Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
Exhibition
Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
Amazon MGM Studios’ Challengers, starring Zendaya and directed by Luca Guadagnino, made $1.9M in previews, a figure $100K shy of what Universal’s Cocaine Bear did. The tennis sexy romcom is hoping to open to $15M for the weekend. Lionsgate and Kingdom Story’s Unsung Hero made $1.67M in previews. It’s important to note that for both
EXCLUSIVE: Amazon MGM Studios has begun the countdown for Project Hail Mary, its Ryan Gosling-starring, Phil Lord- and Christopher Miller-directed space adventure, which has been given a March 20, 2026 release date. No other wide entries are on that weekend. Producers are Amy Pascal, Gosling, Lord, Miller, Aditya Sood, Rachel O’Connor and Andy Weir. The
Yes, this just happened — to big cheers. Producer Graham King showed up to close Lionsgate CinemaCon session in a big way Wednesday showing off an emotional first trailer for the Michael Jackson biopic Michael, the movie that hits theaters on April 18, 2025. Director Antoine Fuqua is still shooting the movie, but a first-look
Australian filmmaker George Miller, whose origins story Furiosa will world premiere at the Cannes Film Festival next month before Warner Bros begins its global rollout May 22, says he’s still making Mad Max movies “because they’re very addictive.” Miller was speaking at CinemaCon on Monday in Las Vegas where he received the International Career Achievement in Filmmaking Award. During
No dart gun, or First Omen, or Monkey Man will put Legendary/Warner Bros’ Godzilla x Kong: The New Empire to sleep this weekend. The pic, after an unexpected $80 million Easter weekend start, will continue to rumble with a 55%-60% second-weekend drop to between $32M-$36M. Through four days, the Adam Wingard-directed Monsterverse title stands at
Apes are hot these days coming off of Godzilla x Kong: The New Empire, and beast fever will spill over into the weekend of May 10-12 when 20th Century Studios‘ Kingdom of the Planet of the Apes is looking to open to $54 million-$61 million. That’s the latest forecast from tracking service Quorum, which reports
FRIDAY UPDATE: Dune: Part Two added 42 international box office markets on Thursday, taking the offshore cume on the Denis Villeneuve-directed sequel to $20.8M in a total 55. This includes two full-days of play and previews in those markets. The Warner Bros/Legendary Entertainment sci-fi spectacular is the No. 1 U.S. title in all markets and
Super Bowl weekend, despite its damper on Sunday business, used to be a box office frame that could still yield results, even for films aimed at dudes. Like in 2015, when the sixth weekend of American Sniper drummed up $30.7 million, or in 2020, when the third weekend of Bad Boys for Life did $17.6M.
With Apple and Amazon Studios embracing theatrical distribution to enhance their content on streaming, is Netflix far behind? Despite the streamer dipping its toes in the water with a $15 million-grossing limited release of Glass Onion: A Knives Out Mystery during Thanksgiving 2022, and a hot title in the July 3 release of Eddie Murphy’s
Apple Original Films‘ third movie to go wide in theaters, the $200M Matthew Vaughn directed Argylle, hits cinemas this weekend via a distribution deal with Universal and a mid-teens start is expected. As the old saying goes in distribution, ‘It would be nice if it had a 2 in front of it,’ meaning a $20M+
Vue International, Europe’s largest independent movie theater operator, is in discussions with its shareholders and lenders on a fresh debt-for-equity restructuring. This comes after last year’s dual WGA and SAG-AFTRA strikes caused production delays and pushed a number of titles off of the 2023 and 2024 release calendars. Overall, the industry is facing a severe
Exhibitors are lighting candles and saying prayers that Paramount‘s feature musical redux Mean Girls carries them big-time throughout January after a dry spell caused by the double strikes. Ya see, for the next three weeks following Mean Girls, there isn’t a major studio wide release until Apple Original Films’ Argylle arrives on February 2 via
B. Riley analyst Eric Wold, who has stayed generally bullish on the movie theater business despite its recent trials, is now warning investors that the arrival of a “down box office year” has made him “increasingly cautious.” In a note to clients about his 2024 outlook, Wold wrote that he expects the stock performance of
MONDAY AM writethru: Yes, Virginia, there is a Santa Claus, and he’s delivering the motion picture industry a $9 billion-plus year at the domestic box office, a feat many thought was unimaginable with the lack of a mega-tentpole over the holiday, coupled by a Q4 impacted by the double strikes. The numbers were compiled from
Releasing three tentpole movies into December, Warner Bros is walking away with bragging rights to giving the holiday season an important boost – particularly given the absence of an Avatar or a Spider-Man as in recent years. In total, WB’s three titles on release have grossed $700 million since Wonka first began offshore rollout on
There will be blood at the box office in 2024. And not the type that comes with two studio tentpoles going at each other. Nah, as Barbenheimer showed this past year, that’s actually great for business. We’re talking the red-ink kind, and it will be felt on both sides, studios and cinemas, with the latter
UPDATED, 11:07 AM: Dune: Part Two is just a little bit closer now. Warner Bros said today that Denis Villeneuve’s sequel starring Timothée Chalamet will open March 1, two weeks earlier that planned. PREVIOUSLY, August 24: In what was to be expected, Legendary Entertainment and Warner Bros’ anticipated sequel Dune: Part Two from Denis Villeneuve
Former National Association of Theatre Owners executives John Fithian, Patrick Corcoran and Jackie Brenneman have launched a new consulting firm The Fithian Group to advise global exhibition clients on strategy, partnerships, innovation and strategic communications. “We have spent the last couple of decades helping to guide the cinema industry through the biggest challenges it has
Theater chain AMC will make a handsome profit from distributing Taylor Swift: The Eras Tour and from its box office grosses, which passed $232 million globally, said CEO Adam Aron. He declined to give any numbers until year end since both Swift — and Renaissance: A Film By Beyoncé, which launches Dec. 1 — fall
Deadline has compiled a list of the highest-grossing movies at the North American box office for each since 1989, including the most recent winner, 2023’s Barbie. With a few noted exceptions, the list is dominated by superheroes, Star Wars, animation and, of course, Harry Potter. Click on the photo above to launch the photo gallery
Radical with Eugenio Derbez built on its smash opening in Mexico to hit no. 5 at the U.S. box office with a super $2.7 million at 416 theaters. The Pantelion film had delayed its debut Stateside by two weeks to skirt The Eras Tour juggernaut, allowing word of mouth to build for the drama about
Cinemark CEO Sean Gamble said Apple and Amazon, two behemoths of the tech world but newcomers to the wide-release movie business, are so far “very pleased” with their results. During a conference call with Wall Street analysts to discuss third-quarter results, the major exhibitor boss said Cinemark’s conversations with the two tech firms indicate they
EXCLUSIVE: Warner Bros‘ highly anticipated Paul King-directed feature musical Wonka has hit early tracking six weeks before its release on Dec. 15 with box office analytics corp The Quorum predicting a $20M-$23M opening. Note it’s still early in the campaign, so there’s potential for upside. Unlike other tracking services which project three weeks before a
A24’s Priscilla by Sofia Coppola catapults from four screens to 1,300, Alexander Payne’s The Holdovers from Focus Features expands to 60 from six and two new indies have wide debuts — What Happens Later from Bleecker Street, directed by and starring Meg Ryan, opens at 1,400 locations and Daisy Ridley-starring The Marsh King’s Daughter from Roadside
Let the feast begin: Thanksgiving releases and awards season contenders, Disney‘s Wish and Apple Original Films and Sony‘s Napoleon are set to open over the Wednesday to Sunday holiday stretch with respective grosses of $50M+ and $24M+. Both movies open on Thanksgiving eve, Nov. 22. Wish, if it hits its projection, would rep the biggest
Alexander Payne’s The Holdovers from Focus Features pulled in an estimated $200k on six screens in New York and LA for a per-screen average of $33.3k, a good limited opening on an upbeat specialty weekend that also saw A24’s Priscilla by Sofia Coppola off to a fine start. We’re in anomalous times with the ongoing
The faith-based indie outfit behind summer blockbuster Sound of Freedom is out with documentary After Death, which opens in over 2,600 theaters this weekend, an extremely wide release for a doc that doesn’t also happen to be a concert film. The exploration of near-death experiences by survivors, scientists, medical professionals and authors that addresses the
Independents are out in force with high-profile fall festival fare from Pricilla to The Holdovers, a big Viva Pictures push with Inspector Sun (voiced by Ronny Chieng), Cannes documentary winner Four Daughters and Waikiki, the debut feature by Hawaiian filmmaker Christopher Kahunahana. the first homegrown feature to be shown there. Sofia Coppola’s Priscilla from A24
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