My good colleague Pete Hammond tells us the film awards season is in full swing, live and in-person. Screenings. Panels. Parties. Lunch with the stars. Just like 2019. Now, if the audience would only catch up. This weekend, an extremely important connection got missed, as Steven Spielberg’s West Side Story, meant to be a crowd-pleaser,
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Refresh for latest…: With stellar critical and audience scores, there is certainly a place for Disney/20th Century Studios’ take on West Side Story — and the hope is that it will grow through the coming weeks. In its debut session at the international box office, however, the Steven Spielberg-directed version of the classic musical landed
Sean Baker’s Red Rocket, the highest-profile specialty opening to report numbers this weekend (i.e. not distributed by a streamer) posted a solid $96,953 for a per screen average of $16,158 in six theaters in New York/Los Angeles. Critics are calling the film about a washed up porn star returning to his hostile Texas hometown audacious
20th Century Studios/Amblin/Disney’s West Side Story grossed $800K last night in Thursday night previews that began at 5PM at 2,820 locations. Industry projections for Steven Spielberg’s first feature musical are between $12M-$17M. West Side Story‘s Thursday night matches that of Universal’s Dear Evan Hansen which also made $800K from 2,700 theaters from showtimes that started at 7PM. Warner
The Broadway production of Diana, The Musical will play its final performance on Sunday, Dec. 19, producers have announced. The musical began previews at the Longacre Theatre on Nov. 2 and opened to withering reviews on Nov. 17. At time of closing, it will have played 33 performances and 16 previews. “We are extraordinarily proud
Disney/Marvel’s Eternals is landing on Disney+ 69 days after its Nov. 5 theatrical release that date being January 12, 2022. That window is a notable size considering Disney’s experiment to crush theatrical down to a day-and-date model with Disney+ during the pandemic. Previously, Disney/Marvel’s Shang-Chi and the Legend of the Ten Rings had a 71-day window before
A24 presents Red Rocket in six theaters this weekend ahead of a limited expansion in New York and LA, adding Chicago, Austin and San Francisco next weekend with a wider rollout over the holidays to several hundred screens. The dark comedy by Sean Baker (The Florida Project, Tangerine) premiered at Cannes to a five-minute standing ovation
The Alamo Drafthouse movie chain is opening its first theater in Washington, D.C. Friday. The Alamo Drafthouse D.C. Bryant Street will be the newest outpost of the cinema-eatery, which also debuted its first Manhattan location this fall. The nine-screen, 873-seat theater at 630 Rhode Island Ave NE spanning 45,000+ square feet is the Austin-based company’s
Disney said Thursday that Deep Water, the 20th Century Studios erotic thriller starring Ben Affleck and Ana de Armas and directed by Adrian Lyne, has been pulled from the release schedule. It had been slated to hit theaters on January 14, 2022. The studio did not give a reason for the move on the pic,
The UK Cinema Association (UKCA) has told us that new rules mandating masks in English cinemas will be seen by the public and cinema operators as “a reasonable measure given the current circumstances.” The UK government yesterday announced plans for new Covid restrictions in England due to rising numbers of the Omicron variant. The measures
Broadway box office settled back to its pre-Thanksgiving levels last week, with grosses for the 29 shows totaling $26,214,735, a 19% drop from the previous week’s holiday take. Attendance for the week ending Dec. 5 showed a commensurate decline, falling about 12% to 210,795. About 83% of available seats were filled, with an average ticket
After a year’s delay due to the pandemic, Steven Spielberg’s remake of the Broadway classic and 10x Oscar-winning 1961 movie, West Side Story, finally tunes up this weekend as the sole wide major studio theatrical release in 2,800 U.S./Canada theaters and offshore debuts in France, Germany, Brazil, Mexico, Russia and UK. All in, the global outlook is
EXCLUSIVE: Theatrical titles on PVOD, as opposed to pure streaming/theatrical day-and-date movies, continued to top the most shared movies among online pirates over the last week; Venom: Let There Be Carnage remaining the top title for the second week in a row, while 20th Century Studios/Disney’s The Last Duel from Ridley Scott ranking second and capturing over
EXCLUSIVE: Disney/20th Century Studios’ West Side Story is due to begin international box office rollout on Wednesday this week, but it will not be heading to movie theaters in Saudi Arabia, Kuwait, Bahrain, Oman, Qatar or the UAE, Deadline has learned. While an official reason has not been made public, the situation is believed to
Oscar winner Jane Campion’s first feature film as director in 12 years, The Power of the Dog, had plenty to wag its tail about in its weekend debut on Netflix. Samba TV said Monday that the feature take of Thomas Savage’s 1967 Western novel drew in 1.2 million U.S. households. That’s a great start for what
Universal will be opening Amblin’s The Fabelmans on Wednesday, Nov. 23, the day before Thanksgiving. The Steven Spielberg directed movie, loosely based on his childhood, will receive a wide theatrical release. The Fabelmans stars Michelle Williams, Seth Rogen, Paul Dano and Gabriel LaBelle. Steven Spielberg co-wrote the screenplay alongside Tony Kushner. Spielberg, Kushner and Kristie Macosko Krieger
Sony/Marvel’s Spider-Man: No Way Home is activating mega presales in international box office markets. Due to begin offshore rollout on December 15, just ahead of domestic’s December 17 debut, the Jon Watts-directed installment has set all-time records in multiple markets for the first 24 hours, and has caused some ticketing websites to crash. We’ve heard tell
Neon and Participant opened animated documentary Flee to a $25,033 debut in four locations. That makes for a strong per-theater average of $6,258 ahead of a rollout early next year for the much-decorated Danish film ahead of Academy Award nominations Feb. 8. It’s one of a few rather particular offerings, including Drive My Car, that
Refresh for latest..: We’re in a sort of holding pattern at the international box office, as big year-end titles are still in the wings. This weekend was all about holdover business — and some further market launches on major pics already in release elsewhere. Last frame’s debut, Disney’s Encanto, leads the session again for the
After having been cleared by authorities in late November for an eventual China release, the market has now given Warner Bros/Village Roadshow’s highly-anticipated The Matrix Resurrections an official date — on January 14, 2022. The Keanu Reeves-starrer begins early offshore rollout December 16 with domestic and the majority of international markets starting December 22 and
As is typical, the weekend following the Thanksgiving stretch is a downer, and even duly so over Omicron headlines, coupled with a Disney animated movie that isn’t as mass-appealing as its predecessors, read Encanto which is looking at a $13M estimated second weekend, -52%. That second weekend estimate is lower than the pre-pandemic second weekend takes
The arthouse is awash with well reviewed new offerings from Danish animated doc Flee to Paulo Sorrentino’s Hand of God to IFC’s Benedetta heading into awards season and amid a paucity of new wide releases. The first weekend of December following the five-day Thanksgiving frame is notoriously slow at the box office, but also a
EXCLUSIVE: Pierre Morel-directed action movie Al Kameen (The Ambush) has logged the biggest opening weekend ever for any Emirati or Arabic-language film in the UAE. The movie, which is a co-production between AGC International and Image Nation Abu Dhabi, scored 170,000 cinema admissions between November 25 and November 29, making it the fifth largest opening this year
While some in the industry are still trying to blame a lackluster box office on the pandemic, think again: Sony’s Spider-Man: No Way Home in its first day of pre-sales yesterday on Fandango already beat that of 2019’s Avengers: Endgame; that movie ultimately turning into the biggest domestic opening of all-time with $357.1M. In addition, the presales for Spider-Man:
Landmark Theatres will be entering into a long-term lease at one of the former Arclight Cinemas locations, that being the Glen Town Center in Glenview, IL. The chain, owned by the Oscar-nominated Cohen Media Group, has plans to reopen the cinema as a 10-screen venue this coming spring after a $2.5M remodel, supported by the
Broadway box office saw a Thanksgiving holiday boost of about 30%, with total receipts for the 33 productions rising to $32,543,570 for the week ending Nov. 28. Total attendance was up about 12% (to 238,354) over the previous week, indicating that much of the increased box office tally was due to higher holiday-week ticket prices.
The first episode of Marvel’s Hawkeye on Disney+ drew 1.5M U.S. households over the Wednesday-Sunday holiday stretch, while 1.3M stuck around and watched the second episode. This is according to the latest streaming viewership stats from Samba TV which measures 3M U.S. households, and what they watch on streaming over a five-minute increment. That first episode number
EXCLUSIVE: Disney+/Marvel’s Hawkeye was the most shared TV series title among pirate networks for the week of Nov. 22-28 according to MUSO, while Amazon Prime’s The Wheel of Time ranked second. Such are the calamities for an entertainment industry obsessed with streaming: If there’s a pristine copy of a movie or series available on the web,
UPDATE: Notably on the menu this weekend overseas were new openers Disney’s Encanto and MGM/Universal’s House Of Gucci. The former came in lower than hoped at the international box office, with $29.3M in 47 material markets, though it did make the low end of its global projection at $69.6M (including domestic‘s 5-day frame). The Disney
Remember when New York and Los Angeles use to post big figures for the opening of a specialty film at the box office? Well, those days look to be coming back. United Artist Releasing’s MGM Paul Thomas Anderson’s 1970s teen comedy Licorice Pizza posted a huge $83,8K opening screen average from four theaters, which the
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