There exist three Oscar categories where it’s possible to watch all nominated films in one shot – that’s shorts, Animated, Live Action and Documentary. Packaged into three feature length films presented by ShortsTV, the Oscar Nominated Short Films open in theaters today for a four-week run on about 650 screens in the U.S. and Canada.
Wes Anderson
Wes Anderson’s arthouse oasis, Asteroid City, will stream on Peacock on Friday, Aug. 11, 57-days after opening in theaters. The Focus Features absurdist comedy, which world premiered at the Cannes Film Festival and stars Scarlett Johansson, Jason Schwartzman, Bryan Cranston, Steve Carrell, Jeffrey Wright, Tom Hanks, Jeff Goldblum, Ed Norton among several others has grossed
Focus Features expanded Asteroid City to the highest grossing weekend for a Wes Anderson Film with a projected three-day estimate of $9 million from 1,675 theaters – no. 6 at the domestic box office — pushing the film’s cume to $10.2 million. It opened last weekend in six locations. Some 64% of moviegoers were 35 or younger. Males topped
Asteroid City delivered a massive jolt to the arthouse and specialty world this weekend as the Wes Anderson film presented by Focus Features blew past records with an estimated $790k three-day gross and $890k estimated for the four-day weekend in just six theaters. That’s a per-theater average of $132,211 for the three days, and $148,901
Big news in specialty this weekend as Asteroid City arrives in theaters with Wes Anderson and his army of fans behind it and a major marketing campaign by Focus Features. The director’s latest opens at six locations in New York and Los Angeles, where Focus has partnered with Landmark for the reopening of Sunset, the
Focus Features has dated Wes Anderson’s next movie Asteroid City for June 16, 2023. Do we smell a Cannes selection? Pic will go even wider on June 23. Universal, as previously reported, has overseas. Focus previously teamed with Anderson and Indian Paintbrush on 2012’s Moonrise Kingdom. Asteroid City, written by Anderson based on a story
Neon’s Spenser with Kristin Stewart rang in an opening weekend of $2.149 million on 996 screens, a per screen average of $2,158 as the film failed to connect in a market that remains a stubbornly hard sell for specialty and independent films. The well-reviewed (with raves for Stewart as Lady Diana) reimagining by director Pablo
Wes Anderson’s The French Dispatch did what a glum arthouse market was waiting for, revved it up with a smashing three-day average. “If Wes builds it, they will come,” said an elated Searchlight Pictures after a two year wait to get the film into theaters. It opened in 14 markets and in a total of
After a long Covid delay, The French Dispatch opens this weekend with distributor Searchlight Pictures and the industry hoping the whimsical Wes Anderson’s film brings a touch of Grand Budapest Hotel-ish coin to the specialty box office. Hoping, but not counting on it, as the box office take beyond studio tentpoles has been largely dour
Searchlight’s latest Wes Anderson movie, The French Dispatch, will finally see the light of day with a theatrical release of Oct. 22. after being held during the pandemic. The all-star ensemble feature which counts Bill Murray, Elisabeth Moss, Frances McDormand, Timothee Chalamet, Tilda Swinton, Owen Wilson, Ed Norton, Saoirse Ronan and more in its cast