Two very different indies circling a cantor and slasher debut in moderate to wide release along with a handful of limited openings from Close Your Eyes to Paradise Is Burning on this late summer weekend with the fall festival season about to kick off. Sony Pictures Classics launches Jason Schwartzman and Carol Kane-starring Between The
Specialty Preview
From facial wars to a penguin friend, wandering surfers and Haitian immigrants in Miami, the independent film market is fun, thoughtful, varied and contending with a faster cadence of high performing studio wide releases. That’s exhilarating on one hand but, indie distribution executives say, is making it increasingly difficult to date their films after having
Iain Glen, Ser Jorah Mormont in Game Of Thrones, is feisty as ever as a family man facing down the tumultuous start of World War I in The Last Front by Belgian filmmaker Julien Hayet-Kerknawi, the first release by his new indie label Enigma. It opens on 250 screens. Metrograph Pictures is out with Good One,
‘Kneecap’, the name of the Irish hip hop group, and the music biopic about — and starring — the groundbreaking trio, opens today on 700+ screens, following up a U.S. tour last fall and leading into another one. The hybrid documentary, which was a buzzy Sundance title when Sony Pictures Classics nabbed it, recently
It’s a big weekend for critically acclaimed indies in limited release as well as a handful of moderate openings, including Richard Gere’s latest film Longing. The provenance of that is unusual as the film from Lionsgate/Grindstone is a Canada-set remake of a 2017 Israeli drama. The original was quite well received, but the film opening
Few big new studio wide releases, yes, but Viggo Mortensen’s latest is on 700 screens, plus limited openings for Chris Wilcha’s Flipside, Judd Apatow EP, and Spanish animated, Oscar-nominated Robot Dreams from Neon. Bleecker Street’s family drama Ezra and IFC Films’ arthouse slasher In A Violent Nature are technically wide but both well under 1,500
A searing historical drama set in mid-19th century Bologna, and a TIFF award winning coming-of-age story open in limited release. The fascination with female conductors continues in doc Maestra. Netflix starts a small run with Richard Linklater comedy Hit Man. A24’s I Saw TV Glow is steady on under 400 screens. Evil Does Not Exist
Babes by Pamela Adlon, co-written and starring Ilana Glazer, debuts in limited release with films by Hang Song-soo and Bertrand Bonello and docs on a controversial Venice Biennale, ground-breaking female clerics, and the Blue Angels Navy Squadron. A trio of festival favorites expand. While eyes now are on fare at Cannes — where Neon has
It’s an indie grab bag and a fun one this weekend with the widely pummeled TIFF-premiering Poolman, (the people will decide), Jamie Foxx in comedy Not Another Church Movie, and Eric Bana’s Force of Nature: The Dry 2 sequel. Mubi and Strand Releasing are testing the market with limited openings Gasoline Rainbow and A Prince.
A24’s I Saw The TV Glow beamed out one of the best limited openings of the year as the specialty market shows signs of life after a dreary April. The ‘90s era trans coming-of-age horror-thriller grossed $116.3k at four theaters in New York and LA for a per screen average of $29k for Jane Schoenbrun.
It’s been a rough few weeks for indies but May is here with a handful of hopefuls looking to rev up the market — from A24’s buzzy I Saw The TV Glow to Ryusuke Hamaguchi’s Venice award-winning Evil Does Not Exist. A documentary about Anita Pallenberg featuring Scarlett Johansson hits theaters, with a French animated
There’s a nice trio of specialty films to highlight this weekend from Joanna Arnow, Uberto Pasolini and Caitlin Cronenberg‘s feature directorial debut. Joanna Arnow’s micro-budget comedy The Feeling That The Time For Doing Something Has Past world-premiered in Cannes’ Directors’ Fortnight. It follows a 30-something New York woman as time passes in her long-term casual
Sasquatch Sunset directors Nathan and David Zellner (Kumiko, The Treasure Hunter) always wondered what these hairy giants do when they’re not walking – the only Bigfoot footage available has been a minute of a supposed Sasquatch wandering in the northern California woods. They decided to flesh that out in unique dialogue-free comedic imagining of the
Vera Drew’s The People’s Joker – which was pulled from TIFF in 2022 over “rights issues” — starts a theatrical debut today at the IFC Center, moving to LA’s Landmark’s Nuart next weekend and expanding thereafter with about 85 booking so far — a nice outcome for the mixed-media coming-of-age dark superhero parody that “had
A24’s psychological thriller Love Lies Bleeding by director Rose Glass starring Kristen Stewart, Katy O’Brian, Jena Malone and Anna Baryshnikov, with Dave Franco and Ed Harris, opens in limited release on five screens in New York and LA , expanding next week. A reclusive gym manager Lou (Steward) falls hard for Jackie (O’Brian), an ambitious bodybuilder headed
Two well-reviewed indies are taking a bow in limited release in the shadow of Dune, A24’s Problemista by Julio Torres, and Shayda from Sony Pictures Classics, the feature debut of Noora Niasari. Torres, the comedian, actor and writer, in his directorial debut, stars with Tilda Swinton as Problemista gets its release at last after being
Italy’s Best International Feature Oscar-nominated Io Capitano starts its U.S. run today in ten market on 21 screens, a bit wider than usual for Cohen Media Group but with Academy final voting just started, reviews are gold for the odyssey that director Matteo Garrone calls “a movie about human rights. About the rights of everybody
It’s a weekend of well-reviewed indie openings with Bleecker Street’s Out Of Darkness, The Monk And The Gun (from the directors of Lunana: A Yak In The Classroom) and limited openings for The Taste Of Things, Perfect Days (Best International Feature nominated), Anthony Chen’s Drift, Bas Devos’ Here and Ennio by Giuseppe Tornatore, which premiered
It’s quiet but Poor Things and American Fiction are selling tickets. The Yorgos Lanthimos film starring Emma Stone enters the weekend at just over $26 million on 1,950 screens, continuing a strong theatrical run for a movie some have called bonkers but is zipping along. American Fiction adds a few hundred screens this weekend in
A handful of indies bow or expand this weekend as Oscar hopefuls from Poor Things to The Holdovers and American Fiction crowd theaters after nominations earlier this week. Anatomy Of A Fall is getting a big bump. Oppenheimer is back on Imax. New specialty releases include Daisy Ridley-starring Sometimes I Think About Dying by Rachel
In a lull for specialty openings early in the new year, three foreign-language films are taking a shot. The Settlers, winner of the Cannes Un Certain Regard FIPRESCI Prize, and Inshallah A Boy are Cannes alumns and Oscar submissions from, respectively, Chile and Jordan (neither short-listed in a competitive field). Driving Madeleine is a crowd
It’s quiet for specialty openings after the holidays, in the thick of awards season. But one film needed this weekend — Abramorama documentary A Storm Foretold by Danish director Christoffer Guldbrandsen about the MAGA movement and the Jan. 6 insurrection. The filmmaker captured footage over years of on-and-off access to Roger Stone. It’s booked for
Salaar: Part 1 – Ceasefire saw $2.5 million in Thursday previews as the Telugu action thriller opens in about 800 locations in North America. Bollywood superstar Shah Ruhk Kan toplines drama Dunki, his third film of the year after Pathaan and Jawan, both in the top ten of India’s highest-grossing films. Presented by Moksha Movies/Pathyangira
Jonathan Glazer’s unusual Holocaust film The Zone Of Interest opens in four theaters in New York and LA today as Cord Jefferson’s satirical comedy American Fiction debuts in seven, the latest trenchant specialty offerings in a fall market full of strong titles as year-end approaches and the awards season clicks into high gear after Golden
Yorgos Lanthimos’ Venice Golden Lion Winner Poor Things is here with Searchlight Pictures sewing up nine theaters in four major markets for leg one of the Emma Stone-starring surreal-period-comedy-horror. The film debuts in NYC (AMC Lincoln Square, Regal Union Square, Alamo Drafthouse, Brooklyn) and LA (AMC Century City, AMC The Grove, AMC Burbank 16) as
Animal, with Thursday previews of just over $1.25 million, looks set for the biggest North American Bollywood opening day since Brahmastra Part 1: Shiva last year. Both star Ranbir Kapoor. The Hindi revenge thriller by Sandeep Reddy Vanga about a son’s toxic relationship with a father he idolizes opens on 700 screens (nearly 100 in
Emerald Fennell’s dark comedy Saltburn takes a massive jump from to over 1,500 screens today as Bradley Cooper’s Maestro, Hayao Miyazaki’s latest The Boy and the Heron, animated They Shot The Piano Player and other festival favorites launch awards season runs this Thanksgiving specialty weekend. Apple, opening Napoleon wide with Sony, is also planting a
It’s a cool indie weekend when the new album by André 3000, New Blue Sun, has morphed into a “cinematic listening experience.” Variance Films is putting the experience, directed by Terence Nance, into three theaters in NYC (IFC Center), LA (Cinepolis Inglewood) and Atlanta (Tara). Right now, it’s just those locations but after this weekend,
A24 continues its stream of special runs opening dark comedy Dream Scenario in limited release on six screens in New York and LA. Written and directed by Kristoffer Borgli’s (Sick Of Myself) and produced by Ari Aster, it stars Nicolas Cage as a hapless family man whose life is turned upside down when millions of
A24’s Priscilla by Sofia Coppola catapults from four screens to 1,300, Alexander Payne’s The Holdovers from Focus Features expands to 60 from six and two new indies have wide debuts — What Happens Later from Bleecker Street, directed by and starring Meg Ryan, opens at 1,400 locations and Daisy Ridley-starring The Marsh King’s Daughter from Roadside
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