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EXCLUSIVE: Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny is posting an estimated $6 million-$7.5 million Thursday night, per sources, which is where previous older-skewing action-guy comps live. We’re specifically referencing the Thursday night starts of No Time to Die, which grossed $6.3M (started at 4 p.m.) before its $55.2M opening weekend in October 2021,
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It is quite conceivable another near $200M weekend will be in store at the box office over the weekend of July 21-21. Warner Bros.’ highly anticipated comedic feature take on girl toy Barbie starring Margot Robbie in the title role and Ryan Goslin as Ken cruised on to tracking today and hot would be a
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A bankruptcy court judge today gave a green light to a reorganization plan for Regal parent Cineworld, the key step needed for the giant movie theater chain to emerge from bankruptcy next month. At a hearing, in an order from the bench, Judge Marvin Isgur of U.S. District Court for the Southern District of Texas
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Facing the worst reviews ever for an Indiana Jones movie, the Lucasfilm franchise finale, Indiana Jones and the Dial of Destiny, is hoping to gain traction with audiences and best its $60M-$65M domestic start, $140M global opening. If the post pandemic has proved anything, it’s that popcorn pics aren’t so beholden to the Rotten Tomatoes
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Cineworld said on Monday that as part of its proposed restructuring following Chapter 11, it expects to file for administration of its listed entity Cineworld plc in the UK but that its operating companies will continue business as usual without interruption. Administration in the UK is an insolvency process, similar to a bankruptcy process. The world’s second biggest
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Refresh for latest...: After two major studio movies bowed last weekend, this session was one of holdovers for Hollywood with mixed results. Last weekend’s leader, The Flash, which had initially come in lower than projections, added $26.6M in 78 offshore markets this weekend, dropping by 59%.The Warner Bros/DC deep universe title now counts an international
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Focus Features expanded Asteroid City to the highest grossing weekend for a Wes Anderson Film with a projected three-day estimate of $9 million from 1,675 theaters – no. 6 at the domestic box office — pushing the film’s cume to $10.2 million. It opened last weekend in six locations. Some 64% of moviegoers were 35 or younger. Males topped
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A week of studio presentations and discussions, as well as chatter in the halls, at the CineEurope exhibition conference in Barcelona provided some interesting takeaways about the state of cinema and its future. The mood was generally optimistic, but concerns, and room for improvement, remain. Main talking points included the need for movie theater operators
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Two of the most successful specialty films of the year expand this weekend and a handful of others jump into an arthouse market that’s seen few new entrants in recent weeks as wide release piled on wide release. Wes Anderson’s Asteroid City jumps from a blockbuster six-theater opening ($800k over three days) last weekend for
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Refresh for more….Sony’s mission to return comedy to the big screen with the R-Rated Jennifer Lawrence movie, No Hard Feelings, grossed $2.15M last night from showtimes that began at 4PM at 2,745 locations. The movie hopes to do around $12M this weekend in what will be second session where Warner Bros.’ misfire, The Flash, hopes
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Strong showings at the June 11 Tony Awards – both in terms of trophies and on-air performances – seem to have made an equally sturdy impact at the box office, with best musical Kimberly Akimbo and nominated & Juliet – posting their best numbers yet, and best play Leopoldstadt making significant gains over the previous
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Warner Bros’ CineEurope show here in Barcelona was a starry, jam-packed affair featuring Zendaya and Timothée Chalamet who talked up Dune: Part Two, as well as their respective upcoming titles Challengers and Wonka. The proceedings kicked off with a pre-taped intro video featuring President of International Theatrical Distribution Andrew Cripps zipping along the 405 in
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Disney was the final studio to present here at CineEurope in Barcelona, highlighting 17 upcoming films and bringing A Haunting in Venice star/director Kenneth Branagh to town, as well as a live performance of “This Wish” from animated adventure Wish which releases in November. Head of Global Theatrical Distribution, Tony Chambers, started off the show,
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Paramount President of International Theatrical Distribution Mark Viane kicked off the studio’s CineEurope presentation with his annual fun pre-taped video, this time essaying the role of Mission: Impossible’s Ethan Hunt before appearing on stage dragging a parachute behind him in an homage to Tom Cruise’s latest spectacular stunt in Mission: Impossible – Dead Reckoning Part
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Warner Bros’ DC pic The Flash, despite tumbling down with a $55M start, will remain atop the box office with a $16.5M-$24.7M second-weekend take as the marketplace largely takes a breath sans tentpoles before Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny arrives for the Independence Day stretch. That Weekend 2 slide for The Flash
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With Tuesday’s global business factored in, Columbia Pictures and Sony Pictures Animation’s Spider-Man: Across the Spider-Verse has swung past the half-a-century mark worldwide, grossing $506.3M through yesterday. Domestically, the Joaquim Dos Santos/Kemp Powers/Justin K Thompson-directed sequel has so far made $290.4M. The international box office has contributed $215.9M to date. Across the Spider-Verse just opened today
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Universal trotted out a dog, some “possessed” girls and a Wicked light show, during its CineEurope presentation here in Barcelona, while also celebrating the studio’s force in the animated space and touting next month’s Oppenheimer from Christopher Nolan. All this followed a reel of filmmakers heralding the cinema experience which it had previously shown at
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In-theater advertising firm National CineMedia announced a special shareholders meeting to vote on a reverse stock split — a move that boosts the price of a company’s shares — as it risks being delisted by the Nasdaq market and works through a voluntary Chapter 11 reorganization. The company, which was founded and is largely owned
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Asteroid City delivered a massive jolt to the arthouse and specialty world this weekend as the Wes Anderson film presented by Focus Features blew past records with an estimated $790k three-day gross and $890k estimated for the four-day weekend in just six theaters. That’s a per-theater average of $132,211 for the three days, and $148,901
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Refresh for latest…: Warner Bros/DC’s The Flash sped into 78 overseas markets this weekend, grossing $75M, below the $85M-$95M we saw coming into the frame. With domestic’s slow-crawl three-day included, that makes for a $139M global opening. This is lower than projections, with general audiences not rushing out to see the deeper universe pic. As
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Big news in specialty this weekend as Asteroid City arrives in theaters with Wes Anderson and his army of fans behind it and a major marketing campaign by Focus Features. The director’s latest opens at six locations in New York and Los Angeles, where Focus has partnered with Landmark for the reopening of Sunset, the
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Executives of Regal parent Cineworld, led by CEO Mooky Greidinger, have agreed to a payout in the $30 million range, Deadline has confirmed, in the event that they leave leave the company as it prepares to exit Chapter 11. Documents filed earlier this year during ongoing bankruptcy proceedings in the Southern District of Texas indicated
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It feels like Covid all over again, but it’s not. Disney has just made a slew of release-date changes, many due to the impact of the WGA strike and screenplays not being ready and productions paused. We already know that Thunderbolts and Blade are waiting the strike out before rolling cameras. Scripts aren’t fully ready
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