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EXCLUSIVE: With the new animated version of Teenage Mutant Ninja Turtles: Mutant Mayhem, Paramount has vibrantly revived the near 40-year-old Kevin Eastman and Peter Laird-conceived comic IP for another generation: As the pic barrels toward $100M at the global box office, Deadline hears from sources that the Teenage Mutant Ninja Turtles brand is heading toward $1 billion+
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Led by Rajinikanth-starrer Jailer and Anil Sharma’s Gadar 2, box office in India reached record-breaking numbers this weekend. According to the Producers Guild of India and Multiplex Association of India, the August 11-13 frame was the busiest single weekend since the beginning of the pandemic. What’s more, across three days, ticket sales hit more than
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Refresh for latest…: It’s still a Barbie world this weekend as the Greta Gerwig-directed charmer reached a global cume of $1.184B. Last session, Margot Robbie’s living doll crossed the $1B threshold, and in this 4th frame added $45.1M in 75 offshore markets (a 47% dip) to bring the international box office cume to $657.6M.  Overall,
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Jailer, the Tamil-language action thriller with one of India’s most enduring stars, blasted off to circa $2.56 million on 450 screens, hitting the top ten at the box office this weekend, according to Comscore. Bollywood (Hindi), Tollywood (Telugu) and Kollywood (Tamil) pics, which open day-and-date in India, occasionally cross over to general audience, especially following
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Jurassic Park will hit theaters again on Aug. 25 in celebration of the Steven Spielberg pic’s 30th anniversary. The movie will be re-released in RealD 3D-equipped theaters across North America. Jurassic Park was converted to 3D in 2013 for the film’s 20th anniversary. The original 1993 release of the film shattered box office records, setting
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Releases keep coming but talent is not comfortable promoting films, even indies, even if productions have waivers or don’t need them. Where that’s leading isn’t clear. “Who’s going to take the plunge first? We’ll see. The festivals will be the big test,” said one independent distribution exec. From a moderate release like Jules, in nearly
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CEO Adam Aron has expounded on Twitter and most recently on AMC Entertainment’s latest earnings call about the risk of a cash crunch and even bankruptcy if it wasn’t able to secure financing in a still uncertain box office climate. Today he can breathe easier as a Delaware Chancery Court Judge approved a revised shareholder
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FRIDAY AM UPDATE: The only new wide release this weekend is Amblin’s period Dracula horror pic The Last Voyage of the Demeter being distributed by Universal. It made $750K last night in previews from showtimes that began at 5PM in 2,350 theaters in what is expected to be an underwhelming 3-day single digit million result
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IFC Films is beefing up its depleted leadership ranks, naming Nicole Weis VP of Distribution. Judy Woloshen also joins as VP of Public Relations, managing national publicity efforts across IFC’s three film brands (IFC, RJLE Films, Shudder). Weis, who will manage theatrical rollout for the film group’s slate, was previously VP of sales and distribution
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Giant theater chain AMC Entertainment has promoted Ellen Copaken to SVP Marketing, effective immediately. She was also appointed to sit on the company’s management executive committee. Copaken joined AMC in February of as VP, Growth Strategy, and led the exhibitor’s AMC Perfectly Popcorn launch in more than 2,600 Walmart stores (and Walmart.com) ), delivering “sales
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Deadline has confirmed that Warner Bros’ billion-dollar grossing Barbie won’t be getting a release in Kuwait, and it’s skating on thin ice in Lebanon. While local censorship authorities in Kuwait have deemed the Margot Robbie-Ryan Gosling pic as going against the grain of their values; Lebanon, which is typically liberal when it comes to LGBTQ+
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The Will Rogers Picture Pioneers Foundation is holding a screening of Star Wars: Empire Strikes Back on Aug. 30, 7PM at the TCL Chinese Theatre in Hollywood to raise funds for its charity. The non-profit provides support to a multitude of national health and social service programs, as well as financial assistance to members of
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AMC Entertainment’s CEO Adam Aron warned that the chain risks financial peril if it can’t raise fresh cash as needed while exhibition continues its post-Covid recovery amid Hollywood strikes. The world’s biggest move chain saw second-quarter earnings surge, sales jump and things looked great in movieland with the three months ended in June and the
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The Miracle Club will move back into 200-300 movie theaters nationwide August 18 for the rest of the summer due to an “overwhelmingly positive response” from audiences that the distributor said translated into a demand for additional playdates. The film by Irish director Thaddeus O’Sullivan with a starry ensemble cast opened July 14, the week before
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With this weekend’s grosses, Sony/Screen Gems/Stage 6 Films/Blumhouse’s Insidious: The Red Door has become the biggest horror movie of the year globally at $182.5M, edging M3GAN’s worldwide cume of $180.8M. The current frame was worth $2.5M from 59 overseas markets for an international cume of $101.8M. The Insidious franchise has now earned over $735M worldwide. Already last frame, the Patrick
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Parade, winner of this year’s Tony Award for Best Musical Revival, ended its Broadway run on a very high note Sunday, grossing a big $1,814,013 and selling out its special nine-performance week. That’s a house record for the Jacobs Theatre. The Jason Robert Brown-Alfred Uhry musical was among the top earners on Broadway for the
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National CineMedia shares are popping today in a down market as the cinema advertising company emerged from Chapter 11 and named former top executives of NBCUniversal, HBO and Fox to a reconstituted, and pretty impressive, board of directors. Lauren Zalaznick, formerly EVP & Chair, Entertainment & Digital Networks, Comcast NBCUniversal, is now board chair. “We
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CatVideoFest, which is just what it sounds like, joined notable indie debuts and festival favorites Shortcomings and Passages, the re-release of Shiva Baby and juggernaut Talk To Me in another weekend of varied specialty fare, both new and holding over. Indies are helping drive a buoyant box office. They’re also waiting for the Barbenheimer tsunami
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Cinemark CEO Sean Gamble said Hollywood strikes currently delaying the production, and promotion, of new films won’t affect “key fundamentals” of a revived exhibition business although they might extend the “recovery trajectory of theatrical film volume a bit.” “We know that our studio partners are doing everything they can to minimize the disruption of content
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Festivals past are populating a busy specialty market this weekend with films from Sundance and Venice. Sony Pictures Classics is giving Randall Park’s Shortcomings a substantial 400+ screen release. See Deadline review. Mubi is out with Passages in New York and LA – both premiered to critical acclaim in Park City. There’s been some drama
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As she heads into the third weekend of release, Warner Bros’ Barbie has hit two new milestones, crossing both $500M at the international box office and the nine-century mark worldwide. The Greta Gerwig-directed phenomenon added $16.8M from 69 offshore markets on Thursday, bringing the overseas total to $509.7M through yesterday. Globally, the doll is standing
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Christopher Nolan’s Oppenheimer has reached the $500M global milestone, on its way to an estimated $551M through Sunday. This would make it the filmmaker’s fifth-highest-grossing film of all time, ahead of Dunkirk. The worldwide total through Friday is $499.3M, meaning that it has already topped the five-century mark today. Overseas, the Universal title is expected to see an
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