Refresh for updates: On Disney’s 3Q earnings call today, it was announced that Mulan is going to Disney+ on Sept. 4. Specifically, Disney will be releasing the film theatrically in certain markets where the studio currently has no announced launch plans for Disney+ and where theaters are open (i.e. China). The concern with opening the film in
Disney
Right now Universal and AMC are looking like saints in the exhibition business after taking a kicking in the teeth by rival circuits for their controversial deal last week to crunch the theatrical window to 17 days with an option for PVOD thereafter. Disney’s announcement after the market closed to bring Mulan to their 60.5M Disney+
Disney is no longer releasing Mulan on Aug. 21 and is unsetting the movie for the time being. Oy, just when AMC was looking to turn the lights back on with a big movie in pockets of the country. I understand that the No. 1 industry leader at the global box office isn’t waiting to see where
In the wake of Disney pushing Avatar 2 from Dec. 17, 2021 to Dec. 16, 2022; Sony is taking advantage of the opportunity and putting its Spider-Man: Far From Home sequel there. Remember, that’s a continued co-production between the Culver City, CA lot and Disney. The Far From Home sequel becomes the sole wide entry on its new date.
While it was indicated well before their Comic-Con@Home panel when news broke of Mulan‘s theatrical pause, Disney is keeping 20th Century Studios/Marvel’s The New Mutants on the theatrical release calendar. Rumors were flying around yesterday that the horror-mutant movie was headed to Disney+ in September. This was spurred from what I’m told was a fan-made trailer
Far-right Christian group One Million Moms has taken a surprise break from homophobia to instead protest against Disney for daring to stream Hamilton with the “f-word.” We are in the midst of a global pandemic as well as a wide-scale reckoning on systemic racism, but there are more pressing concerns for the evangelical Christian group, which is
EXCLUSIVE: For the first time since the February 1997 reissue, Star Wars: The Empire Strikes Back is leading at the box office this weekend after clocking an estimated $175K at 483 locations. Empire should end the weekend with a 3-day take in-between the high $400K and low $500K. Some of these recent classic reissues, such as Ghostbusters last weekend
The Disney catalog joined Universal’s this weekend in playing whatever theaters were open at the box office as the majority of exhibition’s 5,9K theaters remain shuttered nationwide due to COVID-19. Overall, ticket sales continued to be distressed. Disney’s 2016 Oscar-winning hit Zootopia took the top spot with an estimated $280K, putting its liftime total at $341.5M,
It’s official — at least for the time being: Disney said Friday it is moving Niki Caro’s Mulan release date from July 25 to August 21, the weekend after Tenet‘s five-day opening from August 12-16. We were hearing noise about this earlier this week, as we told you, with COVID-19 cases surging nationwide and theaters
Stock plunged with showbiz knocked hard as COVID-19 infections surged, three governors issued travel restrictions and investor hopes for a recovery fizzled. The DJIA plunged more than 700 points, or 2.7%, its worst showing in weeks. The S&P 500 and Nasdaq were both down sharply. Media and entertainment stocks, sensitive to advertising, film and TV
While Disney insiders remain optimistic, it would not be a shocker if the studio moves Mulan, the first big event movie after exhibition’s COVID-19 shutdown, off its current July 24 date. There are just too many gloomy signs out there now. Even though the $200 million Niki Caro-directed movie built up a great degree of
The 2020 edition of CineEurope got underway online today with executives chiming in on what exhibition and distribution will look like as coronavirus restrictions ease. The studios normally would have been in Barcelona this week to show off their upcoming slates to European exhibitors. Instead, Film Expo Group did a nice job of pivoting to
Studios look set to gain the upper hand in skirmishes with exhibition over windowing as trends during the COVID-19 pandemic extend into the future with mid-range films generating the $50-$100 million range the most at risk of dwindling theatrical runs, according to a leading Wall Street analyst. Exhibitors have until now been able to stand
The much-delayed former Fox/Marvel The New Mutants is not going to Disney+ or Hulu, and remains on track for a theatrical release, now set for Aug. 28 this year. New Mutants stands alone as the only wide entry on the pre-Labor Day weekend frame. The pic’s history of release dates include April 13, 2018; Feb. 22, 2019;
The Right Stuff will no longer take flight on National Geographic. The series has been moved to streamer Disney+ ahead of a fall debut. Eight episodes have been ordered of the scripted adaptation of Tom Wolfe’s bestselling nonfiction account of the early days of the U.S. space program. The show takes clear-eyed look at what
April proxy season, which just ended, is an annual rite that lifts the curtain on CEO salaries for the previous year ahead of shareholder meetings in May and June. For 2019, big entertainment companies are showcasing habitually hefty paydays even as millions of Americans lose their jobs each week and the business sees huge pandemic-related
Directors Anthony and Joe Russo climbed the ladder again in Deadline’s Most Valuable Blockbuster Tournament, winning for a second year in a row thanks to the all-time. record-breaking. $2.79 billion-grossing Avengers: Endgame, which netted close to a $900 million profit for Walt Disney Studios after all theatrical rentals, global home entertainment and TV profits. The
Talk about being in cahoots. Sony and Disney just made major changes on their release date calendars, particularly among their Marvel properties. Sony said Friday that it is moving their Spider-Man: Homecoming threequel to Nov. 5, 2021 instead of keeping their original July 16 date next year. Disney then announced that Sam Raimi’s Doctor Strange in the
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end
The mother studio of franchise pics, Disney, made some release date changes today which further underscores studios’ planning that the summer box office season starts later than sooner. With Artemis Fowl, originally in the post Memorial Day corridor, heading to Disney+, and Universal’s Candyman now on Sept. 25, Disney/Pixar’s Soul is left standing at the expected first pic of summer.
With movie theaters closed to hopefully no later than early June, the major studios have a permission slip to test out big pic releases in the home. Now, they’re not so insane that they’ll burn down the house to keep warm. Major movies like Disney’s Mulan and Black Widow which have the potential to do $1 billion at
EXCLUSIVE: A majority of moviegoers definitely plan to head back to movie theaters once COVID-19 quells, however, 56% will take their time. The results were unveiled this morning in analytics corp EDO’s “Social Distancing Moviegoing and TV Habits” report which polled 6,8k respondents nationwide last week (March 24-28), largely moviegoers, on their at-home viewing habits
20th Century Studios’ The Call Of The Wild and Searchlight Pictures’ Downhill will be made available on digital beginning Friday in the U.S., Disney said. Both films had hit theaters in February just ahead of the worldwide coronavirus outbreak, and like other studio feature films will now get shortened theatrical-to-home windows as most cinemas are
As the coronavirus reportedly continues to abate in China, film authorities are taking an everything old is new again approach. As of last count there were about 500 movie theaters open in the world’s second biggest box office hub. And as this expands, some of them may soon be playing such favorites as the Avengers