It stands to reason that Lionsgate’s tentpole John Wick: Chapter 4 would move off Memorial Day weekend 2022 after Paramount plopped Tom Cruise’s long-awaited sequel Top Gun: Maverick on May 27. The Chad Stahelski fourthquel will now debut on March 24, 2023 as revealed in a teaser that just dropped. I hear that principal photography just wrapped on
Exhibition
It’s going to be a really rich Christmas for exhibition, Sony and Marvel as Spider-Man: No Way Home barrels toward potentially the third best 2nd weekend ever with around $143M over the long Christmas period of Dec. 24-27. Already, through four days, the Jon Watts MCU title counts $297.2M in the U.S. and Canada, +3%
Canada, after delivering 7% of Spider-Man: No Way Home‘s $260M domestic opening weekend, will see its Quebec province shut down cinemas in addition to bars and gyms as public health officials look to slow the spread of the Omicron Covid variant. CBC reports that Quebec Health Minister Christian Dubé made the decision to prevent a strain
Holdovers Drive My Car, Red Rocket and The Scary Of Sixty First looked good in limited runs on a weekend with few new specialty releases and even fewer numbers. Streamers – which presented The Lost Daughter (Netflix), Swan Song (Apple) and The Tender Bar (Amazon), don’t reveal them and smaller distributors often report early in
Refresh for latest…: Sony/Marvel’s Spider-Man: No Way Home has become the third biggest global opener of all-time with $587.2M. Crossing the $500M mark makes it only the sixth film ever to the milestone in a launch frame. The Jon Watts-directed MCU entry instantly becomes the No. 6 movie of 2021 worldwide (No. 3 for the
National CineMedia, the nations’ biggest in-theater advertising firm, had a tough 2020 but is unspooling a reimagined Noovie Preshow this weekend timed to the record eyeballs awaiting Spider-Man: No Way Home. A consortium of the nation’s biggest theater chains, National CineMedia’s preshow, the cornerstone of its business, runs on 2,100 screens, about 75% of the
Guillermo del Toro’s remake of the 1947 thriller Nightmare Alley is going full noir next month. Searchlight Pictures said Friday that a black-and-white version of the new pic starring Bradley Cooper will get a limited theatrical release in Los Angeles. Titled Nightmare Alley: Vision in Darkness and Light, the b/w take hits screens on January 14, with
Much-lauded The Lost Daughter, Tribeca Fest winner The Novice, George Clooney’s The Tender Bar plus Swan Song with Mahershala Ali and the doc President dip a toe in the specialty market this Spidey-centric weekend amid gathering Covid clouds. The question: how will a surging infection rate (that just closed down theaters in Denmark and is
The Cinerama Dome isn’t opening anytime soon, so hold off on reserving those seats. Despite news about the Dome’s owners renewing a liquor license at the 58-year old Sunset Boulevard movie house, Deadline has learned there is absolutely no re-opening date set for the venue. Not 2022, maybe 2023. Here’s why: The entire Cinerama Dome
For all the mishegaas exhibition has endured during the pandemic including streaming threats, day-and-date window crunching, older demos not showing up, local ordinances and countless release-date changes and eliminations, Sony’s Spider-Man: No Way Home arrives this weekend to save the day. The hope here is that Sony’s theatrical window-respecting release not only jolts the worldwide cinema
Sony Pictures Classics has set a March 25 theatrical release date for The Duke, directed by the late Roger Michell. The film starring Jim Broadbent and Helen Mirren will open in theaters in New York and Los Angeles before expanding in the following weeks. The dramedy is currently playing at the Laemmle Royal in Los Angeles
Taking an early look at 2022, Gower Street Analytics is projecting global box office to reach $33.2B next year. That would rep a 58% increase on 2021 if the current year stays on track for the London-based firm’s projected approximate $21B (this is a slightly revised number from its October prediction for the year, in
Imax grossed $95,000 live simulcasting the Kanye West (with special guest Drake) benefit concert at the L.A. Coliseum to 35 Imax theaters — a one-night event Thursday that included seven sellouts despite being available to stream live on Amazon Prime. The show, Imax’ first live concert event, comes as the large format exhibitor experiments with
Sean Baker’s Red Rocket, the highest-profile specialty opening to report numbers this weekend (i.e. not distributed by a streamer) posted a solid $96,953 for a per screen average of $16,158 in six theaters in New York/Los Angeles. Critics are calling the film about a washed up porn star returning to his hostile Texas hometown audacious
A24 presents Red Rocket in six theaters this weekend ahead of a limited expansion in New York and LA, adding Chicago, Austin and San Francisco next weekend with a wider rollout over the holidays to several hundred screens. The dark comedy by Sean Baker (The Florida Project, Tangerine) premiered at Cannes to a five-minute standing ovation
The Alamo Drafthouse movie chain is opening its first theater in Washington, D.C. Friday. The Alamo Drafthouse D.C. Bryant Street will be the newest outpost of the cinema-eatery, which also debuted its first Manhattan location this fall. The nine-screen, 873-seat theater at 630 Rhode Island Ave NE spanning 45,000+ square feet is the Austin-based company’s
Neon and Participant opened animated documentary Flee to a $25,033 debut in four locations. That makes for a strong per-theater average of $6,258 ahead of a rollout early next year for the much-decorated Danish film ahead of Academy Award nominations Feb. 8. It’s one of a few rather particular offerings, including Drive My Car, that
The arthouse is awash with well reviewed new offerings from Danish animated doc Flee to Paulo Sorrentino’s Hand of God to IFC’s Benedetta heading into awards season and amid a paucity of new wide releases. The first weekend of December following the five-day Thanksgiving frame is notoriously slow at the box office, but also a
Disney’s animated movie Encanto received a $1.5 million start Tuesday off showtimes starting at 6 p.m., as the pic opens today in 3,980 theaters. The movie, which features a soundtrack from Emmy-, Grammy- and Tony-winning Lin-Manuel Miranda, is expected to make $35M-$40M over the next five days. So far, Encanto is 94% fresh on Rotten Tomatoes off 67
Disney will continue to embrace the theatrical window over the Thanksgiving stretch with the Jared Bush/Byron Howard/Charise Castro Smith-directed Colombia-set animated musical Encanto which is looking to hook families with a $35M-$40M five-day domestic start and another $35M+ overseas as the movie debuts day-and-date in all offshore territories except China, Australia, New Zealand, Philippines and Vietnam.
EXCLUSIVE: The highest grossing movie during the pandemic, MGM/United Artists Releasing’s No Time to Die was also the most pirated movie for the period of November 15-21. In addition, the most ripped TV season over the last week was Amazon’s adaptation of the Robert Jordan fantasy novel The Wheel of Time. All of this information
Refresh for latest…: There was a lot of holdover play this session overseas with one new Hollywood addition in Sony’s Ghostbusters: Afterlife which came in essentially on par with pre-weekend offshore projections at $16M in 31 international box office markets. However, with domestic’s overperformance, the Jason Reitman-directed sequel trapped a better-than-expected $60M global opening. In
C’mon C’mon from A24 turned in the best per-screen average for a limited platform release since Covid at five theater in New York and LA as stellar critical response was met by strong exit polls ahead of a wider rollout into top markets over Thanksgiving and continued expansion thereafter. The Mike Mills’ awards contender led
MGM/Eon/Universal’s No Time To Die is crossing $733M worldwide this weekend, making it the highest grossing Hollywood film of 2021 — and of the pandemic era. After topping $708M through last Sunday, and becoming the biggest Hollywood movie overseas in 2021 and throughout the pandemic, we’ve been expecting Mr Bond to overtake the previous global
Sony’s Ghostbusters: Afterlife is off to a promising start at the pre-Thanksgiving box office with $4.5M, ahead of Sony’s 2016 all-femme reboot which posted a Friday of $3.5M. While Sony was projecting $27M-$28M, and the industry higher $30M-$35M, Thursday night’s ticket sales (which started at 4PM at 3,450 locations) puts the Jason Reitman-directed feature in a position
C’mon C’mon is distributor A24’s first platform release post pandemic, opening on five screens in New York (Angelika and Lincoln Square) and LA (Grove, Landmark and AMC Burbank) It’s s vote of confidence — launching in the strongest markets and letting word of mouth spread only works if there are signs of life. Specialty distributors
“There are real grounds for optimism in our industry,” Cineworld CEO Mooky Greidinger beamed today as the world’s second largest exhibitor issued a trading update. The company reached “an important milestone” in its recovery, generating positive cash flow in October, it said in the statement. Although it didn’t get into exact figures, Cineworld did report
Belfast, Kenneth Branaugh’s intensely personal story of one boy’s childhood in tumultuous late 1960s Northern Ireland, earned an estimated $1.8M in 580 locations this weekend for a PTA of $3,111 – a solid showing for a black-and-white film in a specialty market that’s waging what one distribution exec calls an “an inch-by-inch, week-by-week recovery.” The
Sony Pictures Classics releases Telluride-darling documentary Julia with a national TV push, culinary events and virtual screenings through November hosted by famous chefs from Alice Waters (San Francisco) and Johnny Spero (Boston) to Jamie Bissonnette (Houston) and luminaries from New York, LA, Philly and Miami. Directors Betsy West and Julie Cohen talked up the film
Paramount’s Clifford the Big Red Dog, which is taking advantage of the Veterans Day holiday, leashed second place on its opening day Wednesday with $2.3M, which includes previews at 3,407 theaters. The Walt Becker-directed feature adaptation of the 58-year-old Scholastic children’s book IP also is available on Paramount+ as some studios practice a hybrid form of distribution
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