Belfast, Kenneth Branaugh’s intensely personal story of one boy’s childhood in tumultuous late 1960s Northern Ireland, earned an estimated $1.8M in 580 locations this weekend for a PTA of $3,111 – a solid showing for a black-and-white film in a specialty market that’s waging what one distribution exec calls an “an inch-by-inch, week-by-week recovery.” The
Spencer
Neon’s Spenser with Kristin Stewart rang in an opening weekend of $2.149 million on 996 screens, a per screen average of $2,158 as the film failed to connect in a market that remains a stubbornly hard sell for specialty and independent films. The well-reviewed (with raves for Stewart as Lady Diana) reimagining by director Pablo
Neon presents Spencer on just under 1,000 screens, Pablo Larraín’s well reviewed psychological drama about the weekend Princess Diana rewrote the future of the British monarchy. The film is said to be looking at a $2-$2.5 million opening with an 84% Certified Fresh critics’ score on Rotten Tomatoes but a 50% audience score (albeit from
A glum arthouse market may be entering a gateway weekend into happier days after months of distributors — with rare exceptions — pulling out their hair at dismal per-screens averages. That’s because festival buzz is mounting for film after film – from Card Counter, Dune and Spencer (debuted in Venice, opening respectively Sept 10, Oct.
EXCLUSIVE: NEON and Topic Studios have set a Nov. 5 release date for Pablo Larrain’s Spencer which stars Kristen Stewart as Princess Diana. The pic takes place during the Christmas holidays with the royal family at the Sandringham estate in Norfolk, England, when Diana decides to leave her marriage to Prince Charles. Steven Knight penned the
EXCLUSIVE: NEON and Bleecker Street have formed the joint home entertainment distribution company DECAL. The standalone full-service operation, which is a joint venture between the two film labels, will handle distribution deals on the home entertainment rights to both NEON and Bleecker Street’s curated slate of features and will be overseen by NEON’s Andrew Brown