EXCLUSIVE: Deadline has learned that Oscar winning filmmaker Martin Scorsese will be making an appearance at CinemaCon this year to receive the Legend of Cinema Award. The honor will happen during a sitdown lunch discussion with Scorsese following Paramount Pictures’ Thursday morning presentation on April 27. It’s very timely as Scorsese in mid-May will have
Paramount
Prequels are all the rage these days. We love returning to beloved universes that feel familiar but have new stories to tell. Prime Video’s A League Of Their Own was a terrific example of taking the framework of the source material and transforming it into something that feels relevant to modern audiences and uplifts voices
Paramount and Hasbro eOne with the greatest of intentions have created an extremely fun, broad-audience appealing feature take on the classic roleplaying game, entitled Dungeons & Dragons: Honor Among Thieves, which already is 90% certified fresh on Rotten Tomatoes –not an easy feat with a genre movie of this caliber– and 94% with moviegoers. Paramount
RuPaul’s Drag Race All Stars has had its fair share of queens try to snatch the crown and the title of “America’s Next Drag Superstar.” RuPaul’s Drag Race All Stars is the battle of seasoned queens for that coveted spot in the Drag Race Hall of Fame. When RuPaul’s Drag Race queens return, they look
Paramount/Spyglass Media’s Scream VI is headed to a franchise-record opening of $50M+ worldwide from roughly 50 offshore territories including domestic. The most recent Scream pic opened to $48M WW, $30M from U.S./Canada last year. The highest opening for the Kevin Williamson-conceived horror series was Scream 3, which opened to $34.7M domestic in 2000. Scream VI,
The 3x Oscar-nominated Damien Chazelle-directed early Hollywood epic Babylon will hit Paramount+ on Feb. 21 in U.S and Canada, which is 61 days after its theatrical window. The Paramount/C2 movie which stars Brad Pitt, Margot Robbie, Diego Calva and Lukas Haas will also debut in U.K., Australia, Germany, Switzerland, Austria, Italy, Latin America, Brazil and
EXCLUSIVE: Paramount and Spyglass Media’s Scream VI hit tracking today with what looks to be a franchise opening record of $37M stateside. The previous highest opening for a Scream movie was Scream 3 back in 2000 which debuted to $34.7M stateside. Lots of factors contributing to the heat: You can’t deny the star power of
Paramount/eOne’s Dungeons & Dragons: Honor Among Thieves has become the latest Hollywood film to be granted access to China. The studio’s Weibo account posted the news early Monday local time, noting the adaptation of the iconic Hasbro role-playing game will debut March 31, day-and-date with North America. Paramount on Friday revealed its 30-second Super Bowl
With this year’s domestic box office expected to rise to $9 billion, of course, the major studios are taking Super Bowl LVII ad spots seriously. The big game, which last year attracted 112M viewers, remains an enormous bullhorn when it comes to drawing attention to your tentpole, and this year, starting with Disney/Marvel Studios’ Ant-Man
A flying ace, rampaging dinosaurs, Marvel, DC, Minions and battling blue aliens on a distant planet were among the highlights of 2022 for the Hollywood studios at the global and international box office. Still, it was yet another year of transition, with worldwide grosses reaching an estimated $26B — a 27% increase on 2021 but
We’ve just run down the best (and worst) of 2022. So, what’s got us excited for 2023? There is so much good TV waiting in the wings, not to mention some movies we’ve been aching to see. Here’s a list of everything we’re excited about in the entertainment world. Teen Wolf: The Movie (Paramount+) MTV’s
The motion picture industry remains in a state of rehabilitation. Just look at the majors’ domestic box office alone. Back in 2019, four studios grossed over a billion apiece, with Disney-Fox reaping $4.28 billion alone. This year, only three studios grossed $1 billion or more. And while we do get down to the nitty gritty,
Damien Chazelle’s $80M 1920s-set Hollywood epic Babylon went up in a blaze of fire at the domestic box office this past weekend with an awful $5.3M four-day start. Say what you will about harsh winter conditions impacting moviegoing across the country, however, this movie, which was greenlit by a previous Paramount regime and greatly supported
Nickelodeon Animation and Paramount have set 2025 theatrical release dates for a new SpongeBob Squarepants movie and Aang Avatar title. The fourth SpongeBob big screen feature will debut in cinemas on May 23, 2025 while Aang Avatar will open on Oct. 10, 2025. To date, the three SpongeBob movies, the first which kicked off in
Paramount’s Parker Finn-directed horror pic Smile has laughed all the way past the $200M mark worldwide. After six weeks in release – and with scary strong holds – the split through Sunday is $99.1M domestic and $103.8M from the international box office for a global cume of $202.9M. This original movie has positively beamed with
Criminal Minds was one of the most chilling series when it aired for 15 seasons on CBS. In its move to Paramount+ for Criminal Minds: Evolution, it looks like the series is embracing a darker tone than before as the gang joins forces all over again. Paramount+ today released the official trailer the 10-episode limited
Paramount’s Parker Finn-directed horror pic Smile has laughed its way across the $100M mark globally. And it did so in under two weeks of release. Through Tuesday, the gross is $102.3M worldwide, made up of $55.5M domestic and $46.8M from the international box office. From Paramount Players and Temple Hill, the movie has seen some
There might be a box office surprise this weekend in Paramount’s horror movie Smile. Yes, we’re serious. The pic, from writer-director Parker Finn, was developed by Paramount Players, and the studio took a wait-and-see approach as to where would land — on Paramount+ or theatrical. Then Paramount held a test screening, and Smile played to great
Continuing its hypersonic run, Paramount/Skydance’s Top Gun: Maverick has, in its 13th weekend of release, crossed the $1.4B mark worldwide, lifting the cume to a touch over $1.403B through today. When using restated international box office numbers, this would qualify the sequel as the 9th highest-grossing movie ever worldwide (currency exchanges are in massive flux
Refresh for latest…: The phenomenon that is Top Gun: Maverick continues as the Tom Cruise-starrer has surpassed the $600M mark at the international box office. This comes just days after it flew by $600M domestic. Now heading into its 8th weekend of global release, the Paramount/Skydance stunner has reached across $1.2B through Thursday worldwide. The
Paramount–Spyglass Media’s Scream made $3.5M from Thursday night previews that began at 7 p.m. at roughly 3,000 theaters. That’s a healthy take for a horror movie during the pandemic, pacing behind Halloween Kills and A Quiet Place II‘s Thursday nights which were $4.8M each and not too far behind pre-pandemic MLK weekend thriller Glass which did $3.7M. Glass saw a 3-day of $40M, but
Paramount Players romance feature The In Between will hit the Paramount+ streaming service on Friday, Feb. 11. The movie is a supernatural love story that centers on a teenage girl, Tessa (Joey King), who, after bouncing around in foster homes for most of her childhood, doesn’t believe she deserves her own love story. Everything changes
Sony/Marvel’s Spider-Man: No Way Home is expected to cede its No. 1 four-weekend run to Paramount and Spyglass Media’s Scream over the MLK four-day holiday, the latter eyeing a take that’s in the $20 million-plus range at 3,661 theaters. There’s a shot that Scream goes higher, but we’ll leave any lofty predictions in this funky pandemic, Spider-Man-dominated marketplace to what 18th
Before the pandemic, if there was something studio executives rubbed their hands about, it was the near total eclipse of the theatrical window. In 2021, for some studios that dream came true, and as far as 2022 goes, hopefully they’ve learned their lesson from this nightmare that, in Deadline’s annual survey, shows largely diluted box
Following the news of Marc Weinstock’s new oversee of a unified global marketing and distribution team at Paramount as President of Worldwide Marketing & Distribution, we’ve received news that a re-organization of both departments is underway Wednesday as the studio looks to meet consumers’ accelerated demands for content in a continued pandemic world. In total,
Saturday AM Update: Despite the worst reviews for a Marvel movie, and a B CinemaScore, the second weekend of Disney/Marvel’s Eternals didn’t implode, now on track for a -62% weekend, which is on the high end of where we were expecting it with $27.4M. The pic made $7.8M yesterday, -75%. Through ten days, the Chloe Zhao directed
As Taylor Sheridan’s production universe expands across many networks, his latest, Mayor of Kingstown, premieres Sunday on Paramount+. This new series from Sheridan and Hugh Dillon stars Jeremy Renner, Kyle Chandler, Dianne Wiest, Taylor Handley, and Aidan Gillen. We had the chance to chat with Sheridan’s frequent collaborator and Mayor of Kingstown executive producer, David
Paramount will continue to experiment with a theatrical day-and-date release model during the pandemic with eOne’s Clifford the Big Red Dog, a live-action CGI hybrid take of the 1963 Scholastic children’s book classic which hit theaters today at 1:30PM, goes wide tomorrow at 3,695 theaters and also drops on Paramount+. The movie is expected to do between
EXCLUSIVE: In the wake of being quite content with the theatrical and Paramount+ day-and-date release of Paw Patrol, the studio is putting the eOne/New Republic Pictures feature Clifford: The Big Red Dog back on the calendar for Nov. 10 in both theaters and on the CBSViacom streaming service. The decision is also due to the ongoing pandemic,
SEAL Team is leaving CBS behind. That much we’ve known for a while now. As previously reported, SEAL Team Season 5 will begin its run on CBS Sunday, October 10 at 10/9c. The first four episodes will air on CBS before it moves full-time to Paramount+. The CBS series finale airs Sunday, October 31. According