Exhibition

Sony/Stage 6 Films/Blumhouse’s Insidious: The Red Door may have stolen No. 1 away from Indiana Jones and the Dial of Destiny at the weekend box office, but Angel Studios’ indie wonder Sound of Freedom won Monday with an estimated $4 million. All of this before Paramount/Skydance’s Mission Impossible – Dead Reckoning Part One takes all
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Sony/Stage 6 Films/Blumhouse’s fifthquel Insidious: The Red Door nearly locked out Indiana Jones and the Dial of Destiny yesterday at the box office. The Patrick Wilson starring and directed PG-13 horror film scared up $5M in previews at 2,806 locations that began showtimes at 4PM. That amount of money is very close to what Indy
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A sci-fi comedy by Mel Eslyn and a literary noir by Alice Troughton – who are, respectively, the longtime producer for the Duplass brothers, and an award-winning UK television director (Dr. Who, Cucumber, The Living And The Dead) — debut in limited release this weekend, alongside Adele Lim’s Joy Ride, a Lionsgate wide-release – marking
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UPDATE, 2:20PM: Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny officially wins Tuesday with $11.698M over Sound of Freedom‘s reported $11.5M. Monday revised on Dial of Destiny was $11.7M, which means business was even on July 4th; and that’s solid for any tentpole on that holiday. 5-day on Dial of Destiny is $83.7M. PREVIOUS: Angels
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UPDATED EXCLUSIVE: Angel Studios’ thriller Sound of Freedom starring Jim Caviezel has seen its presales spike to $10 million. This is before the pic’s opening on July 4 in north of 2,600 locations. Many rivals are tracking this semi-faith-based, based-on-a-true-story title about about former Homeland Security agent Tim Ballard, who took rescuing abducted children around
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As Regal parent Cineworld prepares to exit Chapter 11 this month, rumors are heating up over who will emerge as the giant theater chain’s new chief executive, with reports Monday pointing to Eduardo Acuna of Cinepolis. Longtime Cineworld CEO Moody Greidinger has a consulting contract during a transition period but isn’t likely to stay in
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Fans of The Name of The Rose author Umberto Eco turned out in NYC, boosting the documentary on medieval scholar turned novelist and social commentator to over $9.1k on one screen – a nice showing by The Cinema Guild for a foreign language documentary on a solid weekend for some indie and arthouse fare. Umberto
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SATURDAY AM: Refresh for chart…and more analysis Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny is still bound to open at the bottom of end of tracking’s projection of $60M as this morning. I saw an estimate in The Flash vicinity of $55M last night and took an Alka Seltzer out of shock. Hopefully Dial
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A trio of docs and a wider-than-usual run for a Vertical thriller populate a specialty weekend with fewer new openings as theaters stick with Asteroid City and devote screens to Indiana Jones and Ruby Gillman, Teenage Kraken. Call it jittery Friday as the indie community like the rest of Hollywood awaits news from SAG-AFTRA as
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It is quite conceivable another near $200M weekend will be in store at the box office over the weekend of July 21-21. Warner Bros.’ highly anticipated comedic feature take on girl toy Barbie starring Margot Robbie in the title role and Ryan Goslin as Ken cruised on to tracking today and hot would be a
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A bankruptcy court judge today gave a green light to a reorganization plan for Regal parent Cineworld, the key step needed for the giant movie theater chain to emerge from bankruptcy next month. At a hearing, in an order from the bench, Judge Marvin Isgur of U.S. District Court for the Southern District of Texas
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Facing the worst reviews ever for an Indiana Jones movie, the Lucasfilm franchise finale, Indiana Jones and the Dial of Destiny, is hoping to gain traction with audiences and best its $60M-$65M domestic start, $140M global opening. If the post pandemic has proved anything, it’s that popcorn pics aren’t so beholden to the Rotten Tomatoes
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Cineworld said on Monday that as part of its proposed restructuring following Chapter 11, it expects to file for administration of its listed entity Cineworld plc in the UK but that its operating companies will continue business as usual without interruption. Administration in the UK is an insolvency process, similar to a bankruptcy process. The world’s second biggest
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Focus Features expanded Asteroid City to the highest grossing weekend for a Wes Anderson Film with a projected three-day estimate of $9 million from 1,675 theaters – no. 6 at the domestic box office — pushing the film’s cume to $10.2 million. It opened last weekend in six locations. Some 64% of moviegoers were 35 or younger. Males topped
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A week of studio presentations and discussions, as well as chatter in the halls, at the CineEurope exhibition conference in Barcelona provided some interesting takeaways about the state of cinema and its future. The mood was generally optimistic, but concerns, and room for improvement, remain. Main talking points included the need for movie theater operators
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Two of the most successful specialty films of the year expand this weekend and a handful of others jump into an arthouse market that’s seen few new entrants in recent weeks as wide release piled on wide release. Wes Anderson’s Asteroid City jumps from a blockbuster six-theater opening ($800k over three days) last weekend for
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Refresh for more….Sony’s mission to return comedy to the big screen with the R-Rated Jennifer Lawrence movie, No Hard Feelings, grossed $2.15M last night from showtimes that began at 4PM at 2,745 locations. The movie hopes to do around $12M this weekend in what will be second session where Warner Bros.’ misfire, The Flash, hopes
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Warner Bros’ CineEurope show here in Barcelona was a starry, jam-packed affair featuring Zendaya and Timothée Chalamet who talked up Dune: Part Two, as well as their respective upcoming titles Challengers and Wonka. The proceedings kicked off with a pre-taped intro video featuring President of International Theatrical Distribution Andrew Cripps zipping along the 405 in
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Disney was the final studio to present here at CineEurope in Barcelona, highlighting 17 upcoming films and bringing A Haunting in Venice star/director Kenneth Branagh to town, as well as a live performance of “This Wish” from animated adventure Wish which releases in November. Head of Global Theatrical Distribution, Tony Chambers, started off the show,
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Paramount President of International Theatrical Distribution Mark Viane kicked off the studio’s CineEurope presentation with his annual fun pre-taped video, this time essaying the role of Mission: Impossible’s Ethan Hunt before appearing on stage dragging a parachute behind him in an homage to Tom Cruise’s latest spectacular stunt in Mission: Impossible – Dead Reckoning Part
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Warner Bros’ DC pic The Flash, despite tumbling down with a $55M start, will remain atop the box office with a $16.5M-$24.7M second-weekend take as the marketplace largely takes a breath sans tentpoles before Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny arrives for the Independence Day stretch. That Weekend 2 slide for The Flash
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In-theater advertising firm National CineMedia announced a special shareholders meeting to vote on a reverse stock split — a move that boosts the price of a company’s shares — as it risks being delisted by the Nasdaq market and works through a voluntary Chapter 11 reorganization. The company, which was founded and is largely owned
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Asteroid City delivered a massive jolt to the arthouse and specialty world this weekend as the Wes Anderson film presented by Focus Features blew past records with an estimated $790k three-day gross and $890k estimated for the four-day weekend in just six theaters. That’s a per-theater average of $132,211 for the three days, and $148,901
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Big news in specialty this weekend as Asteroid City arrives in theaters with Wes Anderson and his army of fans behind it and a major marketing campaign by Focus Features. The director’s latest opens at six locations in New York and Los Angeles, where Focus has partnered with Landmark for the reopening of Sunset, the
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Executives of Regal parent Cineworld, led by CEO Mooky Greidinger, have agreed to a payout in the $30 million range, Deadline has confirmed, in the event that they leave leave the company as it prepares to exit Chapter 11. Documents filed earlier this year during ongoing bankruptcy proceedings in the Southern District of Texas indicated
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