Refresh for latest…: There were two new Hollywood entries at the international box office this weekend as both Warner Bros/Village Roadshow/Heyday Films’ Wonka and Universal/Illumination’s Migration began early offshore rollout, though on different patterns. It was good news all around with Timothée Chalamet-starrer Wonka launching to $43.2M in 37 markets, well ahead of pre-weekend projections.
International Box Office
Christopher Nolan’s Oppenheimer has been confirmed for a theatrical release in Japan. Although it did not specify an exact date, local distributor Bitters End said today that the biographical epic will be in Japanese cinemas in 2024. The decision was made “following months of thoughtful dialogue associated with the subject matter and acknowledging the particular sensitivity for
Warner Bros/Village Roadshow/Heyday Films’ Wonka begins early release in 37 international box office markets this session, ahead of the domestic bow on December 15. Next week will also see the addition of all other overseas markets, save Korea which is going at the end of January. Current estimates for this frame’s offshore bow — which
Refresh for latest…: New global entry Queen Bey’s concert movie/documentary Renaissance: A Film By Beyoncé put a ring on a $27.4M global debut this weekend. Included in that is $6.4M from 2,621 overseas cinemas. While the movie is rated 100% by both audiences and critics on Rotten Tomatoes, it did come in low versus offshore
With its seventh weekend numbers tallied, Taylor Swift: The Eras Tour has topped the $250M global benchmark. At $250.01M per AMC, the split is a little over $178.2M domestic with $71.8M coming from the international box office. The highest-grossing concert film ever domestically began worldwide rollout in mid-October, opening to $92.8M in North America for
As it continues its rapid global growth, IMAX has set a significant expansion of its partnership with Pathé Cinemas in Europe, pacting for five new IMAX with Laser systems locations, four of which will be in France. The agreement also spans distribution, with IMAX and Pathé Live set to release three upcoming Pathé Live films
Ridley Scott’s Napoleon through Thursday has grossed an estimated $21M worldwide. The Apple Original Films and Sony Pictures action epic is now eyeing a $70M-$73M five-day global opening, including $40M from the international box office. Should those numbers hold, this will be well ahead of pre-weekend projections. The Joaquin Phoenix-starrer stormed into eight overseas markets
Refresh for latest…: Lionsgate’s The Hunger Games: The Ballad of Songbirds & Snakes very (very) narrowly missed the $100M mark globally in its opening weekend, but it’s as near as dammit with an estimated $98.5M through Sunday worldwide. The Francis Lawrence-directed prequel came in slightly higher than pre-frame projections overseas with $54.5M from 87 international
Bollywood superstar Salman Khan has outdone himself, with Tiger 3 scoring his biggest opening day ever, as well as a new record for the top-grossing Diwali Day in the history of Hindi cinema. From Yash Raj Films, the latest in producer Aditya Chopra’s YRF Spy Universe grossed an estimated 94 crore ($11.35M) globally this weekend,
Remember the bright shining light that was Captain Marvel when she showed up to shepherd Tony Stark to safety in the first few minutes of 2019’s Avengers: Endgame? Well, judging by this weekend’s projections for Carol Danvers’ latest outing, that light has dimmed. Disney/Marvel’s The Marvels is headed for an estimated global opening through Sunday
Warner Bros/Heyday Films’ Wonka has been granted a December 8 release in China, a week ahead of the domestic start and as part of an early overseas rollout for the Timothée Chalamet-starrer. Wonka will be going the same day as Universal/Illumination’s Migration in China. These are just two of a raft of Hollywood movies to recently
Universal/Blumhouse’s Five Nights at Freddy’s was still plenty game this weekend, crossing $100M at the international box office and $200M worldwide. The sophomore frame overseas, where this is a pure theatrical play, dipped 54% to deliver $35.6M in 74 markets for a $103.5M offshore cume and $217.1M global. Fazbear and crew have surpassed the reported
Martin Scorsese’s Killers of the Flower Moon has set a milestone, crossing the $100M mark at the global box office through Thursday. As it heads into its third frame, the epic western crime saga from Apple, Paramount and Imperative Entertainment is at $102.1M worldwide, including $45.3M domestic and $56.8M from the international box office. The
Refresh for latest…: Universal/Blumhouse’s Five Nights at Freddy’s is gaming its way to an estimated $130.6M global opening, higher even than we had it yesterday as this phenom is now eyeing a $52.6M bow from 64 international box office markets. As Anthony has chronicled, the domestic $78M opening is a stunner — and amid the
The phenomenon that is Universal/Blumhouse’s Five Nights at Freddy’s is currently looking at a global opening of $130M. Fazbear and crew are playing in 64 international box office markets where they are expected to reach $52M through Sunday. The worldwide number reps the biggest horror opening of the year and the biggest global debut ever
EXCLUSIVE: Ahead of its U.S. release on November 3, Eugenio Derbez-starrer Radical is off to a great start in Mexico. The film, which won the Festival Favorite Award when it premiered at Sundance in January, opened last weekend in Mexico, selling 631.7K tickets, outdoing the sophomore frame of Taylor Swift: The Eras Tour, as well
There were two major new entries this weekend at the international box office, one local (Tamil thriller Leo: Bloody Sweet) and one from Hollywood. Starting with the latter, Martin Scorsese’s Killers of the Flower Moon from Apple, Paramount and Imperative Entertainment, had a big opening with $21M in 63 offshore markets and No. 1s in
In yet another move to increase its footprint in Asia, IMAX is expanding its partnership with Hengdian Films via an agreement for 20 new IMAX with Laser systems across China. This marks the largest deal for new IMAX systems in four years, reinforcing the strong demand among Chinese exhibitors and audiences for the premium experience
Refresh for latest…: Taylor Swift: The Eras Tour may have missed the century mark in regards to a domestic opening, but the 12x Grammy winner was always guaranteed that number worldwide, with AMC reporting this AM that the Sam Wrench-directed concert pic has racked up $126M-$130M. The international box office opening is estimated at $31M-$33M.
Refresh for latest…: Just as it came in lower than hoped for domestically, Universal/Blumhouse/Morgan Creek’s The Exorcist: Believer didn’t fully convert overseas audiences, summoning a $17.9M international box office debut for $45.1M global. The R-rated David Gordon Green-directed reboot/sequel did see some of its 52 launch markets give it a No. 1 start, while in
Refresh for latest…: Here we are with a sort of hybrid weekend at the international box office: there were fresh entries from the Hollywood studios, as well as major new titles timed to holiday play in local markets, and a holdover that’s continuing to rack up records. On the studio side, Paramount/Spin Master’s Paw Patrol:
Disney/Marvel’s The Marvels has secured a China release on November 10, day-and-date with North America. The sequel to the $1 billion+ worldwide grossing Captain Marvel is the latest major studio tentpole to be granted access to the market since Oppenheimer went out August 30. It’s also wasting no time in spreading the word locally, leveraging
Refresh for latest…: Warner Bros/New Line’s The Nun II continued to conjure strong business around the globe this weekend, taking the top spot again worldwide and overseas. The sophomore session of $30.1M in 72 offshore markets brings the international box office cume to $102.3M and worldwide to $158.8M so far. More on The Nun II
In its latest milestone, Christopher Nolan’s Oppenheimer has passed the $900M mark worldwide. The estimated total through Friday is $903M, including $586M from the international box office. With Saturday and Sunday numbers, that global cume is projected to reach $912M. This will make it the highest grossing biopic ever at the global box office, ahead
Refresh for latest…: There’s a lot to unpack this weekend at the international box office, including a flying start for Warner Bros/New Line’s The Nun II, Indian superstar Shah Rukh Khan continuing to outdo himself and a major milestone afoot for Christopher Nolan’s Oppenheimer. Meanwhile, Barbie has danced past $1.4B worldwide. Let’s start with the
Shah Rukh Khan has outdone himself. After a record-breaking run with Pathaan in January, the Indian superstar has hit new milestones with his latest, Jawan, which scored the biggest ever opening day worldwide for a Hindi film on Thursday at 129.6 crore ($15.5M). The Thursday debut was also the best ever in India for a
Though Labor Day is upon us domestically — and its somewhat equivalents in many overseas markets to mark the end of summer — the hits keep coming as holds this session were strong on the season’s leaders while a new entry surprised. To wit, and starting with the latter: Sony/Escape Artists’ The Equalizer 3 blazed
The two seemingly unstoppable phenoms of summer 2023 are each setting new milestones this weekend as Greta Gerwig’s Barbie through Friday has become the No.1 film of the year globally, overtaking The Super Mario Bros Movie with $1.365B. In the same breath, Christopher Nolan’s Oppenheimer this frame is continuing its incredible run with the Universal
Christopher Nolan’s Oppenheimer officially launched in China today, grossing an estimated $5.4M. Word of mouth is strong with the Universal title carrying a 9.5 on Maoyan, the platform’s best-ever audience score for a Nolan film. The Douban critics score at 8.7 is on par with 2012’s The Dark Knight Rises. The weekend is shaping up to
Time was, Hollywood filmmakers would regularly travel to China in support of their movies, attending premieres and holding Q&As to drum up buzz in the massive box office market. The pandemic halted that ritual — until this week when Christopher Nolan became the first major Hollywood filmmaker since Covid to stroll a red carpet in
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