Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
Oppenheimer
Refresh for latest…: A busy holdover weekend for wide studio releases was led by the trio of Godzilla x Kong: The New Empire, Kung Fu Panda 4 and Dune: Part Two. And, in a soaring performance, Hayao Miyazaki’s Oscar winner The Boy and the Heron swooped into China helping the market set a new Qingming
Imax saw sales dip in the fourth quarter to $86 million from $98 million, in line with Wall Street forecasts, as the company focused on the full year and its accelerated global expansion. The stock has popped more than 8% in after-market trading on the numbers and outlook. Adjusted ebitda (earnings before interest, taxes, depreciation
A handful of indies bow or expand this weekend as Oscar hopefuls from Poor Things to The Holdovers and American Fiction crowd theaters after nominations earlier this week. Anatomy Of A Fall is getting a big bump. Oppenheimer is back on Imax. New specialty releases include Daisy Ridley-starring Sometimes I Think About Dying by Rachel
In a weekend without any studio wide entries — all due to the strikes– the overall theatrical marketplace is bound to reach some sort of low: Either lower than 2023’s bottom of $51.8M for all movies (Sept. 22-24) or lower than 2022’s floor of $35M (Jan. 28-30). After last weekend saw a 2024 YTD low
Globally, including most everywhere overseas, 2023 box office was led by a mix of Barbie, The Super Mario Bros. Movie and Oppenheimer, curious bedfellows who nevertheless proved that cultural phenomena can come in different forms and set turnstiles spinning. Both the global and international box office saw improvement in 2023 versus 2022 with an estimated
Oppenheimer will finally arrive on Peacock on Feb. 16., right smack dab in the middle of Oscar season. Oscar nominations come out Jan. 23. The Christopher Nolan directed movie just won five Golden Globes including Best Director, Best Feature Drama, Best Actor Drama Cillian Murphy, Best Supporting Actor Robert Downey Jr, and Best Original Score
Global box office is estimated to have reached $33.9B for 2023, a 30.5% gain on 2022, according to Gower Street Analytics. While this represents continuing worldwide recovery, the figure remains 15% behind the average of the last three pre-pandemic years (2017-2019). Gower Street also recently estimated that, due in part to this year’s strike-impacted release
They faced each other in a box office royale that wound up mushrooming to become the biggest box office weekend of the year. Now, Warner Bros.’ Barbie and Universal’s Oppenheimer will go toe-to-toe at the Golden Globes on January 7. Interestingly enough, coming away from the Golden Globes nominations Monday morning, Barbie bests Oppenheimer by
With awards shows’ ratings dropping annually, many have pinned that on mainstream viewers tuning out because their favorite tentpoles are overlooked in the Best Picture categories. Popular Best Picture candidates and hosts have traditionally been tied to Oscars’ ratings. However, the Golden Globes has continually had respect for popcorn pics between their drama and musical/comedy
Christopher Nolan’s Oppenheimer has been confirmed for a theatrical release in Japan. Although it did not specify an exact date, local distributor Bitters End said today that the biographical epic will be in Japanese cinemas in 2024. The decision was made “following months of thoughtful dialogue associated with the subject matter and acknowledging the particular sensitivity for
EXCLUSIVE: Barbie may have beat her late-summer rival, Oppenheimer, at the box office but in a face-off in homes, the man in the soft-brimmed hat wins — as far as premiere weekends go. Samba TV, which measures viewership from 3M opted-in Smart TVs for at least five-minutes, reports that the Live+5D window for the Universal
AMC Entertainment swung to a profit last quarter and saw revenue jump 45%, besting Wall Street forecasts. CEO Adam Aron found the numbers “quite satisfying.” But, he said, the short-term impacts of the writer’s and actor’s strikes will cause additional and needless challenges for AMC in 2024. Without taking sides as to who is to
‘Barbenheimer‘ was completely unexpected, but the studio behind Barbie gladly leaned in, said Dana Nussbaum, EVP of worldwide marketing for Warner Bros. Pictures, calling the unusual double-feature frenzy one of a few unforseen and welcome twists while rolling out the Greta Gerwig’s blockbuster. “That was absolutely a surprise to us. But one that we found
The third-highest grossing movie of the year, Christopher Nolan’s Oppenheimer ($942M) arrives on 4K Ultra HD, Blu-ray and digital on Nov. 21. And boy, are there a lot of extras. Like over three hours on the DVD. This includes the global debut of “The Story of Our Time: The Making of Oppenheimer,” a 70+ minute immersive piece
Refresh for latest…: Warner Bros/New Line’s The Nun II continued to conjure strong business around the globe this weekend, taking the top spot again worldwide and overseas. The sophomore session of $30.1M in 72 offshore markets brings the international box office cume to $102.3M and worldwide to $158.8M so far. More on The Nun II
In its latest milestone, Christopher Nolan’s Oppenheimer has passed the $900M mark worldwide. The estimated total through Friday is $903M, including $586M from the international box office. With Saturday and Sunday numbers, that global cume is projected to reach $912M. This will make it the highest grossing biopic ever at the global box office, ahead
Refresh for latest…: There’s a lot to unpack this weekend at the international box office, including a flying start for Warner Bros/New Line’s The Nun II, Indian superstar Shah Rukh Khan continuing to outdo himself and a major milestone afoot for Christopher Nolan’s Oppenheimer. Meanwhile, Barbie has danced past $1.4B worldwide. Let’s start with the
Imax CEO Rich Gelfond turned a media conference Q&A back on the host today, grilling a Goldman Sachs analyst about the firm’s two-year ‘sell’ rating on the stock when, he said, much of the Street has a ‘buy’. The two were discussing Gelfond’s $1.1 billion box office projection for Imax, made earlier this year,
Though Labor Day is upon us domestically — and its somewhat equivalents in many overseas markets to mark the end of summer — the hits keep coming as holds this session were strong on the season’s leaders while a new entry surprised. To wit, and starting with the latter: Sony/Escape Artists’ The Equalizer 3 blazed
The two seemingly unstoppable phenoms of summer 2023 are each setting new milestones this weekend as Greta Gerwig’s Barbie through Friday has become the No.1 film of the year globally, overtaking The Super Mario Bros Movie with $1.365B. In the same breath, Christopher Nolan’s Oppenheimer this frame is continuing its incredible run with the Universal
This summer’s box office is set to hit $4 billion for the 13th time ever, +16% over last summer. Barbie and Oppenheimer, which together rep 22% of that figure created a blast radius, finally bringing infrequent moviegoers back to cinemas after Covid sidelined audiences. However, with the ongoing strikes set to upset both the production
Christopher Nolan’s Oppenheimer officially launched in China today, grossing an estimated $5.4M. Word of mouth is strong with the Universal title carrying a 9.5 on Maoyan, the platform’s best-ever audience score for a Nolan film. The Douban critics score at 8.7 is on par with 2012’s The Dark Knight Rises. The weekend is shaping up to
The double-whammy success of Barbie and Oppenheimer – released on the same day July 21 – has propelled the UK box office to a height not seen since December 2019. The Guardian newspaper reports that cinema admissions for July have reached more than 17.6million, with predictions of figures reaching 13.5million for August. Between them, the
Time was, Hollywood filmmakers would regularly travel to China in support of their movies, attending premieres and holding Q&As to drum up buzz in the massive box office market. The pandemic halted that ritual — until this week when Christopher Nolan became the first major Hollywood filmmaker since Covid to stroll a red carpet in
“You’re not actually going to allow them to do that, are you?” Such are the gripes across the City of Angels from rival distributors about Sony’s public-facing acknowledgment that they’ve previewed Gran Turismo over the last two weekends, lagniappe box office which will be included in Friday’s total. Yesterday starting from 2PM showtimes, the feature
Refresh for latest…: It’s been another very busy weekend at the international box office with milestones and great holds, as well as a new entry and local-language movies adding to the mix. Coming off of a record-breaking debut in Korea, Christopher Nolan and Universal’s Oppenheimer led the overseas frame for the studios with a $32M
Editor’s note: Dade Hayes and Jonathan Bing are co-authors of Open Wide: How Hollywood Box-Office Became a National Obsession. Hayes is Deadline’s Business Editor and Bing is Chief Communications Officer at Vice Media Group. The more things change, the more the Hollywood studios stay the same. At least that’s one of the surprising lessons of
Even though kids are heading back to school, the summer box office isn’t giving up yet, and there’s a chance we could near $4 billion thanks to the final act power of Barbie and Oppenheimer. Warner Bros is hoping the first Latino superhero movie, Blue Beetle, will stoke its core moviegoers; that DC title seeing
Universal and Christopher Nolan’s Oppenheimer debuted in more than 500 locations in Korea on Tuesday, capitalizing on the Liberation Day national holiday. The epic bowed to $4.3M, capturing 44% market share for the day in a highly competitive environment. That marks the best Nolan opening day in the market, biggest Hollywood opening of the year there (No. 2 launch