Sony, which doesn’t mess around with theatrical day-and-date releases like some other motion picture studios, can celebrate their Marvel sequel Venom: Let There Be Carnage crossing the $200 million mark in the US and Canada. It is the second movie to do so during Covid, after Disney/Marvel’s Shang-Chi and the Legend of the Ten Rings.
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Sony Pictures Classics releases Telluride-darling documentary Julia with a national TV push, culinary events and virtual screenings through November hosted by famous chefs from Alice Waters (San Francisco) and Johnny Spero (Boston) to Jamie Bissonnette (Houston) and luminaries from New York, LA, Philly and Miami. Directors Betsy West and Julie Cohen talked up the film
Paramount’s Clifford the Big Red Dog, which is taking advantage of the Veterans Day holiday, leashed second place on its opening day Wednesday with $2.3M, which includes previews at 3,407 theaters. The Walt Becker-directed feature adaptation of the 58-year-old Scholastic children’s book IP also is available on Paramount+ as some studios practice a hybrid form of distribution
Imax has named former Lionsgate and Netflix publicity veteran Julie Fontaine as SVP Marketing in what is a newly created position at the large-format exhibitor. She will report directly to Imax chief marketing officer Denny Tu. Fontaine will oversee strategic marketing campaigns and creative for Imax’s global event features lineup as well as product and
This just in from Paramount: Transformers: Rise of the Beasts will no longer be opening on June 24, 2022 rather June 9, 2023. And the new Star Trek movie they’ve been in development on won’t launch on June 9, 2023 rather Dec. 22, 2023. The pic is in development with Matt Shakman attached to direct, as we first told
Despite Disney’s commitment to a pure theatrical window during Q4 of this year with wide releases like Eternals and Shang-Chi and the Legend of the Ten Rings, CEO Bob Chapek isn’t ruling out the possibility of going theatrical day-and-date with Disney+ again. “We’re sticking with our plan of flexibility,” said the CEO today on the conglom’s
Paramount will continue to experiment with a theatrical day-and-date release model during the pandemic with eOne’s Clifford the Big Red Dog, a live-action CGI hybrid take of the 1963 Scholastic children’s book classic which hit theaters today at 1:30PM, goes wide tomorrow at 3,695 theaters and also drops on Paramount+. The movie is expected to do between
EXCLUSIVE: United Artists Releasing is pivoting its awards season release of MGM’s Joe Wright feature musical Cyrano. Instead of the Peter Dinklage-Haley Bennett movie going limited on Dec. 31, UAR will qualify the movie for Oscars with a one week run in Los Angeles on Dec. 17. The pic, which already counts 86% fresh on
Broadway box office was up about 16% last week, with three new productions joining the playing roster and all 30 of the shows taking in a combined $22,855,192. The figure, which represents box office grosses for the week ending Nov. 7, indicates an expected rebound from the $20 million tally of the previous week, which included
AMC CEO Adam Aron, who already has announced a push into retail popcorn sales and accepting payment in cryptocurrencies, waxed enthusiastic Monday at a flood of new ventures suggested by the chain’s 4.1 million retail investors. The floated ideas include everything from an AMC credit card and a return to movie producing to its own
AMC Entertainment saw revenue jump to $763 million last quarter, beating Wall Street forecasts on a strong movie slate and accelerating theatrical recovery. Adjusted EPS losses of 44 cents a share shrank from a loss of $8.41 a year ago. Analysts had anticipated sales of $708 million with an EPS loss of 53 cents. As
At the exit to a gallery in the Academy Museum of Motion Pictures is a display of opinions about the future of cinema. For example: “THE FUTURE OF CINEMA IS INCLUSION NOT EXCLUSION” –Kimberly Steward
Neon’s Spenser with Kristin Stewart rang in an opening weekend of $2.149 million on 996 screens, a per screen average of $2,158 as the film failed to connect in a market that remains a stubbornly hard sell for specialty and independent films. The well-reviewed (with raves for Stewart as Lady Diana) reimagining by director Pablo
Refresh for latest… Disney/Marvel’s Eternals has come in ahead of projections with an opening weekend of $90.7M at the international box office, and $161.7M global when paired with domestic. This gives the Chloé Zhao-directed film bragging rights to the second-biggest worldwide opening for a Hollywood title in 2021. The global debut sets Eternals 26% ahead
Cinemark, the nation’s third-largest movie chain, grew revenue and slashed losses last quarter, the first one since Covid with 100% of its theaters open. Talking with Wall Streeters on his last conference call as CEO, Mark Zoradi described a push into gaming (hiring a VP, setting up a dedicated division) as well as wrestling and
Sony has dated TriStar’s The Woman King from Gina Prince-Bythewood to open on Sept. 16, 2022. The movie will be up against Universal/Amblin’s sci-fi movie Distant and Lionsgate’s White Bird: A Wonder Story. At the same time they’ve pushed Affirm Films’ untitled George Foreman Biopic from Sept. 16, 2022 next year to March 24, 2023. On the pic’s
Among film distribution executives in town, there’s a saying about Disney’s theatrical releases, in particular their Marvel titles: That they’re “five quad” movies. What does that mean? Essentially, the Marvel Cinematic Universe titles are known to overindex and perform well beyond the norms of a regular four quadrant demographic tentpole which is aimed at male
Deadline has confirmed that Disney is shutting down production on Black Panther: Wakanda Forever for a temporary amount of time. The news Friday comes in the wake of star Letitia Wright injuring herself in late August, when she suffered minor injuries on a stunt rig incident. She was released from the hospital at that time. We
UPDATED, Friday midday: Disney’s Eternals is heading toward a $30 million Friday, including those $9.5M previews from last night. Given that Friday is typically around 40% of the weekend, this will put the Chloé Zhao-directed movie in the $70M-$75M range from what we’ve figured. Again, this could fluctuate up or down by Saturday morning. Do the fans
Neon presents Spencer on just under 1,000 screens, Pablo Larraín’s well reviewed psychological drama about the weekend Princess Diana rewrote the future of the British monarchy. The film is said to be looking at a $2-$2.5 million opening with an 84% Certified Fresh critics’ score on Rotten Tomatoes but a 50% audience score (albeit from
EXCLUSIVE: The Most Reluctant Convert: The Untold Story of C.S. Lewis grossed $1.205 million Wednesday night at special showings in 400+ theaters across North America (a $2,863 per-screen average) and has added more cinemas/runs through Nov. 18. The biopic, directed by Emmy and BAFTA Award-winning filmmaker Norman Stone, traces the spiritual journey of renowned author
Debuting in an initial 14 international box office markets on Wednesday, Disney/Marvel’s Eternals opened to an estimated $7.6M with No. 1s across the vast majority. First-day results on the Chloe Zhao-directed pic put it 85% ahead of Shang-Chi And The Legend Of The Ten Rings and 20% ahead of Black Widow on a like-for-like basis.
Theatrical giant AMC Entertainment announced it’s “expanding its business outside of the traditional theatrical exhibition industry with plans to capture a piece of the growing multi-billion dollar popcorn market.” That means it will be selling AMC Theatres Perfectly Popcorn through four new platforms starting next year, including at AMC Theatres Perfectly Popcorn kiosks at select
The anticipated robust overseas box office of Disney/Marvel’s Eternals, which posted a first day of $7.6M, will definitely not have Saudi Arabia, Qatar, Kuwait, Bahrain and Oman in its future release plans. Eternals was originally scheduled to open in the region on Nov. 11. While official reasons weren’t provided by either the studio or the local territories,
The domestic box office is in store for a resurge again with Disney/Marvel’s deep universe IP Eternals this weekend, heading toward $75M in 4,000 locations. Previews begin Thursday night at 6PM. Fandango is reporting this AM that the Chloe Zhao directed feature is now the second best pre-seller among this year’s blockbusters in Fandango’s advance ticket sales.
The critically acclaimed Broadway plays Is This A Room and Dana H. have been given two-week reprieves by ticket-buyers: Recently-announced early closing dates have been rescinded due to increased demand. Instead of closing Nov. 14, both shows will play through most of the month. Tina Satter’s Is This A Room, starring Emily Davis as whistleblower
Disney/Marvel’s Eternals which is set to keep the fall box office rally going is looking at a global opening of $150M, a number that’s poised to best the $128M WW start of Shang-Chi and the Legend of Ten Rings back in early September, and emulate the $150M filed by Black Widow which had a Disney+ Premiere day-and-date component in select
Universal is transporting next year’s DreamWorks Pictures’ sci-fi movie Distant from March 11 to September 16. Distant leaves behind Disney/Pixar’s Turning Red on its old date and now will face off against Lionsgate’s family movie White Bird: A Wonder Story and Sony’s untitled George Foreman biopic on its new date. The pic directed by Josh Gordon and Will Speck
Warner Bros/Legendary’s sci-fi epic Dune is crossing the $300M mark globally today, with North America totaling $71M through Monday and including $228.3M at the international box office. The Denis Villeneuve-directed world-building movie, based on Frank Herbert’s classic novel, initially debuted at the Venice Film Festival where it garnered strongly positive response. It has been on
Broadway’s 27 productions took in a $19,663,438 total box office last week, a drop of about 11% from the previous week’s tally, according to figures from the Broadway League. For the week ending Oct. 31, total paid attendance was 168,169, about 78% of the combined capacity for all productions. The season-to-date box office (since Aug. 4)
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