Movies

Moviegoing remains in a sling, evident in Universal’s The Fall Guy currently coming in lower than expected with $28M this weekend. Perhaps Furiosa and Garfield can bring some zing over Memorial Day weekend at the end of the month. Both hit three-week tracking Thursday, with the Warner Bros/Village Roadshow Mad Max prequel eyeing a $40M-$50M
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Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering the conversation
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It’s been a rough few weeks for indies but May is here with a handful of hopefuls looking to rev up the market — from A24’s buzzy I Saw The TV Glow to Ryusuke Hamaguchi’s Venice award-winning Evil Does Not Exist. A documentary about Anita Pallenberg featuring Scarlett Johansson hits theaters, with a French animated
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Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering the conversation
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Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering the conversation
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EXCLUSIVE: DreamWorks Animation/Universal’s Kung Fu Panda 4 crossed the $500M mark globally this past weekend, reaching the milestone on a staggered release pattern that has worked well for the partners in the past (think Puss in Boots: The Last Wish). Through Wednesday, it’s at $324M international box office and $509M worldwide. Directed by Mike Mitchell
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The power of Greyskull is happening on June 5, 2026 when Amazon MGM Studios’ and Mattel Films’ finally bring their live-action reboot of Masters of the Universe to theaters. As Deadline first told you, Bumblebee filmmaker Travis Knight is directing off Chris Butler’s screenplay (the initial draft written by David Callaham, and Aaron and Adam Nee). Mattel Films’
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Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering the conversation
0 Comments
Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
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The domestic box office at $2 billion currently this year is dragging 21% behind the same January-April spread last year, and when Universal’s Fall Guy commences the hot moviegoing season this Friday with a hopeful $35M, expect summer to drag some more. That’s because the lack of product due to the actors’ strike has made
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Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
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The following contains minor spoilers for all the Despicable Me and Minions films. Over the last few years, the Despicable Me franchise has become an absolutely massive hit. It’s a multi-billion-dollar box office franchise with five, and soon-to-be six entries between the Despicable Me films and the Minions movies, and has broken some B.O. records
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EXCLUSIVE: More theatrical product for 2024 as Amazon MGM Studios‘ Orion Pictures has dated the feature take of Colson Whitehead’s Pulitzer Prize-winning novel Nickel Boys for October 25. It’s a limited theatrical release on a date that also includes Sony’s Venom: The Last Dance and Cinedigm’s Terrifier 3. Directed and co-adapted by RaMell Ross, Nickel
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Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
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Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
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All it takes is watching Jason Momoa in his most badass roles to know those muscles didn’t just magically appear. Through his dedicated training routine, the Hawaiian actor knows what he needs to do to look superhero ripped whether he’s portraying DC’s Aquaman or part of the cast of Minecraft. While the actor admits he’s
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Refresh for latest…: Universal/DreamWorks Animation’s Kung Fu Panda 4 has topped the half-century mark globally, now with $503.5M worldwide. Of that, $318.5M is from the international box office. Passing $500M makes KFP4, directed by Mike Mitchell (and co-directed by Stephanie Ma Stine), only the fourth animated title to the benchmark since 2020, joining Illumination’s The
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Uberto Pasolini, who wrote and directed the James Norton-starring Nowhere Special that opened this weekend, says, rightfully, the film’s power emanates from the tangible bond you feel between father and son. Norton – the BAFTA-nominated British actor (Bob Marley: One Love, Little Women, Happy Valley) – is John a 35-year old window washer and single father to
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Unless we are talking about Mission: Impossible–M:I 8 is currently filming or the long-delayed Top Gun: Maverick–Tom Cruise isn’t known for making very many sequels to his flicks. But, according to one former cast member, there is one film in his oeuvre that he is shocked never got a follow-up. The former cast member in
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Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
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