EXCLUSIVE: Deadline has learned that Warner Bros is making a slew of release-date changes next year. First of all, James Wan’s Aquaman and the Lost Kingdom needs more time in postproduction, so it’s moving from March 17, 2023 to December 25, 2023. You’ll remember the first Aquaman was released during Christmas 2018 and made $335.1 million domestic
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EXCLUSIVE: We hear that four holiday movies have received HBO Max release dates as of Wednesday: Legendary’s Christmas Story sequel, A Christmas Story Christmas for November 17 this year, and three yuletide titles from ESX Entertainment: Holiday Harmony and A Christmas Mystery both on November 24 and A Hollywood Christmas on December 1. A Christmas Story Christmas from director Clay
In an encouraging sign for specialized product, Sony/3000 Pictures/Hello Sunshine’s Where the Crawdads Sing has crossed the $100 million benchmark globally. Getting there on Tuesday, the feature adaptation of the Delia Owens novel sits at $78.8M domestic and $21.5M from the international box office. Crawdads initially released domestically in mid-July with $17M; a good win
It looks like Peacock needs to juice its paid subscriptions some more. Universal/Blumhouse/Miramax’s Halloween Ends, which is already set for theatrical release on October 14, will also debut on NBUniversal’s Peacock streaming service day-and-date. This is a similar practice to what happened with the previous installment of the revived Jamie Lee Curtis horror franchise, Halloween Kills, last
Broadway box office drooped in the final, sun-baked weeks before the Fall arrivals of new shows, with the roster of productions down to 20 last week and total box office slipping 19% from the previous week to $22,232,527. Attendance was down about 15% to 181,785, roughly commensurate with the lesser number of productions (down from
In response to recent speculation, Cineworld has provided an update to its August 17 announcement regarding an evaluation of strategic options to both obtain additional liquidity and potentially restructure its balance sheet through a comprehensive deleveraging transaction. Reiterating that Cineworld’s theaters, including the Regal chain in the U.S., are “open for business as usual and
AMC Entertainment’s new APE securities — AMC Preferred Equity Units – began trading today late morning in a messy session for the big exhibitor, whose primary stock is down by almost 40%. APES were being distributed to AMC shareholders via their brokers starting this morning. Shareholders are getting one APE for each share of common
Wise men say only fools predict that adult-skewing films won’t work at the pandemic box office. But older moviegoers kept falling in love with Warner Bros’ Elvis this summer, to the point where it’s now director Baz Luhrmann’s highest-grossing movie ever in U.S. and Canada with $144.851 million, beating the original run of his 2013 title
With no new wide Hollywood tentpole releases until October, we’re in a period of holdovers, and local titles excelling in their home markets (and beyond), while Top Gun: Maverick continues to soar and there’s a will it or won’t it question mark over Jurassic World Dominion‘s shot at getting to $1B global. Overall, it was
The Picturehouse release of National Geographic Documentary Films The Territory grossed a solid $26.4K in six markets (eight screens) for a PSA of $3,308 with its climate change message attracting a broader than typical age range for a theatrical doc, especially lately, according to Picturehouse CEO Bob Berney. He called it “very encouraging to see
Continuing its hypersonic run, Paramount/Skydance’s Top Gun: Maverick has, in its 13th weekend of release, crossed the $1.4B mark worldwide, lifting the cume to a touch over $1.403B through today. When using restated international box office numbers, this would qualify the sequel as the 9th highest-grossing movie ever worldwide (currency exchanges are in massive flux
Universal/Illumination’s Minions: The Rise of Gru bowed in China today (Friday), grossing an estimated RMB 21.74M ($3.2M), including midnights. This was good for the biggest opening day of a Hollywood animated film during the pandemic. Overall, and not including China’s Friday, Rise of Gru has grossed $461.2M at the international box office for $807.7M worldwide.
“People are catching up on films,” is how one arthouse executive described the current moment in specialty, which echoes the slowdown in studio wide releases. August can be slow ahead of a trio of festivals – Venice, Toronto, New York – and a ramp up to awards season. It can also offer an less obstructed
Cineworld,, staggering under heavy debt and facing a dip in box office revenue this quarter, asserted Friday that it’s business as usual for the giant movie chain while it explores options. The statement follows a report today that the U.K parent of Regal Cinemas is preparing to file for bankruptcy. Cineworld presaged a potential Chapter 11
We hearing from industry sources that Crunchyroll’s sequel, Dragon Ball Super: Super Hero, notched an estimated $4M in Thursday night previews, trouncing Universal’s Idris Elba lion movie, Beast, which did $925K at 2,900 theaters. Both began previews at 5PM last night. Crunchyroll is sending out an official update tomorrow. Super Hero‘s start last night has a shot at
Tony winner Jesse Tyler Ferguson and nominee Jesse Williams are suiting up again as stars of the baseball-themed Take Me Out, which is set to return to Broadway in the fall. The hit revival will re-take the field October 27 at the Schoenfeld Theatre for 14 weeks, it was revealed today. Written by Richard Greenberg and
China’s Bona Film Group, producer of such hits as The Battle At Lake Changjin, made its debut on the Shenzhen stock exchange on Thursday, with shares closing the day at RMB 7.24 ($1.07). This was a 44% increase from the initial public offering price of RMB 5.03 ($0.74) per share and put the market capitalization
Two wide studio releases will hopefully prevent this summer from reaching another low at the box office after last weekend’s $67.3M. If there’s one movie that’s going to pull ahead, sources are betting on Crunchyroll’s Dragon Ball Super: Super Hero. That distributor has proven in a short amount of time that they can draw a
Cineworld, the globe’s second largest exhibitor, today provided an update on its current trading, liquidity position and capital structure. The company, which also owns Regal in the U.S., said it is in “active discussions with various stakeholders and is evaluating various strategic options to both obtain additional liquidity and potentially restructure its balance sheet through
Disney is filling the desert that’s left at the fall box office by moving up New Regency/20th Century’s David O. Russell movie Amsterdam to Oct. 7. The pic was previously scheduled to open on Nov. 4. The pic which received a name title and dropped a trailer at April’s CinemaCon is set in the ’30s, and follows
EXCLUSIVE: Magnolia Pictures has snapped up domestic rights to Hunt, the feature directorial from Squid Game Emmy nominated star Lee Jung-jae, which made its world premiere at this year’s Cannes Film Festival in the Midnight section. Magnolia Pictures plans a December theatrical release. A stylish espionage action film set in the 1980s, Hunt follows two agents in Korean
Lionsgate thriller Fall will make an estimated $2.5+ million this weekend at 1,548 locations for a PSA of about $1,618. The audience (54% male and 61% over 25, according to PostTrak) was broader than it might have been after a company founded by director Scott Mann swapped dozens of f-words, moving Fall from an R
EXCLUSIVE: Two months into their run as Warner Bros Pictures Group Co-Chairs and CEOs, Michael De Luca and Pamela Abdy, have hammered out a multi-year deal to handle the international distribution of MGM’s theatrical titles, commencing with Luca Guadagnino’s Bones and All in November and continuing with the 2023 slate and beyond; the second title under
EXCLUSIVE: With today’s business included, Universal Pictures is crossing the $3B mark at the global box office for 2022 so far, becoming the first studio to reach the milestone since 2019. The grosses broken out to date are $1.74B at the international box office and $1.281B domestically. This is the eighth time Uni has topped
Sony’s Bullet Train was the global and international box office leader for the studios during its sophomore frame with an added $17M from 61 overseas markets for an offshore cume of $60M and global riding the rails past $100M for $114.5M through Sunday. The international holdover markets dropped 40%; word of mouth is good and
There will be more Kung Fu Panda. Universal has set a March 8, 2024 theatrical release for the fourth installment to the Jack Black voiced franchise which has grossed $1.8 billion through three movies. The first movie, which was released in 2008, received an Oscar nomination in the animated feature category. No directors are set as of
A handful of smaller films will start to test audience enthusiasm for movie theaters without big tentpoles. It’s been a rocky summer for specialty releases, and an uphill climb as arthouses emerge from Covid jitters with franchise films sucking up oxygen and screens. But superheroes are on hiatus. “There isn’t giant competition from tentpoles,” said
Those cricket noises you’re hearing are the sounds of the summer box office slowing down. Sony’s No. 1 movie from a week ago, David Leitch’s Bullet Train, will hold the top spot again this weekend in a session that technically doesn’t have any uber-wide releases backed by a multimillion-dollar major studio campaign spend. The Brad Pitt
Sony Pictures Classics has announced October-December release plans for The Return of Tanya Tucker; Salavatore: Shoemaker Of Dreams; The Son; Living; and Turn Every Page. Additionally, it said, One Fine Morning, written and directed by Mia Hansen-Løve and starring Léa Seydoux, and Davy Chou’s Return To Seoul, which were both acquired out of Cannes, will
EXCLUSIVE: Universal Pictures International is forming a new partnership with Emirates-based Majid Al Futtaim Distribution which will see the latter release Universal movies in Saudi Arabia and other GCC countries (Bahrain, Kuwait, Oman, Qatar, UAE) and Egypt. In Lebanon and Cyprus, Uni will retain its longstanding distribution relationship with Four Star Films. The new deal,
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