When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that
Universal
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that
With theaters largely closed due to COVID-19 nationwide (except for a handful of drive-ins), there are many things that make sense financially for major studios when it comes to the distribution of their movies right now. It made sense that current theatrical releases such as Bloodshot, The Invisible Man, The Hunt, Onward, etc. would quickly
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that
More betting by the major studios that moviegoing occurs later this season in the coronavirus climate, than earlier this summer as Universal/MGM’s Candyman reboot moves from June 12 to Sept. 25. In the wake of Paramount, Warner Bros. and Sony shifting their movies out of the earlier part of summer as questions hang over when exhibition
In what is considered an anomaly in the industry for an on-demand rental title (not sellthrough): Dreamworks Animation/Universal’s Trolls World Tour is now available for pre-order on FandangoNOW in advance of the pic’s April 10 availability date. While pre-orders for sell-through titles like Bad Boys for Life are quite common, that’s not the case with VOD rental titles. In
Last week, Illumination/Universal’s Minions: The Rise Of Gru stepped off of its global release which was previously set for late June in some offshore markets and for July 3 domestically. It has now been scheduled for July 2, 2021, taking the slot that belonged to Sing 2, which in turn is now headed to Christmas
Illumination/Universal’s Minions: The Rise Of Gru has been moved off of its global release which was previously set for late June in some offshore markets and for July 3 domestically. This is another casualty of the coronavirus pandemic as Illumination’s Mac Guff studio in Paris has been temporarily shuttered in abidance with the current lockdown
We informed you prior this was a possibility and now Universal’s F9 is also shifting its May 22 global day and date release as the world becomes embattled by the coronavirus outbreak. F9 will now open on Easter weekend April 2, 2021. Universal had already reserved that date for Fast & Furious 10. The news was announced
If predicting box office openings wasn’t worse enough for the industry, the coronavirus outbreak in the U.S. has studios and exhibition at the edge of their seats as concerns swell about how bad the impact might be. This weekend’s wide entries — Sony’s Vin Diesel movie Bloodshot, Lionsgate-Kingdom Story’s faith-based K.J. Apa movie I Still Believe
EXCLUSIVE: With the coronavirus socking it to the Asian box office, Deadline has learned that MGM, Eon and Universal are postponing the next James Bond movie, No Time to Die from its UK and international release date of April 2 and its U.S. Easter weekend global day-and-date of April 10, and moving the 25th 007
“We are in uncharted territory.” Those are the words from one exhibition source this morning to Deadline in the wake of MGM/Eon/Universal’s shocking shift of No Time to Die from its April 10 Easter global launch date to Thanksgiving, largely due to those Asian markets effected by the coronavirus. Don’t doubt this for a second,
Dreamworks Animation’s Trolls World Tour is going where No Time to Die vacated: April 10. Originally the DWA pic, released via Universal, was to go April 17. This is the first major studio move in the wake of MGM/Eon/Universal moving the global day and date release of the 25th 007 pic this morning, which Deadline exclusively broke. It also
5th Update Sunday AM: Moviegoers didn’t have a problem finding Blumhouse’s The Invisible Man on Saturday with the Leigh Whannell movie racking up $11.1M, a 12% surge over Friday’s $9.9M for a weekend that Universal is calling at $29M (some rival estimates have it in the low $28M range). Even more commendable: if you back out those
Universal–Blumhouse’s The Invisible Man made its first appearance Thursday night at 7 PM shows nationwide with $1.65 million, an an amount of cash that’s near both studios’ previous collaborations, Get Out ($1.8M Thursday) and Split ($2M). Both 2017 titles overperformed their $20M-predicted tracking at the time, with Split posting a $40M start, and Get Out taking $33.3M. Invisible Man, directed and written
It’s not as if Universal and Blumhouse anticipated the opening of its gaslight thriller The Invisible Man to coincide with the guilty verdict handed down this week to movie mogul Harvey Weinstein in his sexual misconduct trial. But the Blumhouse-produced movie written and directed by Leigh Whannell arrives in cinemas at a moment when the
Jurassic World 3 director Colin Trevorrow on Tuesday announced Day 1 of shooting for the Universal sequel, plus the pic’s title: Jurassic World: Dominion. It’s Trevorrow’s second time directing the dinosaur franchise, after J.A. Bayona took over for the second movie, 2018’s Jurassic World: Fallen Kingdom. Trevorrow is also exec producing with Steven Spielberg. Frank Marshall
Peter Levinsohn was named Vice Chairman and Chief Distribution Officer for Universal Filmed Entertainment Group today after serving as President and Chief Distribution Officer since 2013. In his new role, Levinsohn will oversee domestic theatrical distribution, global home entertainment, global television distribution, new media and digital strategy, and film technology. Prior to joining Universal, Levinsohn
Following a barrage of criticism eight months ago from right-wing commentators and President Donald Trump, who called the movie one that will “inflame and cause chaos,” Universal-Blumhouse’s The Hunt is muscling its way back on to the release calendar with a March 13 date. It’s being billed in a new ad campaign as “The Most
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