Cuckoo is looking at a $3+ million opening, not a Longlegs debut ($22 million) but on target for Neon’s Alpine-set horror starring Hunter Schafer and Dan Stevens. R-rated Cuckoo by Tilman Singer opened at 1,503 theaters for 9th place at the domestic box office. Schafer is great as troubled 17-year-old Gretchen, who reluctantly leaves
Neon
Husband and wife Ryan Reynolds and Blake Lively are set to face off at the box office this weekend, despite the fact that their movies are aimed at dudes and women, respectively. The most wonderful surprise that everyone is buzzing about is Wayfarer Studios and Sony‘s feature take of author Colleen Hoover’s first novel It
NEON has dated their fifth Cannes Palme D’Or winner Anora for Oct. 18 per Comscore in what will be a limited release. October is the traditional launch pad for NEON with their Palme D’Or winning fare including 2019’s ultimate Oscar Best Picture winner Parasite (Oct. 11), 2021’s Titane (Oct 1), 2022’s Triangle of Sadness (Oct.
As Neon was justly feted this weekend for a fifth consecutive Cannes Palme d’Or winner (Anora), it also had a nice showing at home with a terrific expansion for indie Babes. The feature directorial debut of Pamela Adlon jumped from a 12-screen opening last week to 590 and hit no. 9 at the domestic box
MGM/Imax’s The Blue Angels lands a hefty $1.3 million on just 255 domestic Imax screens from limited showtimes in the large format exhibitor’s exclusive theatrical engagement. The Paul Crowder film, with Glen Powell and Bad Robot as producers, follows the Navy’s famed demonstration flying squadron. It also “ushers in a new era for IMAX Documentaries, or Docu-busters,” the company said.
Babes by Pamela Adlon, co-written and starring Ilana Glazer, debuts in limited release with films by Hang Song-soo and Bertrand Bonello and docs on a controversial Venice Biennale, ground-breaking female clerics, and the Blue Angels Navy Squadron. A trio of festival favorites expand. While eyes now are on fare at Cannes — where Neon has
Neon is opening Origin on 130 screens and plans to expand the Ava DuVernay film, which premiered in Venice and had a excellent qualifying run in December. Neon took global rights on Origin before its Venice premiere where it received an eight-minute standing ovation and DuVernay became the first Black American woman to have a selection there.
Neon is releasing Jake Johnson‘s feature directorial debut Self Reliance in theaters for one night only on Jan. 3, 2024 before the pic’s Jan. 12 streaming date on Hulu. The comedy-thriller will screen as part of a one-night stunt event in exclusive partnership with AMC Theaters at 225 locations, and feature a 10-minute behind-the-scenes discussion between
EXCLUSIVE: We are hearing from sources that Origin, the new movie from Oscar nominated filmmaker Ava DuVernay, is not only the highest tested movie in her career, but for Neon, the pic’s distributor too. Origin landed a 91 total positive in the top two boxes with an 81 definite recommend in its audience testing, outstripping
Neon’s re-release of Park Chan-Wook’s 2003 Oldboy grossed an estimated $495k on 250 screens this weekend for a total cume of $880k over five days. It’s set to cross the $1 million in its first week back – surpassing a cumulative North American gross of $707k with original distributor Metro Tartan Film. The classic revenge thriller came
After taking domestic to William Oldroyd’s thriller Eileen out of Sundance, NEON has set a December theatrical release for the pic. Eileen will go Dec. 1 in NY and LA before going wide on Dec. 8. The movie starring Oscar winner Anne Hathaway is based on the 2015 debut novel by Otessa Moshfegh. It’s set
EXCLUSIVE: Scientists, explorers, lovers. Katia and Maurice Krafft, the stars of the Oscar-nominated documentary Fire of Love, were all those things. On Valentine’s Day, National Geographic and Neon are bringing the film about the ill-fated couple back to theaters for one night only. The engagement will see the film play at several theaters in New
A24’s The Whale crossed the $11-million mark in week six as it jumped to 1,500 screens from 835 as the Brendan Fraser-starrer and other contenders continue to tweak theatrical runs through awards season. The film, which received a PGA nomination for Best Motion Picture this week along with SAG noms for Fraser and co-star Hong
Moonage Daydream is returning to the really big screen. Brett Morgen’s award-winning documentary about David Bowie will be re-released on Imax screens around the country for limited engagements, beginning on Monday, December 5 at the TCL Chinese Theatre in Hollywood. From Dec. 7-13 it will play at six Imax locations in the Los Angeles area,
EXCLUSIVE: One of the most honored documentaries of the year is heading to the very big screen. National Geographic Documentary Films and Neon announced today they are bringing Fire of Love to select Imax locations on October 16 and 17, including New York, Los Angeles, San Francisco, Boston, Chicago, and Washington D.C. The film, directed
Brett Morgen’s Moonage Daydream swept up a cool $922,000 at the domestic box office this weekend, while an impressive array of top industry players took Saturday to mull the global future of arthouse film. The real test — of specialty’s core adult audience willingness to return to cinemas — starts this fall, according to execs
Brett Morgen’s kaleidoscopic ode to David Bowie landed at no 10 in North America this weekend, singing up $1.225 million on 170 screens – exclusively Imax (159 U.S. locations, 11 in Canada). The $7,207 PSA for the Neon distributed Moonage Daydream – expanding to about 600 screens next week — was the best of the
Neon in association with National Geographic Documentary Films said director Sara Dosa’s Fire of Love will cross $1 million at the box office this weekend, becoming the biggest documentary release of the year for combined domestic and international gross. The film opened this summer and is entering its ninth week in theaters nationally. It will stream
A24’s Marcel The Shell With Shoes On hit the top ten in North America at no. 8 with an estimated $340k in week three at just 48 locations and a cume north of $963k – the latest hit for the distributor after powerhouse Everything Everywhere All At Once blasted off at the specialty box office.
Memoria took in $6,797 on one screen Sunday, the first day of the first week exclusive engagement for the Neon film starring Tilda Swinton. It will play the IFC Center in NYC through Sat. Jan 1. That’s the start of a cross country tour in an unusual release strategy the distributor and the film’s director
Jason Wald has joined Neon as VP Acquisitions and Production, reporting to Jeff Deutchman, EVP of Acquisitions and Production. Wald will assist the team curate their slate as the studio continues to ramp up production. Wald previously served as the Director of Acquisitions at Searchlight Pictures, identifying and acquiring features for the label’s theatrical slate
This week the specialty box office saw an incredible performance by yet another faith-based movie. This marks the third time this year – the other two: Witnesses and The Girl Who Believes In Miracles – the limited release space was topped by a religious-themed film. The Jesus Music (Lionsgate) is a documentary that chronicles the origins
EXCLUSIVE: NEON and Topic Studios have set a Nov. 5 release date for Pablo Larrain’s Spencer which stars Kristen Stewart as Princess Diana. The pic takes place during the Christmas holidays with the royal family at the Sandringham estate in Norfolk, England, when Diana decides to leave her marriage to Prince Charles. Steven Knight penned the
NEON has set a theatrical release date for its Cannes Film Festival Palme d’Or winner Titane, the distributor’s second after Bong Joon Ho’s 2019 Parasite which continued on to win a historical Best Picture at the Oscars for a foreign film. Titane will be hitting theaters on Oct. 1. NEON acquired Titane back in September 2019. The pic, directed and written by French
The National Association of Theatre Owners, the Motion Picture Association, studios and industry figures are teaming for The Big Screen Is Back, a conference to be held on Wednesday, May 19 at the AMC Century City 15 in Century City, CA which will rally the comeback of exhibition as it reopens from the pandemic and present studios
(Interactive chart with estimates below) This week, Neon released its COVID-inspired horror film In The Earth, directed by Ben Wheatley (Down Terrace, Kill List). Written across 15 days last August, the movie follows a scientist and a park scout in the midst of a pandemic. Their journey into a forest becomes imperiled as they find
EXCLUSIVE: NEON and Bleecker Street have formed the joint home entertainment distribution company DECAL. The standalone full-service operation, which is a joint venture between the two film labels, will handle distribution deals on the home entertainment rights to both NEON and Bleecker Street’s curated slate of features and will be overseen by NEON’s Andrew Brown
The Parasite train keeps on gaining traction, with Bong Joon Ho’s four-time Oscar-winning dark comedy crossing $50 million right now at the domestic box office. But the real question is, can it beat Life Is Beautiful’s box office gross of $57M? If it maintains its momentum, signs are pointing to yes. As its Imax run comes to
Here’s something to sail NEON’s Parasite past the $50M mark at the domestic box office: The 4x Oscar winner, including, best picture is getting an Imax release in 214 U.S. and Canadian auditoriums tomorrow for a one week release. The Cannes Palme d’Or winning movie was digitally re-mastered into the Imax format. In the wake of making
While a post-Oscars box office boost was already expected for Bong Joon Ho’s Parasite tonight even with Best International Film and Best Director wins, now with a Best Picture win, the pic has a shot to go into the $40M-plus zone, possibly even more. The NEON release, after winning the Palme d’Or at the Cannes Film