Movies

EXCLUSIVE: Exhibition need not worry: After October’s vibrant box office, there is indeed more blockbuster business to come in November. Deadline has learned that advance ticket sales for Disney/Marvel’s Eternals, opening on Nov. 5, are already quite huge. Insiders say advance sales for the movie from Oscar winning filmmaker Chloé Zhao, is estimated to have racked up
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Alamo Drafthouse Wednesday announced the opening of its Manhattan theater as the chain expands it footprint in a slowly recovering arthouse market. Alamo Drafthouse Lower Manhattan, in the financial district, plans a soft launch through Oct. 21 with guest discounts on concessions as staff trains and gets up to speed. It’s the company’s third New
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English actor Harry Melling was only 12 years old when he landed the small role as the muggle cousin Dudley Dursley — who makes home life hard for Harry Potter before he starts his magical schooling at Hogwarts — in the 2001 fantasy film “Harry Potter and the Sorcerer’s Stone.” Melling continued to be included
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MGM/United Artists Releasing/Eon’s Monday box office for No Time to Die came in much higher than the $5M-$6M expected with $6.94M thanks to the Indigenous Peoples’ Day holiday in the Northeast. That figure bests previous Daniel Craig Bond first Mondays, i.e. Spectre ($5.3M) back in 2015, 2008’s Quantum of Solace ($4.1M) and 2006’s Casino Royale ($3.8M). No
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Refresh for latest…: MGM/Eon/Universal’s No Time To Die has sped the Aston Martin past the $300M global mark, coming off of an $89.54M sophomore frame at the international box office. That lifts James Bond 25’s overseas cume to $257.27M and, including domestic’s start this session, brings the worldwide total to $313.3M. The overall drop from
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The Rescue, an arresting truth-is-stranger-than fiction story of a Thai youth soccer team trapped in a remote flooded cave system opens on five screens in NY/LA/Chicago this weekend in a specialty market waiting “for audiences to wake up and see that they’re missing out,” according to Ed Arentz, co-president of the doc’s distributor Greenwich Entertainment.
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United Artist Releasing/MGM/Eon’s No Time to Die clocked $6.3M from Thursday previews which began at 4PM, making it the best Bond domestic preview number ever, 19% ahead of Spectre‘s $5.25M six years ago. The figure also exceeds the preview nights of previous 007 Daniel Craig movies Skyfall ($4.6M off midnight shows) and Quantum of Solace ($2.5M off 8PM showtimes0. While No Time to
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To quote Daniel Craig in the latest No Time to Die Heineken commercial, the domestic box office opening and further offshore rollout of the 25th 007 title is poised to be “Well worth the wait.” All in, the upcoming global weekend of No Time to Die is expected to be at $150 million. Broken down, that’s another $90
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Sony’s Venom: Let There Be Carnage has feasibly crossed $100M in five days, joining Disney/Marvel’s Shang-Chi and the Legend of Ten Rings as the fastest titles to do so at the pandemic domestic box office. Both titles are on a theatrical window exceeding 45 days. It should be noted that while Shang-Chi propelled past the century mark off Labor Day Monday, Venom
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The premiere of Megan Fox’s latest movie, a crime thriller co-starring Bruce Willis, had a lot more drama to speak of besides what’s in the actual movie. The director’s fiancée, Lala Kent, who also stars in Bravo’s Vanderpump Rules, was accused of shading the Jennifer’s Body actress for not attending the event. Then Machine Gun
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After an 18 month release date delay due to the pandemic, the anticipation for MGM/EON/United Artist Releasing’s 25th James Bond movie, No Time to Die, is no doubt huge: Fandango is reporting that the advance ticket sales for Daniel Craig’s swan song as 007 are already outstripping Universal’s F9 and Sony’s Venom: Let There Be Carnage, and it’s
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Focus Features has set a moderate release for The Outfit on Feb. 25, 2022. The pic reps Oscar winner Graham Moore’s directorial debut, and follows Leonard, played by Oscar winner Mark Rylance, an English tailor who used to craft suits on London’s world-famous Savile Row. But after a personal tragedy, he’s ended up in Chicago, operating a
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What does the international box office and cinema landscape look like in an emerging post-pandemic world? That was the gist of an executive roundtable at CineEurope in Barcelona today. Among the key takeaways: the relationship between exhibition and distribution and a need for more collaboration in terms of reaching consumers. With so much content available
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