A Man Called Otto

In an age of streaming and Covid concerns when many older-skewing dramatic films find their way safely into homes, Sony Pictures rolled the dice on the Tom Hanks drama A Man Called Otto. It grossed $15.3 million in its third–weekend wide expansion over the four-day MLK weekend, well surpassing its $8M projection. The result surprised
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FRIDAY AFTERNOON: As expected, Disney/20th Century Studios/Lightstorm’s Avatar: The Way of Water remains number one again in its fifth weekend with an MLK four-day take of $35M after a $7M Friday, -39% at 4,045 sites. 3-day looks to be around $27M-$28M, -40%. That will get the James Cameron sequel to $566.7M at the domestic box
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James Cameron’s Avatar: The Way of Water will reign supreme in its fifth weekend over the four-day MLK holiday frame with an estimated take around $35M. The Disney/20th Century Studios/Lightstorm title through yesterday raised its running total to $525.66M after a $4.5M Tuesday. The sequel will feasibly overtake the domestic total of its comp, Rogue
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Sony’s Tom Hanks-starrer A Man Called Otto banked $4.2 million in a lively second frame as it moved to 637 locations nationwide from four in NY and LA. Strong word of mouth propelled moviegoers into seats with particular strength in the heartland and momentum looks good as the adult drama/comedy heads into next week’s wide
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Alcarràs, winner of the Golden Bear in Berlin, opens on five screens in New York, Los Angeles and Chicago, presented by Mubi; Quiver Distribution releases Candy Land in nine theaters; and Sony’s Tom Hanks-starring A Man Called Otto, UAR’s Women Talking and IFC Films’ Corsage move into moderate expansions as the broader specialty market barrels
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Specialty film closes the book on a mixed 2022 this weekend with the limited release by Sony of Tom Hanks-starring A Man Called Otto; a literary doc by Lizzie Gottlieb from Sony Pictures Classics and Hirokazu Kore-eda’s latest from Neon via Cannes.  Otto, by Mark Forster, is a remake of a Swedish film based on
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