arthouse

Belfast, Kenneth Branaugh’s intensely personal story of one boy’s childhood in tumultuous late 1960s Northern Ireland, earned an estimated $1.8M in 580 locations this weekend for a PTA of $3,111 – a solid showing for a black-and-white film in a specialty market that’s waging what one distribution exec calls an “an inch-by-inch, week-by-week recovery.” The
0 Comments
Edgar Wright’s Last Night In Soho is an arthouse film that opened on 3,000 screens — a gamble in a theatrical market where multiplex-goers have been mostly turning out for big-budget, high-octane studio franchises. (Dune, Halloween Kills and No Time To Die took top spots this weekend, a soft one overall where Halloween parties may
0 Comments
Focus Features presents Edgar Wright’s Last Night In Soho, a twisty psycho-thriller with a great soundtrack, as Wes Anderson’s The French Dispatch goes wider, testing the appeal of a director whose films have been called the arthouse equivalent of Marvel. Last Night, a time-bending genre tale, unspools on just over 3,000 screens, not exactly specialty
0 Comments
After a long Covid delay, The French Dispatch opens this weekend with distributor Searchlight Pictures and the industry hoping the whimsical Wes Anderson’s film brings a touch of Grand Budapest Hotel-ish coin to the specialty box office. Hoping, but not counting on it, as the box office take beyond studio tentpoles has been largely dour
0 Comments
A24’s Lamb hit the top ten for the second week running (No. 8) at the North American box office, surging past $2 million. The Rescue expanded to 552 theaters, the widest documentary screen count since Roadrunner: A Film About Anthony Bourdain, said distributor Greenwich Entertainment, anticipating it will ultimately top $1M. Holdovers outperformed newcomers this weekend,
0 Comments
IFC presents Mia Hansen-Løve’s Cannes entry Bergman Island, Film Movement brings Wheel of Fortune and Fantasy to the arthouse this weekend, as A24’s surprise hit Lamb and Greenwich Entertainment’s The Rescue go wider week two after a strong open. It’s early days but a nascent specialty revival may be in the works ahead of a stream of
0 Comments
The Rescue, an arresting truth-is-stranger-than fiction story of a Thai youth soccer team trapped in a remote flooded cave system opens on five screens in NY/LA/Chicago this weekend in a specialty market waiting “for audiences to wake up and see that they’re missing out,” according to Ed Arentz, co-president of the doc’s distributor Greenwich Entertainment.
0 Comments
Neon presents Julia Ducournau’s Titane, the lauded Palme d’Or winner set to test a stressed specialty market even as Messrs. Venom and Bond crash into wide release this weekend and next. The edgy, high octane French tale about a woman with a metal plate in her head and an automotive fetish hits 562 screens in
0 Comments
Documentaries about a da Vinci and a dictator, a Pablo Larraín drama with Gael Garcia Bernal, a Donnie Yen martial arts thriller by the late Benny Chan, and CODA, Apple’s record-busting Sundance acquisition, make specialty bows this weekend as the arthouse sector fights through a slow reopening. “The market is still finding a balance right
0 Comments
The Paris Theater, an NYC cinematic landmark rescued by Netflix in 2019, will officially reopen August 6 with the streamer’s The Forty-Year-Old Version by Radha Blank and a week of repertory films programmed by the director. The only single-screen movie theater in Manhattan and the borough’s largest, with 545 seats, has hosted limited theatrical engagements
0 Comments
Two releases, very well reviewed and pretty widely available by recent specialty standards, look set to heat up the arthouse box office this weekend — Pig with Nicolas Cage in one of his best performances in years and Roadrunner: A Film About Anthony Bourdain open on 600 and 952 screens respectively, and only in theaters. Oscar-winning
0 Comments
Questlove’s Summer of Soul (…Or When The Revolution Could Not Be Televised) will hit a cumulative $1.4 million rising to an estimated $1.47 million Monday with a $375,000 second-week gross in 752 theaters. The best performing documentary so far this year “may possibly get to $2 million, that’s our goal,” said Searchlight Pictures head of
0 Comments