Kevin Wilson has officially been named the Head of Theatrical Distribution for Amazon Studios and MGM as the parent company combines both labels into one theatrical distribution group. The news comes in the wake of the passing of Amazon-MGM previous theatrical distribution boss, Erik Lomis, who was given a heartfelt remembrance today at CinemaCon by
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Producer Jason Reitman appeared via video sans footage with the Ghostbusters: Afterlife sequel cast of McKenna Grace, Finn Wolfhard, Paul Rudd and Carrie Coon in what was the first look of the movie. Reitman confirmed that the new sequel, due out on December 20, returns the franchise back to New York City where the first
Sony Motion Pictures Chairman and CEO Tom Rothman introduced a sequence from Ridley Scott’s Apple TV+ movie, Napoleon at CinemaCon tonight. Apple’s continued foray into theatrical was a big get for Sony, which is distributing the movie. “It will be released at Thanksgiving with a robust theatrical window and robust marketing campaign before moving to
“I thank you from the bottom of my heart,” Denzel Washington told a Colosseum-full of exhibition executives at CinemaCon. The star of The Equalizer 3 — first trailer dropping tomorrow — received a Lifetime Achievement Award presented by director Antoine Fuqua during Sony’s presentation, which kicked off the annual four day-event in Las Vegas. “We
Digital and social media marketing chiefs of major studios said today they’re really hoping the threat of a U.S. government ban on Tiktok never materializes, so crucial has the platform become to launching films. They’d also like Elon Musk-owned Twitter to get itself together, since that’s also a key platform for Hollywood. “I don’t personally
An oft-heard lament on the part of international distribution is that Italy is impossible to program in the summer. In 2019, there was an effort on the part of the studios and the local industry to steer the season in a different direction resulting in record results, but the pandemic halted momentum. At the end
Who else but hosts Wendy Stuart and Tym Moss could “spill the tea” on their weekly show “If These Walls Could Talk” live from Pangea Restaurant on the Lower Eastside of NYC, with their unique style of honest, and emotional interviews, sharing the fascinating backstory of celebrities, entertainers, recording artists, writers and artists and bringing
Alamo Drafthouse Cinema has promoted its Chief Experience Officer Michael Kustermann to the newly created post of president, taking on a larger role in supporting and accelerating the growing chain’s organization and strategic vision. The exec’s key initiatives have included Alamo Season Pass, Rolling RoadShow, Fantastic Fest, a new Silent Service ordering platform and work
Three years after brutal Covid shutdowns, spring is in the air for cinemas with the box office blossoming and the economics of streaming looking muddy. Traditional studios are re-committing to theatrical, with Apple and Amazon on board. That’s the view from the perch of John Fithian, longtime president and CEO of the National Association of
Ari Aster’s Beau Is Afraid did decent business in its second week, expanding from four screens to well over 900 for a gross of $2.7+ million and a cume of $3.14 million. The A24 film starring Joaquin Phoenix has a $2.8k per screen average and no. 9 spot. It’s a weekend with a wide range
In a week when distributors and exhibitors are reconvening for their annual Las Vegas meet-up, CinemaCon, and celebrating the post-pandemic resurge of the box office, the motion picture industry is bracing for a potential WGA strike. With production and deal-making slowing down, especially with 98% of WGA West and WGA East authorizing a strike if
James Cameron climbs the ladder to cut the net for winning Deadline’s 2022 Most Valuable Blockbuster Movie Tournament after Avatar: The Way of Water cleared over a half-billion dollars in profit after all ancillaries. Given the sleeper nature of this sequel, and given the overall boom expected from this year’s global box office to $32
EXCLUSIVE: Deadline has learned that Warner Bros Discovery CEO and President, David Zaslav, will be teeing off Warner Bros studio presentation at CinemaCon on Tuesday AM, April 25. While it’s standard for the heads of motion picture studio divisions, read Sony’s Tom Rothman, Universal’s Donna Langley, and former Warner Bros chief Toby Emmerich to share
After posting giant per screen numbers at four theaters last weekend, A24’s Beau Is Afraid jumps to 926 for the distributor’s third outing with Ari Aster. It’s a very different film from his horror favorites Hereditary and Midsommar but one the distributor hopes will cement the director’s place as a modern auteur. According to one
Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
Exhibition cries for a supply of films at the box office, but a flood of titles means nothing if there isn’t any marketing money put behind it. Last weekend there were five wide releases going up against Illumination/Universal’s beast Super Mario Bros Movie. Did it even make a difference? Was a proper amount spent to
The Phantom of the Opera, Andrew Lloyd Webber’s musical that closed its Broadway run on Sunday after 35 years, went out on a very high note: Box office receipts for the show’s final week hit a best-ever $3,739,934. Playing, of course, to standing room only audiences at longtime venue the Majestic Theatre, Phantom commanded a
Regal parent Cineworld has decided to terminate the marketing process for its businesses outside of the U.S., UK and Ireland. Although it received offers from “a number of prospective counterparties,” the proposals “did not meet the value level required by the group’s lenders,” the exhibition giant said today. The so-called “rest of world” businesses include
Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
Ethan Coen’s Focus Features and Working Title comedy caper, Drive-Away Dolls, will open on Sept. 22. It won’t be a surprise to see this Margaret Qualley and Geraldine Viswanathan movie among the lineups of the fall film festival trifecta. Written by Coen and Tricia Cooke, Drive-Away Dolls follows Jamie, an uninhibited free spirit bemoaning yet
After working together on the combined half billion-plus grossing hits, Split and Glass, James McAvoy and Blumhouse are reteaming for a remake of Danish thriller, Speak No Evil. James Watkins (The Woman in Black) will direct from his script. Universal has set a theatrical release of Aug. 9, 2024. In the original 2022 movie, a
After 35 years, Andrew Lloyd Webber’s The Phantom of the Opera took its final curtain call on Sunday night at the Majestic Theatre in New York. This was show No. 13,981 of the longest-running show in Broadway history and was dedicated by Lloyd Webber to his son Nicholas who died last month after a battle
Beau Is Afraid posted the top per-screen average of the year so far and the best limited opening for distributor A4 since Uncut Gems, grossing an estimated $320,396 at four locations in New York and LA for a hefty per screen average of $80k+ to sold out shows on both coasts. (Uncut Gems with Adam
After passing $500M globally through Thursday, Illumination/Nintendo/Universal’s The Super Mario Bros Movie is now on its way to an estimated $659M through Sunday worldwide. Of that, the international box office is estimated to rep $318.6M. Through Friday, the fratelli are at $268.9M from 71 overseas markets and $551.9M global. The full weekend cume offshore is
Illumination/Nintendo/Universal’s The Super Mario Bros Movie made history this past weekend, nabbing the biggest opening ever for an animated title worldwide. Now, after just nine days, it has a new milestone under its belt, topping $500M to become the No. 1 release of 2023 globally. Domestically through Thursday, the Aaron Horvath/Michael Jelenic-directed film has grossed
Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
FRIDAY AFTERNOON: Illumination is looking at another record 3-day as the Universal/Nintendo co-production Super Mario Bros Movie is on its way to a $72M Friday-Sunday, the best second weekend for the animation studio. That’s a 51% ease at 4,371 theaters after a $20M second Friday, -64%. Running total by end of Sunday will be $332.8M.
Ari Aster, the horror maestro behind Hereditary and Midsommar, is out with Beau Is Afraid on four screens as A24 presents the SXSW-premiering film In LA (AMC Century City and Burbank) and New York (AMC Lincoln Square, Alamo Brooklyn), in Imax on both coasts, followed next week by a regional Imax expansion and into to
“Show me the money” was the memorable battle cry in Jerry Maguire, the 1996 movie about a sports agent who must “deliver” for his manic client. Matt Damon, the negotiator at the center of his and Ben Affleck’s new movie, delivers big time for his client, and so does the film. Air is an angry,
Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
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