Fatal Attraction was a huge box office hit back in 1987, but it didn’t age all that well, with Glenn Close’s spurned mistress turning into a crazed horror movie villain intent on hacking her former lover to bits. Paramount+’s new series adaptation — debuting this Sunday; I’ve seen the first four episodes — aims to
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Oscar-nomination afterglow for this year’s Best Picture contenders was largely felt more in the home than it was at the box office, with a majority of titles already available to be viewed on the couch except for 20th Century Studios/Disney’s 3D title Avatar: The Way of Water. Since noms were first announced on January 24
I’m issuing a red alert to all Star Trek fans, especially the Next Generation faithful out there: If you’ve already abandoned ship on Star Trek: Picard, it’s time to beam back onboard. The upcoming third and final season on Paramount+ — premiering Thursday, Feb. 16; I’ve seen the first six episodes — is easily the best
As a title, Criminal Minds: Evolution refers not just to how a new UnSub upped his game during the pandemic, but also the changes that the series itself has undergone for its rebirth on Paramount+. Reporting thus far on Criminal Minds: Evolution has regularly labeled it a “revival,” but having screened the first two episodes
Star Trek TV shows are multiplying like Tribbles these days. Starting with 2017’s Star Trek: Discovery — the first Trek show in more than a decade — the iconic sci-fi franchise has rolled out five new shows on Paramount+ in the past five years. As a lifelong Trekkie, it’s been a pleasure to navigate this wealth
In a clear sign that Paramount is committed to theatrical, but still open to the future of streaming, A Quiet Place Part II and Mission: Impossible 7 will go on the streaming service 45 days after their theatrical release dates. A Quiet Place Part II was originally scheduled to open on March 20 last year before Covid derailed
Paramount Pictures CEO Jim Gianopulos gets it; just like Disney CEO Bob Chapek gets it: You can’t have a successful streaming service without big theatrical event films. The two go hand-in-hand, so don’t try and muddy the waters. Big screen drives big franchises, which in turn drives streaming features and spinoff series. Exclaimed Gianopulos at