After a blowout debut weekend, Barbenheimer showed strong continued momentum at the international box office on Monday. Warner Bros’ Barbie for its part had the best Monday ever for the studio overseas at $32M from 69 markets (it also scored the studio’s best Monday domestically). The running offshore total through Monday is $226.3M, bringing the
International Box Office
Christopher Nolan’s highly-anticipated and highly-reviewed Oppenheimer has begun overseas rollout with strong results versus some of the director’s previous titles. On Wednesday, the Universal film opened in 10 offshore markets, grossing $2.4M and led by France and Indonesia. These are early days as the critically-lauded Cillian Murphy-led biographical drama/political thriller will be playing a total
Paramount/Skydance’s Mission: Impossible – Dead Reckoning Part One is off and running overseas with a $39.8M cume through Thursday in 48 international box office markets. This includes Wednesday openings in some markets and a strong paid preview program. With domestic’s Wednesday/Thursday plus previews, that brings the global total on the Tom Cruise-starrer to $$63.6M through
Refresh for latest…: Busy weekend at the international box office with a strong scary new entry, some unexpected spark in holds and a milestone for a long-running franchise. Out of the gate this frame, Sony/Screen Gems/Stage 6 Films/Blumhouse’s Insidious: The Red Door knocked out the biggest overseas horror debut since 2019. With $31.4M from 52
Refresh for latest…: Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny is off to a disappointing start with a $130M global opening. Of that, $70M is from 52 international box office markets as the the fifth installment in the beloved 42-year-old franchise came in below projections. Anthony has run down the reasons behind the domestic
The fatal shooting of a 17-year-old by a police officer in Nanterre, France earlier this week has set off a swath of nationwide riots and violence, resulting in early closures of some cinemas, curfews in certain cities and a plea for calm from the national football team, among more widespread issues. The killing of the
Refresh for latest...: After two major studio movies bowed last weekend, this session was one of holdovers for Hollywood with mixed results. Last weekend’s leader, The Flash, which had initially come in lower than projections, added $26.6M in 78 offshore markets this weekend, dropping by 59%.The Warner Bros/DC deep universe title now counts an international
A week of studio presentations and discussions, as well as chatter in the halls, at the CineEurope exhibition conference in Barcelona provided some interesting takeaways about the state of cinema and its future. The mood was generally optimistic, but concerns, and room for improvement, remain. Main talking points included the need for movie theater operators
Warner Bros’ CineEurope show here in Barcelona was a starry, jam-packed affair featuring Zendaya and Timothée Chalamet who talked up Dune: Part Two, as well as their respective upcoming titles Challengers and Wonka. The proceedings kicked off with a pre-taped intro video featuring President of International Theatrical Distribution Andrew Cripps zipping along the 405 in
With Tuesday’s global business factored in, Columbia Pictures and Sony Pictures Animation’s Spider-Man: Across the Spider-Verse has swung past the half-a-century mark worldwide, grossing $506.3M through yesterday. Domestically, the Joaquim Dos Santos/Kemp Powers/Justin K Thompson-directed sequel has so far made $290.4M. The international box office has contributed $215.9M to date. Across the Spider-Verse just opened today
Universal trotted out a dog, some “possessed” girls and a Wicked light show, during its CineEurope presentation here in Barcelona, while also celebrating the studio’s force in the animated space and touting next month’s Oppenheimer from Christopher Nolan. All this followed a reel of filmmakers heralding the cinema experience which it had previously shown at
Refresh for latest…: Warner Bros/DC’s The Flash sped into 78 overseas markets this weekend, grossing $75M, below the $85M-$95M we saw coming into the frame. With domestic’s slow-crawl three-day included, that makes for a $139M global opening. This is lower than projections, with general audiences not rushing out to see the deeper universe pic. As
Police in Korea on Tuesday raided three major multiplex chains and the offices of three film distributors on suspicion of box office manipulation, according to multiple local media reports. News agency Yonhap, citing officials from the Seoul Metropolitan Police, said the six entities are alleged to have obstructed the business of the Korean Film Council
Paramount/Skydance/Hasbro’s Transformers: Rise of the Beasts is on the prowl overseas with $43.3M through Friday in 68 markets. This portends a $100M+ international box office debut, in line with projections. The domestic three-day is looking at $60M. China, a key market for the franchise, released the Autobots and Maximals at No. 1 on Friday with $11.8M,
Columbia Pictures’ and Sony Pictures Animation’s Spider-Man: Across the Universe is casting its web in international box office markets with $13.5M through Thursday. That’s 2.5x the original in like-for-likes. Notable in early reporting, India broke the local all-time opening day record for an animated movie with $610K while releasing on a non-traditional Thursday. The launch day gross is higher than
Talk about legs — or, more appropriately, wings: Paramount/Skydance’s Top Gun: Maverick is still playing in Japanese cinemas a full year on from its debut. Continuing on from a stratospheric and super-leggy run, the sequel, on its 365th day of release, became Tom Cruise’s biggest film ever in the market. In doing so, it overtook
Several times in recent years, Sony has used the Cannes Film Festival to promote a key upcoming title, despite the movies not officially being involved in the event — see Hotel Transylvania 3: Summer Vacation in 2018, 2017’s The Emoji Movie and 2016’s The Angry Birds Movie. This year, the marketing team pulled out the
An oft-heard lament on the part of international distribution is that Italy is impossible to program in the summer. In 2019, there was an effort on the part of the studios and the local industry to steer the season in a different direction resulting in record results, but the pandemic halted momentum. At the end
After passing $500M globally through Thursday, Illumination/Nintendo/Universal’s The Super Mario Bros Movie is now on its way to an estimated $659M through Sunday worldwide. Of that, the international box office is estimated to rep $318.6M. Through Friday, the fratelli are at $268.9M from 71 overseas markets and $551.9M global. The full weekend cume offshore is
Illumination/Nintendo/Universal’s The Super Mario Bros Movie made history this past weekend, nabbing the biggest opening ever for an animated title worldwide. Now, after just nine days, it has a new milestone under its belt, topping $500M to become the No. 1 release of 2023 globally. Domestically through Thursday, the Aaron Horvath/Michael Jelenic-directed film has grossed
Further to its April 3 announcement that it had reached a conditional agreement with lenders to emerge from Chapter 11, Regal owner Cineworld today submitted its reorganization plan to the U.S. Bankruptcy Court for the Southern District of Texas. In a filing to the London Stock Exchange where its shares are traded, the exhibition giant
THURSDAY UPDATE, Refresh for latest…: With numbers now in for the 44 overseas markets that opened on Wednesday, Illumination/Nintendo/Universal’s The Super Mario Bros Movie had a more than peachy debut with $34.7M through yesterday at the international box office. Combined with Wednesday’s domestic bow, the global one-day total is $66.4M. Several milestones/records were set in
Refresh for latest…: Coming in higher than expected, Paramount/eOne’s Dungeons & Dragons: Honor Among Thieves took a $71.5M global bow this weekend; that includes $33M from 60 offshore markets which is nicely above the $25M+ projected ahead of the frame. Standout markets included the UK (where eOne distributes) at No. 1 with $4.3M; Mexico and
Disney’s live-action take on The Little Mermaid has been cleared for theatrical release in China, as has Fast X — the penultimate installment in Universal’s long-running Fast & Furious action franchise. Dates are still to be set for both films in the market which has increasingly been handing out day-and-date releases for Hollywood titles even
Refresh for latest…: It was a bow-wow-wow! start for Lionsgate/Thunder Road Films/87 Eleven’s John Wick: Chapter 4 with $137.5M global this session. Of that, $64M is estimated from 71 international box office markets. All were No. 1 starts and cumulatively are 73% above John Wick 3 – Parabellum’s 2019 launch. This is a fantastic debut
With overseas rollout having begun Wednesday, Lionsgate/Thunder Road Films/87 Eleven’s John Wick: Chapter 4 is off to a strong start at the international box office. Across just a handful of markets, figures we’re hearing put the early estimated cume at roughly $3.9M through Wednesday and including Australia and New Zealand’s Thursday launches. As Anthony reported,
Refresh for latest…: New Line/DC/Warner Bros’ Shazam! Fury of the Gods has had a less than heroic launch with $65.5M global, including $35M from the international box office. We always knew this sequel was going to come in lower than its predecessor, but the result is also far off where projections were ahead of the
James Cameron’s Titanic is getting another release in China, this one timed to the 25th anniversary of the original film. An April 3 launch date has been set. The version going out on that day will be a remastered 3D 4K HDR update, as was the version that was released elsewhere in February, and will
In another sign of the return to China for Marvel after a long drought, Disney/Marvel’s Guardians of the Galaxy Vol. 3 has been set for a day-and-date release on May 5. The James Gunn-directed finale in the series is due to hit North American cinemas that same day while international rollout will begin on May
Refresh for latest…: Paramount/Spyglass Media’s Scream VI has slashed its way to a franchise-record opening at the global box office with $67.1M, topping Scream 3 for the best in the bunch of this long-running Kevin Williamson-created series. At the international box office, it also set a franchise-best start with $22.6M from 53 markets, a whopping
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