamut from the half-million-budgeted 2010 indie Monsters to the $265 million-budgeted, billion-dollar-plus grossing Rogue
Big media shares, which rose in pre-market trading Monday, opened lower at the bell and are still trending down midday after the Writers Guild reached a tentative deal with studios to end their prolonged strike. Renewed market jitters over inflation, interest rates and a potential government shutdown appeared to have offset relief that Hollywood is
Deadline has confirmed that Disney Distribution EVP and General Sales Manager of North America, Ken Caldwell is retiring at the end of 2023. His position will be back-filled, and successor to be named. Caldwell reports to Disney distribution boss Tony Chambers. Caldwell oversaw distribution of Disney’s canon including Pixar, Marvel, Lucasfilm and animation titles, as
Disney/Marvel’s The Marvels has secured a China release on November 10, day-and-date with North America. The sequel to the $1 billion+ worldwide grossing Captain Marvel is the latest major studio tentpole to be granted access to the market since Oppenheimer went out August 30. It’s also wasting no time in spreading the word locally, leveraging
Disney’s live-action reimagining of The Little Mermaid is hitting Disney+ on Sept. 6, after a very hearty 103 theatrical window. The Little Mermaid debuted over the four-day Memorial Day weekend to $118.8M domestic. Worldwide it had a $164M start. The pic, directed by Rob Marshall, grossed north of $564M worldwide, however, wasn’t the billion success
Talk about respecting a theatrical window: Disney has set a Disney+ global premiere date for Guardians of the Galaxy Vol. 3 of Aug. 2, that’s 90 days after the pic’s theatrical release of May 5. While Disney got a lot of slack during CEO Bob Chapek’s era for executing theatrical day-and-date releases on Disney+ during
What was it W. B. Yeats wrote, that line Joan Didion lifted and twisted in her essay “Slouching Towards Bethlehem,” about West Coast chaos in 1967? Things fall apart; the center cannot hold. That’s how it felt on Thursday, a few minutes before lunch with some seasoned film executive-friends at the Academy Museum (Salad Niçoise
We can knock Disney all we want over less-than stellar post-Covid results on Marvel, Pixar and Lucasfilm titles, but the fact of the matter is the brands are still delivering, making the theatrical motion picture studio the continued box office leader with $3.4 billion worldwide for the period of Jan. 1-July 2. That breaks out
Refresh for chart…On the bright side for Independence Day bomb Indiana Jones and the Dial of Destiny, its first five days at the box office of $82M aren’t as bad as Paramount/Skydance’s Terminator Genisys. That sequel’s launch just prior to July 4, 2015 left a lot of methane in the air with $42.4M in its
We’ve had a couple of tentpole missteps here this summer, read Indiana Jones and the Dial of Destiny this weekend with $60M, The Flash and Elemental; putting the running summer box office at $1.88 billion for May 1-July 2. That’s close to -2% off from the $1.91 billion reached over the same frame last year.
Refresh for latest…: Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny is off to a disappointing start with a $130M global opening. Of that, $70M is from 52 international box office markets as the the fifth installment in the beloved 42-year-old franchise came in below projections. Anthony has run down the reasons behind the domestic
EXCLUSIVE: Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny is posting an estimated $6 million-$7.5 million Thursday night, per sources, which is where previous older-skewing action-guy comps live. We’re specifically referencing the Thursday night starts of No Time to Die, which grossed $6.3M (started at 4 p.m.) before its $55.2M opening weekend in October 2021,
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