Sony/Wayfarer Studios’ It Ends with Us continues to blossom as it crosses the $200M global box office mark. With Wednesday’s numbers included, the Blake Lively-starring and -produced adaptation of Colleen Hoover’s popular novel counts $204.4M worldwide, of which $106.7M is from domestic and $97.7M from the international box office. There are box office flowers yet
International Box Office
Marvel Studios and Disney’s Deadpool & Wolverine has added to its list of records, now becoming the highest-grossing U.S. R-rated movie ever on a global basis. Getting there, the franchise snatches back the title from 2019’s Joker ($1.079B). Through Thursday, the Merc with a Mouth and the adamantium-clawed X-Man have grossed $1,085.6M (or $1.086B) worldwide.
20th Century Studios/Disney’s Alien: Romulus is gobbling up tickets around the globe, now poised to come in with a $100M worldwide opening — significantly higher than pre-weekend projections. This is notably due to the strength of the Fede Alvarez-directed sci-fi horror at the international box office, and more specifically in China. As Anthony has reported,
UPDATED: Deadpool & Wolverine has officially crossed the $1B global box office milestone this weekend, with $1.029B+ through Sunday. The international box office portion of the Marvel/Disney marvel is $535.2M and domestic is $494.3M, adding up to a total $1,029.5M. In reaching and surpassing the coveted milestone, the Ryan Reynolds and Hugh Jackman-fronted threequel becomes
Refresh for latest….: As we reported earlier today, Deadpool & Wolverine this weekend crossed the $1B global box office milestone, a major feat and with swagger to spare. But, hey, there’s a lot going on at turnstiles alongside the Merc with the Mouth. Impressively, a female-driven title that cost peanuts is making bank. To wit:
EXCLUSIVE: As it lights up the domestic box office, Sony and Wayfarer Studios’ It Ends with Us is also off to a more than lively start overseas. Out in just 68% of the international box office landscape, the Blake Lively-starrer grossed $13.3M through Friday in 42 markets. This points to an offshore weekend debut of
Deadpool & Wolverine is nearing the $900 million global box office mark as it enters its third week of worldwide play. With Tuesday’s grosses included, the current total on the Shawn Levy-directed smash is $879.2M, of which $421M comes from domestic and $458.2M from the international box office. When today’s figures are tallied, the global
Deadpool & Wolverine is nearing the $900 million global box office mark as it enters its third week of worldwide play. With Tuesday’s grosses included, the current total on the Shawn Levy-directed smash is $879.2M, of which $421M comes from domestic and $458.2M from the international box office. When today’s figures are tallied, the global
The joyride continues for Disney and Pixar’s Inside Out 2 which has entered the list of Top 10 highest-grossing movies ever worldwide. Now thisclose to $1.524B global ($1,523.9M) through Wednesday, the sequel has cruised past Furious 7 ($1.515B) and The Avengers ($1.521B) to land the No. 10 spot on the all-time chart. Through Wednesday, the
The boys are at it again, with yet another milestone crossed. Including Thursday’s numbers, Deadpool & Wolverine has licked the six-century global box office milestone, now counting $630.4M worldwide. Is it bittersweet that this means D&W has overtaken the lifetime of Hugh Jackman-starrer Logan’s $619M global (likewise an R-rated movie and one which is heavily referenced
Refresh for latest…: It may be a stretch, but we could coin a new phrase and call this the cat days of spring. To wit: Sony/Alcon’s The Garfield Movie, which began early overseas release last month, took the No. 1 spot for Hollywood on the domestic, international, and global charts this frame. The offshore session
Refresh for latest…: Warner Bros’ Furiosa: A Mad Max Saga was greeted with a very warm reception during its Cannes Film Festival world premiere in an early showcase last week, and amid much love for franchise architect George Miller. It has followed up with strong critical and social scores. Nevertheless, in this currently wonky theatrical
Refresh for latest…: After starting early offshore release on John Krasinski’s IF last weekend, Paramount expanded the imaginary friends film to another 56 international box office markets this session. The overseas frame was worth $20M, bringing the international running cume to $24M. With domestic’s $35M debut, the worldwide total is now $59M. Despite some unfriendly
Following the global success of Oppenheimer and Dune: Part Two, Imax is looking forward to its biggest ever “filmed for Imax” slate in 2025, including at least 14 titles currently shooting with Imax film or Imax-certified digital cameras, which are due for release next year. The company said today that the 2025 slate more than
Alex Garland’s Civil War has been set for a June 7 theatrical release date in China. This marks the first time an A24 production will officially hit cinemas there. The dystopian thriller was acquired by Huahua Media in the market with Alibaba set to partner on the local release. After world premiering at SXSW, Civil
EXCLUSIVE: 20th Century Studios/Disney’s Kingdom of the Planet of the Apes is beating its chest towards a $125M global bow this weekend. At the international box office, we understand the Wes Ball-directed installment is at around $31M through Friday. As Anthony has reported, domestic is looking at a $52M-$55M start for the full frame. Overseas,
After debuting early last weekend, Universal’s The Fall Guy expanded to 78 overseas markets during its sophomore session, adding $25.4M for a running total of $36.9M at the international box office. That’s in line with Bullet Train and above The Lost City at the same point in release. Globally, the David Leitch-directed action romance is
EXCLUSIVE: DreamWorks Animation/Universal’s Kung Fu Panda 4 crossed the $500M mark globally this past weekend, reaching the milestone on a staggered release pattern that has worked well for the partners in the past (think Puss in Boots: The Last Wish). Through Wednesday, it’s at $324M international box office and $509M worldwide. Directed by Mike Mitchell
Refresh for latest…: Universal/DreamWorks Animation’s Kung Fu Panda 4 has topped the half-century mark globally, now with $503.5M worldwide. Of that, $318.5M is from the international box office. Passing $500M makes KFP4, directed by Mike Mitchell (and co-directed by Stephanie Ma Stine), only the fourth animated title to the benchmark since 2020, joining Illumination’s The
The Roundup: Punishment, the fourth film in the blockbuster Korean franchise, has set a new all-time opening day presales record in its home market. Releasing there today, the crime actioner that stars and is executive produced by Ma Dong-seok (aka Don Lee), had amassed over 834,000 ticket reservations as of Wednesday morning local time, accounting
Refresh for latest…: For the fourth weekend in a row, Warner Bros/Legendary Entertainment’s Godzilla x Kong: The New Empire was the top studio movie at the global and international box office. While it’s true there have not been a whole lot of wide releases on a worldwide level since the start of the year, it’s
Refresh for latest…: As it crossed the $1B international box office milestone this past weekend, Warner Bros again owned the frame with Godzilla x Kong: The New Empire and its third session haul of $33.7M from 71 markets. That was good for a 47% drop from the previous weekend and lifts the overseas cume to
Led by Dune: Part Two and Godzilla x Kong: The New Empire, Warner Bros has crossed the $1B mark at the international box office, becoming the first studio to reach the milestone this year. Getting there in just 15 weeks, this also sets a new speed record for WB, besting the 17 weeks it took
Refresh for latest…: A busy holdover weekend for wide studio releases was led by the trio of Godzilla x Kong: The New Empire, Kung Fu Panda 4 and Dune: Part Two. And, in a soaring performance, Hayao Miyazaki’s Oscar winner The Boy and the Heron swooped into China helping the market set a new Qingming
Following a slightly stronger than projected first quarter at the international box office, and with some titles added to the release calendar later in the year, Gower Street Analytics has increased its global box office projection for 2024 to $32.3B. This is a 2.5% hike from the London-based firm’s previous 2024 estimate of $31.5B, but remains a
Fack Ju Göhte spinoff Chantal in Fairyland (Chantal im Märchenland) capitalized on its strong start in Germany last Thursday, turning in a weekend performance for the record books. With $6.2M through Sunday, the time travel adventure from Constantin Film scored the best Easter opening frame ever for a German movie in the home market, as
UPDATE, EXCLUSIVE: Hit Vietnamese romance drama Mai has notched yet another new milestone, reaching $2M in North America and Europe box office in just two weeks. That makes it the highest grossing Vietnam-produced film of all time on the two continents. Heading into its third weekend of international release, Mai now has a global box
Warner Bros/Legendary Entertainment’s Dune: Part Two held strongly in its sophomore session at the international box office, adding $81M to handily cross the $200M overseas milestone, and reaching $367.5M globally. We’ll dig further into Dune 2’s second frame below, including its China start. In the meantime, let’s look at what’s new this weekend. Universal/DreamWorks Animation’s
EXCLUSIVE: Specialty distributor 3388 Films has acquired rights to Vietnamese smash Mai, and has set a March 22 theatrical release across North America and Europe. From director Tran Thanh, the romance drama is now the No. 1 movie of all time in Vietnam, having crossed 500B VND ($20M) locally this past week. Mai will go
Sony’s Will Gluck-directed Anyone But You crossed $200M globally over this past weekend, injecting fresh life into the romcom genre and proving yet again that when done right, these films can travel theatrically and bring audiences together for a communal experience. Savvy marketing, viral moments and two hot young stars in Glen Powell and Sydney
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