Paramount

EXCLUSIVE: After a successful launch of clips and footage at CinemaCon, Paramount is pushing its big Tom Cruise tentpoles, Top Gun: Maverick to May 27, Memorial Day weekend 2022, and Mission: Impossible 7 to Sept. 30, 2022. Again, these are big potential billion dollar grossing franchises co-produced with Skydance which require the world to be in an
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Tom Cruise has bungee jumped into corporate silos, climbed cliffs in Australia with his bare hands and clung to planes as they’re taking off in previous Mission: Impossible movies. But his next big stunt in Mission: Impossible 7 is motorcycle jumping off a cliff in Norway. “This is far and away the most dangerous thing I’ve attempted;
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Tom Cruise didn’t appear in person at CinemaCon; rather he flashed up on the big screen at Caesars’ Colosseum Theatre with Hayley Atwell from the set of Mission: Impossible 8.  After showing off BTS footage of Cruise’s next big stunt from Mission Impossible 7, Paramount rolled the first 13 minutes of their Skydance co-production Top Gun: Maverick due out
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Of course, any kind of day and date release puts exhibitors in competition with the studios’ streaming services, and no doubt there’s a loss of cash in the collapse of the theatrical and PVOD window. However, the worst takeaway from dynamic windows is piracy, plain and simple. Such was the message from CinemaCon’s first panel
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ViacomCBS has a lot of Yellowstone related content on tap for the end of 2021! MTV Entertainment Studios today announced Paramount Network’s #1 hit series, Yellowstone, is set to return Sunday, November 7th. ​In addition, Paramount+, the streaming service from ViacomCBS, announced the service’s upcoming series, Mayor of Kingstown and 1883 – the Yellowstone origin
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UPDATED with TIFF exit: Clifford the Big Red Dog, Paramount’s CG/live-action movie that was unset from its planned September 17 release, will also not world premiere at next month’s Toronto Film Festival. It had been set as a Gala Presentation via the pic’s Canadian rightsholder eOne, which confirmed the news today that it was removing
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Paramount Pictures has curbed the planned September 17 release of Clifford the Big Red Dog, its CGI/live-action take on the beloved kidlit character. We hear that the studio is looking for a more family-friendly release date for the pic, which also had been announced as a Gala Presentation at the Toronto Film Festival in September. The title’s
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FRIDAY AM Update: Refresh for updates Universal’s Old grossed $1.5M on Thursday night from 2,750 theaters that began showtimes at 7PM. This topped the Thursday night results for Paramount’s Snake Eyes: G.I. Joe Origins which did $1.4M, also starting at 7PM at 2,662 theaters. Both titles are respecting a theatrical window. As far as who wins at the
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Amazon did not report viewership figures for their $200M Skydance acquisition title The Tomorrow War, but third-party streaming analytics corp Samba TV did, and the Chris Pratt movie drew 2.41M U.S. households during the 4-day holiday weekend. The previous 3-day weekend viewership for Amazon movies Tom Clancy’s Without Remorse, another Skydance pick-up by the streamer, and
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The National Association of Theatre Owners, the Motion Picture Association, studios and industry figures are teaming for The Big Screen Is Back, a conference to be held on Wednesday, May 19 at the AMC Century City 15 in Century City, CA which will rally the comeback of exhibition as it reopens from the pandemic and present studios
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The Game is coming back! A revival has been ordered to series with original cast members Wendy Raquel Robinson (Insecure) and Hosea Chanchez (Black Lightning) reprising their roles as sports agent Tasha Mack and footballer Malik Wright, respectively, with several other legacy cast members making special appearances. The half-hour series will be executive produced by
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Big movie chain Cinemark announced Friday it’s now reached agreements to theatrically showcase films from all five major studio partners across its U.S. theaters, although it didn’t provide terms or many details. On a conference call with analysts to discuss the exhibitor’s just released first-quarter financials, CEO Mark Zoradi called each of the five deals
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Another Paramount theatrical release is leaving the calendar, and that is the Antoine Fuqua-directed Mark Wahlberg sci-fi thriller Infinite, which will hit the Paramount+ streaming service in June. ViacomCBS CEO Bob Bakish made it official today during the conglom’s earnings call. Infinite was recently dated to hit cinemas on Sept. 24. Exhibition need not worry: There’s a ton of
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EXCLUSIVE: We can tell you first that Top Gun: Maverick is leaving its July 2 weekend for November 19, taking over the release date where Paramount/Skydance’s other Tom Cruise sequel Mission: Impossible 7 resides. Meanwhile, Mission: Impossible 7 will now open on May 27, 2022, Memorial Day weekend, a holiday frame that has been a home for the
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In a clear sign that Paramount is committed to theatrical, but still open to the future of streaming,  A Quiet Place Part II and Mission: Impossible 7 will go on the streaming service 45 days after their theatrical release dates. A Quiet Place Part II was originally scheduled to open on March 20 last year before Covid derailed
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Paramount Pictures CEO Jim Gianopulos gets it; just like Disney CEO Bob Chapek gets it: You can’t have a successful streaming service without big theatrical event films. The two go hand-in-hand, so don’t try and muddy the waters. Big screen drives big franchises, which in turn drives streaming features and spinoff series. Exclaimed Gianopulos at
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The next My Little Pony movie has just been picked up by Netflix in a global rights deal excluding China. Paramount was set to release the movie on Sept. 24. The pic is from eOne’s animation outfit Boulder Media,  directed andby Rob Cullen and Jose Ucha, with co-director Mark Fattibene. Cecil Kramer and Peter Lewis produced. A
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Paramount is moving its animated feature Rumble from May 14 this year to Feb. 18, 2022. The movie directed by Hamish Grieve is set in the world of monster wrestling where monsters are superstar athletes. Teenage Winnie seeks to follow in her father’s footsteps by coaching a loveable underdog monster into a champion. Matt Lieberman and Etan
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Paramount made it official tonight that Lee Daniels’ The United States vs. Billie Holiday is off their theatrical release schedule. We first told you on Christmas Eve that the movie was headed over to Hulu, however, it wasn’t clear at that time whether Paramount would still wind up handling theatrical. Doesn’t look that way, and I hear
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