Broadway

Broadway box office held steady last week, with most shows either keeping apace with the previous week or showing some increases. In all, the 28 shows grossed $31,189,129, about the same as the week prior even with two fewer shows on the boards. Total attendance was 248,525 for the week ending July 30, down just
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Air-conditioned Broadway held its own as New York City plunged ever deeper into a hot summer last week, with total box office receipts keeping steady at $31,520,593, a tiny increase of 2% over the previous week. Total attendance for the 30 Broadway productions was 257,204, consistent with the previous week but up nearly 15% over
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Strong showings at the June 11 Tony Awards – both in terms of trophies and on-air performances – seem to have made an equally sturdy impact at the box office, with best musical Kimberly Akimbo and nominated & Juliet – posting their best numbers yet, and best play Leopoldstadt making significant gains over the previous
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Lin-Manuel Miranda wants to keep directing movies, but don’t look for him to mount any large-scale spectacles. “My responsibility as a filmmaker — and I really hope to make more movies — is to make the weird little musicals that no one else can get made,” he told Rosie Perez during an appearance Tuesday at
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With the Tony Awards – and a seriously orange New York City sky – prompting some Broadway productions to reduce their playing schedules last week, total box office and attendance was down a bit, with the 33 shows taking in $30,961,479 for the week ending June 11. In all, four productions – Kimberly Akimbo, New
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While she was ebullient about Leopoldstadt‘s Tony Awards wins, including a crowning one for Best Play, producer Sonia Friedman offered some sobering thoughts about plays of its scale and cost Sunday night. “Oooh, this is a big conversation,” Friedman said when asked about the challenges of producing a show like Tom Stoppard’s multi-layered look at
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Five-time Emmy winner and Grammy Award nominee Wayne Brady will play the title character in The Wiz revival when it lands on Broadway in spring 2024, producers announced today, with Doom Patrol’s Alan Mingo Jr. (Kinky Boots) taking the role during many of the production’s pre-Broadway tour dates. The casting comes after the recent news
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Broadway box office overall held steady last week, even as the recent Tony Award nominations already seemed to lose some of their power to boost ticket sales. Some shows with nominations saw declines at the box office, from Good Night, Oscar and Some Like It Hot to Leopoldstadt and New York, New York. For the
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Tyne Daly and Liev Schreiber will star in a new Broadway production next February of John Patrick Shanley’s Tony Award & Pulitzer Prize-winning play Doubt: A Parable, with direction by Scott Ellis. The Roundabout Theatre Company production will begin performances in February 2024 at the American Airlines Theatre. Exact dates, remaining cast members, and design
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Broadway showed signs of a spring blossoming last week, with box office receipts and ticket prices taking their traditional climb during the tourist-bumped week leading up to Easter. In all, the 33 productions grossed $38,594,054, a 12% increase over the previous week. Attendance for the week ending April 9 was 280,760, up 4%. The more
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Broadway’s The Phantom of the Opera had yet another smashing, down-to-the-wire week at the Majestic, grossing more than $3 million for the second consecutive week as the countdown to its April 16 closing continues. Meanwhile, another villainous character – the bloodthirsty killer of the ecstatically reviewed Sweeney Todd, The Demon Barber of Fleet Street –
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Broadway’s old and new teamed up last week to boost total box office nearly 20%, with The Phantom of the Opera (the old) posting a best-ever $3 million weekly gross and The Jonas Brothers (the new, to Broadway anyway) taking in $1.6 million for their five-concert residency. In all, Broadway’s 29 productions grossed a total
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A raft of Broadway’s recent arrivals led by Sweeney Todd: The Demon Barber of Fleet Street helped push the industry’s total box office last week to $28,638,821, up 13.8% from the previous week. Total attendance was up commensurately to 229,771. Sweeney Todd, starring Josh Groban and Annaleigh Ashford, contributed a whopping $1.8 million to the
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The revival of Sweeney Todd: The Demon Barber of Fleet Street, with Josh Groban and Annaleigh Ashford in previews at the Lunt-Fontanne, is firmly in Broadway’s $1 million club, with receipts for the week ending March 5 at a bloody good $1,526,254. And that’s just for six performances. The Stephen Sondheim-Hugh Wheeler musical filled every
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Some recent Broadway arrivals added both star power and box office receipts to the weekly grosses reports, with both Sweeney Todd: The Demon Barber of Fleet Street and Parade selling out (the latter despite some loudmouthed neo-Nazi protesters), and A Doll’s House starring Jessica Chastain and Andrew Lloyd Webber’s Bad Cinderella coming close. The musical
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Discounts, winter promotions, benefit performances and the absence from the roster of now-closed solid earner The Piano Lesson added up to a slide in Broadway box office for the week ending Feb. 5, down about 9% from the previous week to $23,518,702. Total attendance was down only 5% through (to 195,520), with the smaller average
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The long-running The Phantom of the Opera was once again Broadway’s highest grossing show last week, taking in a mighty $2,483,532 for the week ending Jan. 29, outpacing runners-up Funny Girl ($1,872,862) and Hamilton ($1,871,921) by a noticeable margin. The Andrew Lloyd Webber musical at the Majestic has experienced a remarkable resurgence in interest (and
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