SUNDAY AM UPDATE: Without Paramount’s Top Gun: Maverick in the marketplace, the Thanksgiving box office was much lighter than previous holidays, grossing an estimated $141.3M over 5-days, off 46% from 2019’s pre-pandemic holiday over the same period of time. Two family movies, Disney’s animated Encanto, which banked 52% of its $40.3M 5-day gross from Latino and Hispanic
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In a benchmark that was to be expected, Warner Bros./Legendary’s feature adaptation of Frank Herbert’s Dune has clocked past $100 million at the domestic box office. This brings the global running total to north of $370M; the ultimate exclamation point here for the Denis Villeneuve directed movie being $400M WW. Dune made $400K on Thanksgiving yesterday sending its domestic
Already the top film of 2021 globally, Chinese war epic The Battle At Lake Changjin is taking over the title of highest grossing movie ever in China, edging the previous leader, 2017’s Wolf Warrior 2. Through Wednesday evening local time, Lake Changjin had reached an estimated RMB 5.693B ($890M) after 56 days in release. Wolf
Disney’s animated movie Encanto received a $1.5 million start Tuesday off showtimes starting at 6 p.m., as the pic opens today in 3,980 theaters. The movie, which features a soundtrack from Emmy-, Grammy- and Tony-winning Lin-Manuel Miranda, is expected to make $35M-$40M over the next five days. So far, Encanto is 94% fresh on Rotten Tomatoes off 67
EXCLUSIVE: By this weekend, Warner Bros/Legendary’s Dune will cross $100M, making it the second movie from the studio this year to clear the century mark stateside off their controversial day-and-date theatrical HBO Max pandemic strategy. But with the Denis Villeneuve-directed adaptation of the Frank Herbert exclusively available in theaters now in its second month of release, sans
Warner Bros/Village Roadshow’s highly anticipated The Matrix Resurrections has been cleared for release in China, however an exact date is yet to be fixed. Warner’s official Weibo account posted the news, saying the film “is confirmed to be introduced, and it will be released in theaters nationwide soon!” The fourth Matrix installment, both a reboot
Through its first ten days on Netflix, the Dwayne Johnson-Gal Gadot-Ryan Reynolds $200M action heist movie Red Notice is already the streamer’s second most watched movie of all time with 277.9M hours clocked. The Rawson Marshall Thurber directed title is honing in on being the streamer’s most-watched-movie-of-all-time, that currently being the Sandra Bullock thriller Bird
Disney will continue to embrace the theatrical window over the Thanksgiving stretch with the Jared Bush/Byron Howard/Charise Castro Smith-directed Colombia-set animated musical Encanto which is looking to hook families with a $35M-$40M five-day domestic start and another $35M+ overseas as the movie debuts day-and-date in all offshore territories except China, Australia, New Zealand, Philippines and Vietnam.
Broadway box office held steady last week, slipping a negligible 2% from the previous week to $25,074,048, with paid attendance of 212,819 off a small 1%. Though there was one additional production on stage compared to the previous week – the revival of Company joined the roster – Harry Potter and the Cursed Child was
While Samba TV reported today that 707K U.S. households watched the Will Smith drama King Richard over the weekend, an even more interesting detail was how HBO Max subscribers tuned in: The OTT service tells us that a majority of subs watched the biopic about Serena and Venus Williams’ coach father from start-to-finish without pausing. Translation, King
EXCLUSIVE: The highest grossing movie during the pandemic, MGM/United Artists Releasing’s No Time to Die was also the most pirated movie for the period of November 15-21. In addition, the most ripped TV season over the last week was Amazon’s adaptation of the Robert Jordan fantasy novel The Wheel of Time. All of this information
Refresh for latest…: There was a lot of holdover play this session overseas with one new Hollywood addition in Sony’s Ghostbusters: Afterlife which came in essentially on par with pre-weekend offshore projections at $16M in 31 international box office markets. However, with domestic’s overperformance, the Jason Reitman-directed sequel trapped a better-than-expected $60M global opening. In
C’mon C’mon from A24 turned in the best per-screen average for a limited platform release since Covid at five theater in New York and LA as stellar critical response was met by strong exit polls ahead of a wider rollout into top markets over Thanksgiving and continued expansion thereafter. The Mike Mills’ awards contender led
MGM/Eon/Universal’s No Time To Die is crossing $733M worldwide this weekend, making it the highest grossing Hollywood film of 2021 — and of the pandemic era. After topping $708M through last Sunday, and becoming the biggest Hollywood movie overseas in 2021 and throughout the pandemic, we’ve been expecting Mr Bond to overtake the previous global
Sony’s Ghostbusters: Afterlife is off to a promising start at the pre-Thanksgiving box office with $4.5M, ahead of Sony’s 2016 all-femme reboot which posted a Friday of $3.5M. While Sony was projecting $27M-$28M, and the industry higher $30M-$35M, Thursday night’s ticket sales (which started at 4PM at 3,450 locations) puts the Jason Reitman-directed feature in a position
C’mon C’mon is distributor A24’s first platform release post pandemic, opening on five screens in New York (Angelika and Lincoln Square) and LA (Grove, Landmark and AMC Burbank) It’s s vote of confidence — launching in the strongest markets and letting word of mouth spread only works if there are signs of life. Specialty distributors
In the wake of Sony’s attempt to reboot Ghostbusters in 2016 with a female leading cast, the studio hasn’t given up on the IP and finally is releasing an all-new Jason Reitman-directed sequel, Ghostbusters: Afterlife, which it has protected for a theatrical release throughout the pandemic. Exhibition bosses went nuts at CinemaCon for the movie, which has
Following the news of Marc Weinstock’s new oversee of a unified global marketing and distribution team at Paramount as President of Worldwide Marketing & Distribution, we’ve received news that a re-organization of both departments is underway Wednesday as the studio looks to meet consumers’ accelerated demands for content in a continued pandemic world. In total,
Broadway’s total weekly box office of $25,565,641 was up last week by about 12% over the previous week, with new re-arrival of a slimmed-down, one-part Harry Potter and the Cursed Child joining the roster. For the week ending Nov. 14, the 31 Broadway productions drew a combined total attendance of 214,681, up about 11% from
In the wake of redefining the measurement of binge-watching on streaming, Netflix’s new top 10 film chart for the week of Nov. 8-14 lists Rawson Marshall Thurber’s $200M action feature Red Notice as the No. 1 film for the period with 148.7M hours watched since Nov. 12; easily the most watched movie ever on Netflix for
Warner Bros.’ Elvis movie from Baz Luhrmann is going a bit later from June 3, 2022 to June 24, 2022. The pic will be a pure theatrical release, not hybrid day-and-date with HBO Max as Warner Bros. pivots from its pandemic 2021 distribution plan. Elvis’ departure from the first weekend of June leaves the frame up for grabs by
“There are real grounds for optimism in our industry,” Cineworld CEO Mooky Greidinger beamed today as the world’s second largest exhibitor issued a trading update. The company reached “an important milestone” in its recovery, generating positive cash flow in October, it said in the statement. Although it didn’t get into exact figures, Cineworld did report
Belfast, Kenneth Branaugh’s intensely personal story of one boy’s childhood in tumultuous late 1960s Northern Ireland, earned an estimated $1.8M in 580 locations this weekend for a PTA of $3,111 – a solid showing for a black-and-white film in a specialty market that’s waging what one distribution exec calls an “an inch-by-inch, week-by-week recovery.” The
Refresh for latest…: After seven weekends of offshore release, MGM/Eon/Universal’s No Time To Die continues to bond with audiences and has crossed $700M global. Importantly, that includes over $558M at the international box office, making Bond 25 the biggest Hollywood movie overseas in 2021 and throughout the pandemic era. The Cary Joji Fukunaga-directed NTTD had
Saturday AM Update: Despite the worst reviews for a Marvel movie, and a B CinemaScore, the second weekend of Disney/Marvel’s Eternals didn’t implode, now on track for a -62% weekend, which is on the high end of where we were expecting it with $27.4M. The pic made $7.8M yesterday, -75%. Through ten days, the Chloe Zhao directed
Sony, which doesn’t mess around with theatrical day-and-date releases like some other motion picture studios, can celebrate their Marvel sequel Venom: Let There Be Carnage crossing the $200 million mark in the US and Canada. It is the second movie to do so during Covid, after Disney/Marvel’s Shang-Chi and the Legend of the Ten Rings.
Sony Pictures Classics releases Telluride-darling documentary Julia with a national TV push, culinary events and virtual screenings through November hosted by famous chefs from Alice Waters (San Francisco) and Johnny Spero (Boston) to Jamie Bissonnette (Houston) and luminaries from New York, LA, Philly and Miami. Directors Betsy West and Julie Cohen talked up the film
Paramount’s Clifford the Big Red Dog, which is taking advantage of the Veterans Day holiday, leashed second place on its opening day Wednesday with $2.3M, which includes previews at 3,407 theaters. The Walt Becker-directed feature adaptation of the 58-year-old Scholastic children’s book IP also is available on Paramount+ as some studios practice a hybrid form of distribution
Imax has named former Lionsgate and Netflix publicity veteran Julie Fontaine as SVP Marketing in what is a newly created position at the large-format exhibitor. She will report directly to Imax chief marketing officer Denny Tu. Fontaine will oversee strategic marketing campaigns and creative for Imax’s global event features lineup as well as product and
This just in from Paramount: Transformers: Rise of the Beasts will no longer be opening on June 24, 2022 rather June 9, 2023. And the new Star Trek movie they’ve been in development on won’t launch on June 9, 2023 rather Dec. 22, 2023. The pic is in development with Matt Shakman attached to direct, as we first told
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