Along with the shift of animated movie Transformers One by one week in September this year, Paramount pushed the Aang Avatar animated movie from Oct. 10, 2025 to Jan. 30, 2026. The Lauren Montgomery directed animated film stars the voice of Dave Bautista (this was made official at CinemaCon last week), Eric Nam, Dionne Quan, Jessica Matten
Paramount
Transformers One, is going now on Sept. 20 instead of Sept. 13. The move comes as the studio has secured Imax screens for the movie produced by Lorenzo di Bonaventura, Don Murphy, Tom DeSanto, Michael Bay, Mark Vahradian, and Aaron Dem. In addition, the reception for the 3D movie was so phenomenal out of CinemaCon
Has it been 10 years? Yes, and thus, Paramount said Thursday that it will re-release Christopher Nolan‘s 2014 fall tentpole Interstellar. The Warner Bros co-production will hit theaters this fall. The movie grossed $188 million at the box office stateside, and north of $733M worldwide. Prints for Interstellar will include 70MM and Imax. The movie
Refresh for More…Paramount ended their CinemaCon 2024 on an epic note, that being Ridley Scott’s Gladiator II. The logo was unveiled and title made official today at the Las Vegas studio exhibitor confab. Raised stakes here: Rhinos, man-eating monkeys, battling boats in the Colosseum and a very quotable, wise, fierce Roman statesman played by Denzel
What do you do when your conglom might be a target for a takeover. Don’t sweat it and laugh. As Skydance remains in talks with Paramount Global’s majority shareholder National Amusements to take control of the studio Paramount Pictures CEO Brian Robbins made light of sales talks before exhibitors at CinemaCon in Las Vegas saying
The trailer for Paramount‘s Smile 2 came as a surprise this morning during the studio’s session at CinemaCon. Though not introduced, when the images first hit the screen, it was easy to assume Paramount was distributing a Lady Gaga concert movie (it truly felt that way). But as it continued, it was clear Naomi Scott
Paramount’s Bob Marley: One Love had offshore audiences getting together and feeling more than alright in Wednesday international box office play. Beginning overseas release yesterday, the Reinaldo Marcus Green-directed biopic grossed $4.9M across 10 markets, several of them giving the story of the reggae icon No. 1 status and the biggest or second-biggest launch day
Globally, including most everywhere overseas, 2023 box office was led by a mix of Barbie, The Super Mario Bros. Movie and Oppenheimer, curious bedfellows who nevertheless proved that cultural phenomena can come in different forms and set turnstiles spinning. Both the global and international box office saw improvement in 2023 versus 2022 with an estimated
Exhibitors are lighting candles and saying prayers that Paramount‘s feature musical redux Mean Girls carries them big-time throughout January after a dry spell caused by the double strikes. Ya see, for the next three weeks following Mean Girls, there isn’t a major studio wide release until Apple Original Films’ Argylle arrives on February 2 via
Paramount‘s new twist on Mean Girls arrived on tracking today and let’s just say it’s not just hot with the cool girls. With double digit in unaided awareness among older and younger women over and under 25, the feature take of the Tina Fey scripted Broadway musical is looking at a $27M+ opening over the
Bravo Team, as we know it, is probably over. That much we’ve been pondering since SEAL Team Season 6 wrapped up this year with Jason opening up about his afflictions. With many other SEALs coming to his side, it gave the sense that the show was traveling in a very different direction. With SEAL Team
We’ve been clamoring for more Criminal Minds since Criminal Minds Evolution Season 1 left us gasping due to its shocking revelations. Despite scoring a speedy renewal, the long-running drama that morphed into a streaming series a year ago hasn’t yet entered production. Earlier this year, there was word that filming would begin imminently, so fresh
Martin Scorsese’s Killers of the Flower Moon has set a milestone, crossing the $100M mark at the global box office through Thursday. As it heads into its third frame, the epic western crime saga from Apple, Paramount and Imperative Entertainment is at $102.1M worldwide, including $45.3M domestic and $56.8M from the international box office. The
It’s not your typical November Sweeps, but FBI TRUE will feature all-new cases and episodes that haven’t been aired before on Paramount+. CBS announced Tuesday that the cases highlighted would include the Ruby Ridge Standoff, the manhunt for spy Robert Hanssen, the Times Square Bomber, the disappearance of Chyenne Kircher, and more. The November 7
EXCLUSIVE: Apple Original Films and Paramount‘s Killers of the Flower Moon landed on more tracking services Thursday. The three-hour-plus epic directed by Martin Scorsese and starring Leonardo DiCaprio is set for an opening around $24 million when it goes wide on October 20. Duly note, that new tracking service Quorum, which does six-week projections, had
Altering an initial platform-release plan, Apple Original Films will instead launch the Cannes Film Festival hit Killers of the Flower Moon to a wide global theatrical release October 20. Apple is partnered with Paramount Pictures on the theatrical release. This before the Martin Scorsese-directed film that stars Robert De Niro, Leonardo DiCaprio and Lily Gladstone
EXCLUSIVE: With the new animated version of Teenage Mutant Ninja Turtles: Mutant Mayhem, Paramount has vibrantly revived the near 40-year-old Kevin Eastman and Peter Laird-conceived comic IP for another generation: As the pic barrels toward $100M at the global box office, Deadline hears from sources that the Teenage Mutant Ninja Turtles brand is heading toward $1 billion+
Looking to find its way and pull boys in, Teenage Mutant Ninja Turtles: Mutant Mayhem is getting a mid-week start here with previews yesterday grossing $3.85M. Showtimes started at 2PM for the Jeff Rowe-directed feature and the outlook is $30M over 5-days for the net $70M production. Some trackers have it at $40M. Mutant Mayheim
Paramount/Skydance’s Mission: Impossible – Dead Reckoning Part One is off and running overseas with a $39.8M cume through Thursday in 48 international box office markets. This includes Wednesday openings in some markets and a strong paid preview program. With domestic’s Wednesday/Thursday plus previews, that brings the global total on the Tom Cruise-starrer to $$63.6M through
EXCLUSIVE: Paramount/Skydance’s Mission: Impossible: Dead Reckoning – Part One is looking at $6M-$7M in previews so far, which is bound to be higher than the Thursday previews of the last Mission Impossible – Fallout back in 2018 which did $6M. This is according to sources. The figures we’re seeing now could go higher or lower.
Can Tom Cruise save summer? Despite the onslaught of shiny product that hasn’t delivered, i.e. Flash and Indiana Jones and the Dial of Destiny, the summer domestic box office at $2.1 billion per Comscore is pacing 6% behind last year’s for the period of May 1 to July 9. All eyes are on the best
Paramount President of International Theatrical Distribution Mark Viane kicked off the studio’s CineEurope presentation with his annual fun pre-taped video, this time essaying the role of Mission: Impossible’s Ethan Hunt before appearing on stage dragging a parachute behind him in an homage to Tom Cruise’s latest spectacular stunt in Mission: Impossible – Dead Reckoning Part
Paramount/Skydance/Hasbro’s Transformers: Rise of the Beasts is on the prowl overseas with $43.3M through Friday in 68 markets. This portends a $100M+ international box office debut, in line with projections. The domestic three-day is looking at $60M. China, a key market for the franchise, released the Autobots and Maximals at No. 1 on Friday with $11.8M,
Summer’s tentpole rumble continues this weekend with Paramount’s seventh Transformers movie, Transformers: Rise of the Beasts, which is heat-seeking $155 million at the worldwide box office for its opening frame, $100M of that offshore. The movie reps a concentrated reboot by the studio of the long-in-tooth robots-in-disguise franchise, which has suffered in latter installments from
Ever since Lawmen: Bass Reeves landed a series order at Paramount+, we’ve been eagerly awaiting updates on the project. It seems that anything Taylor Sheridan touches becomes a hit. While we know some details about the show, many have been left up in the air. Thankfully, some exciting news broke Tuesday with the announcement that
If you started watching 1923 on Paramount Network and didn’t follow the show to Paramount+, we have some good news: The Helen Mirren and Harrison Ford-fronted Yellowstone prequel is getting a home media release. 1923: Season 1, the next installment of the Dutton family drama, arrives on DVD and Blu-ray on August 8. The home
Talk about legs — or, more appropriately, wings: Paramount/Skydance’s Top Gun: Maverick is still playing in Japanese cinemas a full year on from its debut. Continuing on from a stratospheric and super-leggy run, the sequel, on its 365th day of release, became Tom Cruise’s biggest film ever in the market. In doing so, it overtook
Alexis Sides had big dreams when he moved from Cabo San Lucas, Mexico, to Vancouver, BC, Canada. Last year they came true. With only a few student films under his belt, Sides was cast as Potato (Pedro), the T-Bird in Paramount+’s prequel series Grease: Rise Of The Pink Ladies. We caught up with Sides to
James Cameron climbs the ladder to cut the net for winning Deadline’s 2022 Most Valuable Blockbuster Movie Tournament after Avatar: The Way of Water cleared over a half-billion dollars in profit after all ancillaries. Given the sleeper nature of this sequel, and given the overall boom expected from this year’s global box office to $32
Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
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