UPDATED, Friday midday: Disney’s Eternals is heading toward a $30 million Friday, including those $9.5M previews from last night. Given that Friday is typically around 40% of the weekend, this will put the Chloé Zhao-directed movie in the $70M-$75M range from what we’ve figured. Again, this could fluctuate up or down by Saturday morning. Do the fans
Exhibition
Neon presents Spencer on just under 1,000 screens, Pablo Larraín’s well reviewed psychological drama about the weekend Princess Diana rewrote the future of the British monarchy. The film is said to be looking at a $2-$2.5 million opening with an 84% Certified Fresh critics’ score on Rotten Tomatoes but a 50% audience score (albeit from
EXCLUSIVE: The Most Reluctant Convert: The Untold Story of C.S. Lewis grossed $1.205 million Wednesday night at special showings in 400+ theaters across North America (a $2,863 per-screen average) and has added more cinemas/runs through Nov. 18. The biopic, directed by Emmy and BAFTA Award-winning filmmaker Norman Stone, traces the spiritual journey of renowned author
Theatrical giant AMC Entertainment announced it’s “expanding its business outside of the traditional theatrical exhibition industry with plans to capture a piece of the growing multi-billion dollar popcorn market.” That means it will be selling AMC Theatres Perfectly Popcorn through four new platforms starting next year, including at AMC Theatres Perfectly Popcorn kiosks at select
The domestic box office is in store for a resurge again with Disney/Marvel’s deep universe IP Eternals this weekend, heading toward $75M in 4,000 locations. Previews begin Thursday night at 6PM. Fandango is reporting this AM that the Chloe Zhao directed feature is now the second best pre-seller among this year’s blockbusters in Fandango’s advance ticket sales.
Disney/Marvel’s Eternals which is set to keep the fall box office rally going is looking at a global opening of $150M, a number that’s poised to best the $128M WW start of Shang-Chi and the Legend of Ten Rings back in early September, and emulate the $150M filed by Black Widow which had a Disney+ Premiere day-and-date component in select
Universal is transporting next year’s DreamWorks Pictures’ sci-fi movie Distant from March 11 to September 16. Distant leaves behind Disney/Pixar’s Turning Red on its old date and now will face off against Lionsgate’s family movie White Bird: A Wonder Story and Sony’s untitled George Foreman biopic on its new date. The pic directed by Josh Gordon and Will Speck
Update: The Man From Toronto is walking away from MLK weekend 2022 where Kevin Hart has traditionally launched his Ride Along movies and will now open on Aug. 12, 2022. Man From Toronto leaves behind Spyglass and Paramount’s reboot of Scream on MLK, as well as the Ben Affleck and Ana de Armas 20th Century Studios thriller Deep Water and
Refresh for latest…: MGM/Eon/Universal’s No Time To Die, as projected, crossed the $600M global mark this weekend, leading international box office play with an additional $51.9M from 72 combined Universal and MGM markets. That lifts the offshore cume to $472.4M and worldwide to $605.8M. The bulk of the weekend’s business came from China where 007
Edgar Wright’s Last Night In Soho is an arthouse film that opened on 3,000 screens — a gamble in a theatrical market where multiplex-goers have been mostly turning out for big-budget, high-octane studio franchises. (Dune, Halloween Kills and No Time To Die took top spots this weekend, a soft one overall where Halloween parties may
Focus Features presents Edgar Wright’s Last Night In Soho, a twisty psycho-thriller with a great soundtrack, as Wes Anderson’s The French Dispatch goes wider, testing the appeal of a director whose films have been called the arthouse equivalent of Marvel. Last Night, a time-bending genre tale, unspools on just over 3,000 screens, not exactly specialty
Imax sales surged last quarter as it delivered $142 million in global box office sales — up 100% year-over-year. It’s since broke records for the high-grossing month of October, with Dune being the latest hit Stateside, and said it expects an accelerating pipeline of blockbusters set for exclusive theatrical release to further build consumer momentum
UPDATED, 9:59 AM: Sony Pictures Classics said today that its film Mothering Sunday will get a limited release on February 25 in Los Angeles and New York following its weeklong awards-qualifying run in November. The pic, which premiered at Cannes in July, will expand to other markets in the ensuing weeks, the distributor said. Mothering Sunday
In mid-September, Gower Street Analytics projected global box office for 2021 would come in at $20.2B. The London-based film tech company has now increased its estimate to $21.6B, with the possibility of hitting a nice round $22B. The reason for the shift is primarily driven by the strong performance of October titles including China’s The
Wes Anderson’s The French Dispatch did what a glum arthouse market was waiting for, revved it up with a smashing three-day average. “If Wes builds it, they will come,” said an elated Searchlight Pictures after a two year wait to get the film into theaters. It opened in 14 markets and in a total of
Refresh for latest…: There were milestones aplenty this weekend at the global and international box office with three Hollywood heavy-hitters reaching important new benchmarks. Among them, MGM/Eon/Universal’s No Time To Die crossed both $400M overseas and $500M worldwide while Sony’ Venom: Let There Be Carnage topped $350M globally. The weekend leader, however, was Warner Bros/Legendary’s
Legendary and Warner Bros. sci-fi epic Dune excavated $5.1M from 6PM showtimes at 3,200 theaters. The Denis Villeneuve directed adaptation of the Frank Herbert novel was made available on HBO Max streaming service as early as 3PM PST/6PM EST. In China, Legendary East is reporting $6.5M opening day for Dune at 10,500 cinemas/28,274 screens. The pic is ranking as
After a long Covid delay, The French Dispatch opens this weekend with distributor Searchlight Pictures and the industry hoping the whimsical Wes Anderson’s film brings a touch of Grand Budapest Hotel-ish coin to the specialty box office. Hoping, but not counting on it, as the box office take beyond studio tentpoles has been largely dour
Denis Villeneuve’s sci-fi epic Dune hit China today with an estimated RMB 42 million ($6.5 million) on 28,274 screens and a 34.3% share of the market. While we do not yet have a social score, Friday’s estimate would portend a weekend in the $20M+ neighborhood as we noted coming into the session. Handled in China
MGM/Eon/Universal’s No Time To Die is crossing $368M at the international box office and $474M worldwide with today’s business included — and that confirms something we’ve been expecting from Mr Bond. To wit: the 25th 007 movie is now the No. 2 Hollywood movie globally and overseas of 2021; both benchmarks, in studio terms, coming
EXCLUSIVE: Arthouse streamer and distributor Mubi is launching a U.S. in-theater offering this month letting members see one film a week that it selects at participating cinemas starting in New York City. It said Mubi Go will roll out nationwide in selected markets with LA next in early 2022. Mubi Go (available in the U.K.
A24’s Lamb hit the top ten for the second week running (No. 8) at the North American box office, surging past $2 million. The Rescue expanded to 552 theaters, the widest documentary screen count since Roadrunner: A Film About Anthony Bourdain, said distributor Greenwich Entertainment, anticipating it will ultimately top $1M. Holdovers outperformed newcomers this weekend,
Refresh for latest…: Sony’s Venom: Let There Be Carnage chomped on a big chunk of the international box office this weekend as it swallowed a $62.3M mouthful from 44 overseas markets. This follows from the symbiote’s record-breaking Russia and Latin America starts over the past few weeks. The Tom Hardy-starrer has now cumed $115.6M overseas
MGM/Eon/Universal’s No Time To Die stormed the UK when it opened on September 30, going on to become the market’s highest-grossing film of 2021 across just its launch frame. The film’s full weekend bow was $35.1M, the UK’s sixth biggest of all time and the biggest three-day start in the franchise’s history — and this
IFC presents Mia Hansen-Løve’s Cannes entry Bergman Island, Film Movement brings Wheel of Fortune and Fantasy to the arthouse this weekend, as A24’s surprise hit Lamb and Greenwich Entertainment’s The Rescue go wider week two after a strong open. It’s early days but a nascent specialty revival may be in the works ahead of a stream of
AMC Theatres guests can now find select showtimes utilizing an open caption format at 240 AMC locations, in more than 100 U.S. markets. The offering of some open caption showtimes for all new release movies is intended to expand the overall movie-going audience, especially intended for those with hearing difficulties or where English is a
Netflix and Caruso are re-opening the legendary Bay Theater in Palisades Village, which was closed during the pandemic. The previous lease holder was Cinépolis, which revived the venue back in 2018. The theater adds another footprint in an awards voter neighborhood for streamer Netflix; which also operates the Paris in NYC and teamed with the
EXCLUSIVE: We hear that a decision was made late Thursday night to cancel ShowEast, the exhibition conference that was set for November 8-11 in Miami. “Because of the pandemic and Covid, may of the studios aren’t prepared to travel. Many of the studios still have travel restrictions. If we’re going to do a show, we
Alamo Drafthouse Wednesday announced the opening of its Manhattan theater as the chain expands it footprint in a slowly recovering arthouse market. Alamo Drafthouse Lower Manhattan, in the financial district, plans a soft launch through Oct. 21 with guest discounts on concessions as staff trains and gets up to speed. It’s the company’s third New
NatGeo’s The Rescue by Chai Vasarhelyi and Jimmy Chin (Free Solo) stormed the specialty box off in five runs in NYC, LA and Chicago this weekend with a nearly $14,000 per screen average — the best opening PSA for a documentary playing in more than one market in over two years. (Estimated three-day cume was
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