C’mon C’mon is distributor A24’s first platform release post pandemic, opening on five screens in New York (Angelika and Lincoln Square) and LA (Grove, Landmark and AMC Burbank) It’s s vote of confidence — launching in the strongest markets and letting word of mouth spread only works if there are signs of life. Specialty distributors
Exhibition
“There are real grounds for optimism in our industry,” Cineworld CEO Mooky Greidinger beamed today as the world’s second largest exhibitor issued a trading update. The company reached “an important milestone” in its recovery, generating positive cash flow in October, it said in the statement. Although it didn’t get into exact figures, Cineworld did report
Belfast, Kenneth Branaugh’s intensely personal story of one boy’s childhood in tumultuous late 1960s Northern Ireland, earned an estimated $1.8M in 580 locations this weekend for a PTA of $3,111 – a solid showing for a black-and-white film in a specialty market that’s waging what one distribution exec calls an “an inch-by-inch, week-by-week recovery.” The
Sony Pictures Classics releases Telluride-darling documentary Julia with a national TV push, culinary events and virtual screenings through November hosted by famous chefs from Alice Waters (San Francisco) and Johnny Spero (Boston) to Jamie Bissonnette (Houston) and luminaries from New York, LA, Philly and Miami. Directors Betsy West and Julie Cohen talked up the film
Paramount’s Clifford the Big Red Dog, which is taking advantage of the Veterans Day holiday, leashed second place on its opening day Wednesday with $2.3M, which includes previews at 3,407 theaters. The Walt Becker-directed feature adaptation of the 58-year-old Scholastic children’s book IP also is available on Paramount+ as some studios practice a hybrid form of distribution
Imax has named former Lionsgate and Netflix publicity veteran Julie Fontaine as SVP Marketing in what is a newly created position at the large-format exhibitor. She will report directly to Imax chief marketing officer Denny Tu. Fontaine will oversee strategic marketing campaigns and creative for Imax’s global event features lineup as well as product and
AMC CEO Adam Aron, who already has announced a push into retail popcorn sales and accepting payment in cryptocurrencies, waxed enthusiastic Monday at a flood of new ventures suggested by the chain’s 4.1 million retail investors. The floated ideas include everything from an AMC credit card and a return to movie producing to its own
AMC Entertainment saw revenue jump to $763 million last quarter, beating Wall Street forecasts on a strong movie slate and accelerating theatrical recovery. Adjusted EPS losses of 44 cents a share shrank from a loss of $8.41 a year ago. Analysts had anticipated sales of $708 million with an EPS loss of 53 cents. As
Neon’s Spenser with Kristin Stewart rang in an opening weekend of $2.149 million on 996 screens, a per screen average of $2,158 as the film failed to connect in a market that remains a stubbornly hard sell for specialty and independent films. The well-reviewed (with raves for Stewart as Lady Diana) reimagining by director Pablo
Refresh for latest… Disney/Marvel’s Eternals has come in ahead of projections with an opening weekend of $90.7M at the international box office, and $161.7M global when paired with domestic. This gives the Chloé Zhao-directed film bragging rights to the second-biggest worldwide opening for a Hollywood title in 2021. The global debut sets Eternals 26% ahead
Cinemark, the nation’s third-largest movie chain, grew revenue and slashed losses last quarter, the first one since Covid with 100% of its theaters open. Talking with Wall Streeters on his last conference call as CEO, Mark Zoradi described a push into gaming (hiring a VP, setting up a dedicated division) as well as wrestling and
UPDATED, Friday midday: Disney’s Eternals is heading toward a $30 million Friday, including those $9.5M previews from last night. Given that Friday is typically around 40% of the weekend, this will put the Chloé Zhao-directed movie in the $70M-$75M range from what we’ve figured. Again, this could fluctuate up or down by Saturday morning. Do the fans
Neon presents Spencer on just under 1,000 screens, Pablo Larraín’s well reviewed psychological drama about the weekend Princess Diana rewrote the future of the British monarchy. The film is said to be looking at a $2-$2.5 million opening with an 84% Certified Fresh critics’ score on Rotten Tomatoes but a 50% audience score (albeit from
EXCLUSIVE: The Most Reluctant Convert: The Untold Story of C.S. Lewis grossed $1.205 million Wednesday night at special showings in 400+ theaters across North America (a $2,863 per-screen average) and has added more cinemas/runs through Nov. 18. The biopic, directed by Emmy and BAFTA Award-winning filmmaker Norman Stone, traces the spiritual journey of renowned author
Theatrical giant AMC Entertainment announced it’s “expanding its business outside of the traditional theatrical exhibition industry with plans to capture a piece of the growing multi-billion dollar popcorn market.” That means it will be selling AMC Theatres Perfectly Popcorn through four new platforms starting next year, including at AMC Theatres Perfectly Popcorn kiosks at select
The domestic box office is in store for a resurge again with Disney/Marvel’s deep universe IP Eternals this weekend, heading toward $75M in 4,000 locations. Previews begin Thursday night at 6PM. Fandango is reporting this AM that the Chloe Zhao directed feature is now the second best pre-seller among this year’s blockbusters in Fandango’s advance ticket sales.
Disney/Marvel’s Eternals which is set to keep the fall box office rally going is looking at a global opening of $150M, a number that’s poised to best the $128M WW start of Shang-Chi and the Legend of Ten Rings back in early September, and emulate the $150M filed by Black Widow which had a Disney+ Premiere day-and-date component in select
Universal is transporting next year’s DreamWorks Pictures’ sci-fi movie Distant from March 11 to September 16. Distant leaves behind Disney/Pixar’s Turning Red on its old date and now will face off against Lionsgate’s family movie White Bird: A Wonder Story and Sony’s untitled George Foreman biopic on its new date. The pic directed by Josh Gordon and Will Speck
Update: The Man From Toronto is walking away from MLK weekend 2022 where Kevin Hart has traditionally launched his Ride Along movies and will now open on Aug. 12, 2022. Man From Toronto leaves behind Spyglass and Paramount’s reboot of Scream on MLK, as well as the Ben Affleck and Ana de Armas 20th Century Studios thriller Deep Water and
Refresh for latest…: MGM/Eon/Universal’s No Time To Die, as projected, crossed the $600M global mark this weekend, leading international box office play with an additional $51.9M from 72 combined Universal and MGM markets. That lifts the offshore cume to $472.4M and worldwide to $605.8M. The bulk of the weekend’s business came from China where 007
Edgar Wright’s Last Night In Soho is an arthouse film that opened on 3,000 screens — a gamble in a theatrical market where multiplex-goers have been mostly turning out for big-budget, high-octane studio franchises. (Dune, Halloween Kills and No Time To Die took top spots this weekend, a soft one overall where Halloween parties may
Focus Features presents Edgar Wright’s Last Night In Soho, a twisty psycho-thriller with a great soundtrack, as Wes Anderson’s The French Dispatch goes wider, testing the appeal of a director whose films have been called the arthouse equivalent of Marvel. Last Night, a time-bending genre tale, unspools on just over 3,000 screens, not exactly specialty
Imax sales surged last quarter as it delivered $142 million in global box office sales — up 100% year-over-year. It’s since broke records for the high-grossing month of October, with Dune being the latest hit Stateside, and said it expects an accelerating pipeline of blockbusters set for exclusive theatrical release to further build consumer momentum
UPDATED, 9:59 AM: Sony Pictures Classics said today that its film Mothering Sunday will get a limited release on February 25 in Los Angeles and New York following its weeklong awards-qualifying run in November. The pic, which premiered at Cannes in July, will expand to other markets in the ensuing weeks, the distributor said. Mothering Sunday
In mid-September, Gower Street Analytics projected global box office for 2021 would come in at $20.2B. The London-based film tech company has now increased its estimate to $21.6B, with the possibility of hitting a nice round $22B. The reason for the shift is primarily driven by the strong performance of October titles including China’s The
Wes Anderson’s The French Dispatch did what a glum arthouse market was waiting for, revved it up with a smashing three-day average. “If Wes builds it, they will come,” said an elated Searchlight Pictures after a two year wait to get the film into theaters. It opened in 14 markets and in a total of
Refresh for latest…: There were milestones aplenty this weekend at the global and international box office with three Hollywood heavy-hitters reaching important new benchmarks. Among them, MGM/Eon/Universal’s No Time To Die crossed both $400M overseas and $500M worldwide while Sony’ Venom: Let There Be Carnage topped $350M globally. The weekend leader, however, was Warner Bros/Legendary’s
Legendary and Warner Bros. sci-fi epic Dune excavated $5.1M from 6PM showtimes at 3,200 theaters. The Denis Villeneuve directed adaptation of the Frank Herbert novel was made available on HBO Max streaming service as early as 3PM PST/6PM EST. In China, Legendary East is reporting $6.5M opening day for Dune at 10,500 cinemas/28,274 screens. The pic is ranking as
After a long Covid delay, The French Dispatch opens this weekend with distributor Searchlight Pictures and the industry hoping the whimsical Wes Anderson’s film brings a touch of Grand Budapest Hotel-ish coin to the specialty box office. Hoping, but not counting on it, as the box office take beyond studio tentpoles has been largely dour
Denis Villeneuve’s sci-fi epic Dune hit China today with an estimated RMB 42 million ($6.5 million) on 28,274 screens and a 34.3% share of the market. While we do not yet have a social score, Friday’s estimate would portend a weekend in the $20M+ neighborhood as we noted coming into the session. Handled in China
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