Marvel

Spider-Man: No Way Home on Tuesday officially became Sony Pictures’ highest-grossing film of all time at the worldwide box office with $1.16B. This surpasses the global total of its predecessor, 2019’s Spider-Man: Far From Home, which finaled at $1.13B. The split on the Tom Holland/Zendaya/Benedict Cumberbatch-starrer through Tuesday is $516.4M domestic and $644.9M at the
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Given how global exhibition has been impacted by Covid with reduced capacities and on-and-off closures in certain territories, we haven’t harped on the profit and loss of theatrical movies. Until now. Of course, as the first $1 billion grossing global title of the pandemic, Sony/Marvel’s Spider-Man: No Way Home is already bound for a $242M net profit
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Refresh for latest…: Sony/Marvel’s Spider-Man: No Way Home is having a joyous holiday as it is now officially the first movie of the pandemic era to pass the $1B mark at the global box office. The worldwide gross through Sunday is $1.05B which makes this installment Sony’s No. 2 film of all time, behind only
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UPDATE, writethru: Sony/Marvel’s friendly neighborhood webslinger now leads the No. 4 movie of 2021 worldwide, as Spider-Man: No Way Home overtakes F9 with $751.3M through Tuesday. At the international box office, Peter Parker has also leapt to a new milestone, topping the $400M milestone with yesterday’s grosses for a running cume of $422.6M in 68
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Refresh for latest…: Sony/Marvel’s Spider-Man: No Way Home has become the third biggest global opener of all-time with $587.2M. Crossing the $500M mark makes it only the sixth film ever to the milestone in a launch frame. The Jon Watts-directed MCU entry instantly becomes the No. 6 movie of 2021 worldwide (No. 3 for the
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EXCLUSIVE: Sony Pictures is putting forth the biggest promotional campaign to date during the pandemic for any major studio wide release with Spider-Man: No Way Home; the global brand marketing value seeing $202M and a billion-plus reach. While that dollar figure is the second highest for a Sony webslinger movie after 2019’s Spider-Man: Far From Home
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Who says people love to stay home and stream movies? Proving that theatrical is still king, Sony/Disney/Marvel’s Spider-Man: No Way Home rang up a massive $50M, the third highest preview night ever, and the most money Sony has ever seen for a Thursday preview night that easily buries the previous high we’ve seen during the pandemic, that
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For all the mishegaas exhibition has endured during the pandemic including streaming threats, day-and-date window crunching, older demos not showing up, local ordinances and countless release-date changes and eliminations, Sony’s Spider-Man: No Way Home arrives this weekend to save the day. The hope here is that Sony’s theatrical window-respecting release not only jolts the worldwide cinema
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Sony/Marvel’s Spider-Man: No Way Home grossed an estimated $5.28M in Korea on its first day today. This is significant for a number of reasons: Korea has been extremely soft of late, yet the launch day is 11% over the first day of 2019’s pre-pandemic Spider-Man: Far From Home and is the biggest day-one figure for
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Sony/Marvel’s Spider-Man: No Way Home is activating mega presales in international box office markets. Due to begin offshore rollout on December 15, just ahead of domestic’s December 17 debut, the Jon Watts-directed installment has set all-time records in multiple markets for the first 24 hours, and has caused some ticketing websites to crash. We’ve heard tell
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The first episode of Marvel’s Hawkeye on Disney+ drew 1.5M U.S. households over the Wednesday-Sunday holiday stretch, while 1.3M stuck around and watched the second episode. This is according to the latest streaming viewership stats from Samba TV which measures 3M U.S. households, and what they watch on streaming over a five-minute increment. That first episode number
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Haaz Sleiman attends the Los Angeles premiere of Marvel Studios’ “Eternals” on 18 October 2021 in Los Angeles, California. (Axelle/Bauer-Griffin/FilmMagic) Eternals star Haaz Sleiman has slammed “ignorant and pathetic” countries that banned the Marvel film over its LGBT+ content. The movie was pulled from cinemas across conservative Gulf nations because it features LGBT+ characters. In
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UPDATED, Friday midday: Disney’s Eternals is heading toward a $30 million Friday, including those $9.5M previews from last night. Given that Friday is typically around 40% of the weekend, this will put the Chloé Zhao-directed movie in the $70M-$75M range from what we’ve figured. Again, this could fluctuate up or down by Saturday morning. Do the fans
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Disney/Marvel’s Eternals which is set to keep the fall box office rally going is looking at a global opening of $150M, a number that’s poised to best the $128M WW start of Shang-Chi and the Legend of Ten Rings back in early September, and emulate the $150M filed by Black Widow which had a Disney+ Premiere day-and-date component in select
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Haaz Sleiman attends Marvel Studios’ “Eternals” premiere in Los Angeles, California. (Photo by Emma McIntyre/WireImage) It’s been a long time coming but it’s finally happening – the Marvel Cinematic Universe is getting its first-ever gay superhero in a movie. LGBT+ comic fans have been screaming out for more representation within the MCU for years, and
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As Disney/Marvel’s Eternals is being aggressively buzzed to possibly open at $100M, and their co-production with Sony, Spider-Man: No Way Home even more, the Burbank, CA has just shifted their entire Marvel movie theatrical schedule for 2022 and beyond. We’re still making sense of this. DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS (Disney) previously dated on 3/25/22 moves to 5/6/22  
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EXCLUSIVE: Exhibition need not worry: After October’s vibrant box office, there is indeed more blockbuster business to come in November. Deadline has learned that advance ticket sales for Disney/Marvel’s Eternals, opening on Nov. 5, are already quite huge. Insiders say advance sales for the movie from Oscar winning filmmaker Chloé Zhao, is estimated to have racked up
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Sony’s Venom: Let There Be Carnage has feasibly crossed $100M in five days, joining Disney/Marvel’s Shang-Chi and the Legend of Ten Rings as the fastest titles to do so at the pandemic domestic box office. Both titles are on a theatrical window exceeding 45 days. It should be noted that while Shang-Chi propelled past the century mark off Labor Day Monday, Venom
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Disney/Marvel’s Shang-Chi and the Legend of the Ten Rings continues to crush any industry doubts about audience’s demand for stateside moviegoing, for as of today, the Destin Daniel Cretton-directed movie will become the highest grossing movie during the 2020-21 pandemic to date, clicking past Disney/Marvel’s Black Widow which stands at $183.4M through yesterday. Shang-Chi accomplished this feat on a
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The prospects for Disney/Marvel’s Shang-Chi And The Legend Of The Ten Rings getting a China release date are dwindling. This in the wake of comments originally made by star Simu Liu in 2017 which resurfaced this week and have made waves on Chinese social media. In a 2017 interview with the CBC, the Chinese-Canadian actor
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For the pandemic, Disney/Marvel’s Shang-Chi and the Legend of the Ten Rings posted a solid Thursday night preview gross especially before a slow Labor Day box office frame, with $8.8 million  from showtimes that began at 6 p.m. On the high side, that figure is above the Thursday night start of Universal’s F9, which posted $7.1M
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Warning: The following trailer description contains spoilers of The Spider-Man: No Way Home trailer. After Sony reportedly erased a leaked trailer from its upcoming Disney MCU title Spider-Man: No Way Home over the weekend from social, those attendees at CinemaCon finally got a taste. The pic is scheduled to be the big holiday tentpole release in a cinema
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If Disney keeps up this whole theatrical-PVOD day-and-date model, maybe it won’t be so scary for rival studios in the future to follow a Marvel movie during its second weekend at the box office. The studio’s Marvel Cinematic Universe standalone origin movie Black Widow had a great fall in its second session at the domestic B.O., down
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Marvel’s Loki knocking the LGBT+ representation out of the park (Twitter/@@rogersvogue) Loki and Sylvie may be returning to Disney Plus for season two, but their bisexual champion and executive producer Kate Herron sadly won’t be. The hit show’s director and producer is responsible for the game-changing character development that saw the God of Mischief confirmed,
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