Universal/Blumhouse’s Five Nights at Freddy’s was still plenty game this weekend, crossing $100M at the international box office and $200M worldwide. The sophomore frame overseas, where this is a pure theatrical play, dipped 54% to deliver $35.6M in 74 markets for a $103.5M offshore cume and $217.1M global. Fazbear and crew have surpassed the reported
International Box Office
Martin Scorsese’s Killers of the Flower Moon has set a milestone, crossing the $100M mark at the global box office through Thursday. As it heads into its third frame, the epic western crime saga from Apple, Paramount and Imperative Entertainment is at $102.1M worldwide, including $45.3M domestic and $56.8M from the international box office. The
Refresh for latest…: Universal/Blumhouse’s Five Nights at Freddy’s is gaming its way to an estimated $130.6M global opening, higher even than we had it yesterday as this phenom is now eyeing a $52.6M bow from 64 international box office markets. As Anthony has chronicled, the domestic $78M opening is a stunner — and amid the
The phenomenon that is Universal/Blumhouse’s Five Nights at Freddy’s is currently looking at a global opening of $130M. Fazbear and crew are playing in 64 international box office markets where they are expected to reach $52M through Sunday. The worldwide number reps the biggest horror opening of the year and the biggest global debut ever
EXCLUSIVE: Ahead of its U.S. release on November 3, Eugenio Derbez-starrer Radical is off to a great start in Mexico. The film, which won the Festival Favorite Award when it premiered at Sundance in January, opened last weekend in Mexico, selling 631.7K tickets, outdoing the sophomore frame of Taylor Swift: The Eras Tour, as well
There were two major new entries this weekend at the international box office, one local (Tamil thriller Leo: Bloody Sweet) and one from Hollywood. Starting with the latter, Martin Scorsese’s Killers of the Flower Moon from Apple, Paramount and Imperative Entertainment, had a big opening with $21M in 63 offshore markets and No. 1s in
In yet another move to increase its footprint in Asia, IMAX is expanding its partnership with Hengdian Films via an agreement for 20 new IMAX with Laser systems across China. This marks the largest deal for new IMAX systems in four years, reinforcing the strong demand among Chinese exhibitors and audiences for the premium experience
Refresh for latest…: Taylor Swift: The Eras Tour may have missed the century mark in regards to a domestic opening, but the 12x Grammy winner was always guaranteed that number worldwide, with AMC reporting this AM that the Sam Wrench-directed concert pic has racked up $126M-$130M. The international box office opening is estimated at $31M-$33M.
Refresh for latest…: Just as it came in lower than hoped for domestically, Universal/Blumhouse/Morgan Creek’s The Exorcist: Believer didn’t fully convert overseas audiences, summoning a $17.9M international box office debut for $45.1M global. The R-rated David Gordon Green-directed reboot/sequel did see some of its 52 launch markets give it a No. 1 start, while in
Refresh for latest…: Here we are with a sort of hybrid weekend at the international box office: there were fresh entries from the Hollywood studios, as well as major new titles timed to holiday play in local markets, and a holdover that’s continuing to rack up records. On the studio side, Paramount/Spin Master’s Paw Patrol:
Disney/Marvel’s The Marvels has secured a China release on November 10, day-and-date with North America. The sequel to the $1 billion+ worldwide grossing Captain Marvel is the latest major studio tentpole to be granted access to the market since Oppenheimer went out August 30. It’s also wasting no time in spreading the word locally, leveraging
Refresh for latest…: Warner Bros/New Line’s The Nun II continued to conjure strong business around the globe this weekend, taking the top spot again worldwide and overseas. The sophomore session of $30.1M in 72 offshore markets brings the international box office cume to $102.3M and worldwide to $158.8M so far. More on The Nun II
In its latest milestone, Christopher Nolan’s Oppenheimer has passed the $900M mark worldwide. The estimated total through Friday is $903M, including $586M from the international box office. With Saturday and Sunday numbers, that global cume is projected to reach $912M. This will make it the highest grossing biopic ever at the global box office, ahead
Refresh for latest…: There’s a lot to unpack this weekend at the international box office, including a flying start for Warner Bros/New Line’s The Nun II, Indian superstar Shah Rukh Khan continuing to outdo himself and a major milestone afoot for Christopher Nolan’s Oppenheimer. Meanwhile, Barbie has danced past $1.4B worldwide. Let’s start with the
Shah Rukh Khan has outdone himself. After a record-breaking run with Pathaan in January, the Indian superstar has hit new milestones with his latest, Jawan, which scored the biggest ever opening day worldwide for a Hindi film on Thursday at 129.6 crore ($15.5M). The Thursday debut was also the best ever in India for a
Though Labor Day is upon us domestically — and its somewhat equivalents in many overseas markets to mark the end of summer — the hits keep coming as holds this session were strong on the season’s leaders while a new entry surprised. To wit, and starting with the latter: Sony/Escape Artists’ The Equalizer 3 blazed
The two seemingly unstoppable phenoms of summer 2023 are each setting new milestones this weekend as Greta Gerwig’s Barbie through Friday has become the No.1 film of the year globally, overtaking The Super Mario Bros Movie with $1.365B. In the same breath, Christopher Nolan’s Oppenheimer this frame is continuing its incredible run with the Universal
Christopher Nolan’s Oppenheimer officially launched in China today, grossing an estimated $5.4M. Word of mouth is strong with the Universal title carrying a 9.5 on Maoyan, the platform’s best-ever audience score for a Nolan film. The Douban critics score at 8.7 is on par with 2012’s The Dark Knight Rises. The weekend is shaping up to
Time was, Hollywood filmmakers would regularly travel to China in support of their movies, attending premieres and holding Q&As to drum up buzz in the massive box office market. The pandemic halted that ritual — until this week when Christopher Nolan became the first major Hollywood filmmaker since Covid to stroll a red carpet in
Refresh for latest…: It’s been another very busy weekend at the international box office with milestones and great holds, as well as a new entry and local-language movies adding to the mix. Coming off of a record-breaking debut in Korea, Christopher Nolan and Universal’s Oppenheimer led the overseas frame for the studios with a $32M
Police in South Korea today said that 69 officials from theater chains including CGV, Lotte and Megabox, and from 24 film distributors, have been referred without detention to the prosecutor on charges of obstruction of business, local media reports. This follows an investigation that began in June into suspicious box office numbers. Police claim the
With Tuesday’s grosses, Illumination/Nintendo/Universal’s The Super Mario Bros. Movie has crossed the $100M (13.74B yen) mark in Japan. In doing so, it becomes Universal’s top title ever there. In local currency, Mario overtakes Top Gun: Maverick as the No. 6 Hollywood film of all time in Japan, and is the No. 1 studio picture since
Led by Rajinikanth-starrer Jailer and Anil Sharma’s Gadar 2, box office in India reached record-breaking numbers this weekend. According to the Producers Guild of India and Multiplex Association of India, the August 11-13 frame was the busiest single weekend since the beginning of the pandemic. What’s more, across three days, ticket sales hit more than
Refresh for latest…: It’s still a Barbie world this weekend as the Greta Gerwig-directed charmer reached a global cume of $1.184B. Last session, Margot Robbie’s living doll crossed the $1B threshold, and in this 4th frame added $45.1M in 75 offshore markets (a 47% dip) to bring the international box office cume to $657.6M. Overall,
With this weekend’s grosses, Sony/Screen Gems/Stage 6 Films/Blumhouse’s Insidious: The Red Door has become the biggest horror movie of the year globally at $182.5M, edging M3GAN’s worldwide cume of $180.8M. The current frame was worth $2.5M from 59 overseas markets for an international cume of $101.8M. The Insidious franchise has now earned over $735M worldwide. Already last frame, the Patrick
Sequin- and self-actualization sprinkled congratulations are in order for Greta Gerwig, Margot Robbie and all the dolls and guys as the phenomenon that is Barbie has now crossed $1B global in just its third weekend. We said yesterday it was on the cusp, and now here’s the pudding. Through Sunday, the international box office estimate is
As she heads into the third weekend of release, Warner Bros’ Barbie has hit two new milestones, crossing both $500M at the international box office and the nine-century mark worldwide. The Greta Gerwig-directed phenomenon added $16.8M from 69 offshore markets on Thursday, bringing the overseas total to $509.7M through yesterday. Globally, the doll is standing
Christopher Nolan’s Oppenheimer has reached the $500M global milestone, on its way to an estimated $551M through Sunday. This would make it the filmmaker’s fifth-highest-grossing film of all time, ahead of Dunkirk. The worldwide total through Friday is $499.3M, meaning that it has already topped the five-century mark today. Overseas, the Universal title is expected to see an
As expected, Warner Bros’ Barbie has now officially crossed the six-century mark globally with Friday’s figures included. The global cume is $637.5M through yesterday with the international box office repping $350.5M after a $30.1M Friday in 69 offshore markets. The Greta Gerwig-directed phenom should high-heel it past $700M through Sunday worldwide. We’ll have much more
The Barbenheimer phenomenon just keeps going. To wit: there is so much energy happening at international box office turnstiles that Tuesday’s grosses on Warner Bros’ Greta Gerwig-directed Barbie and Universal’s Christopher Nolan opus Oppenheimer were down just 1% from Monday. The offshore gross through Tuesday on Barbie is now $258.5M with global at $472.6M. As
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