MGM/Eon/Universal’s No Time To Die stormed the UK when it opened on September 30, going on to become the market’s highest-grossing film of 2021 across just its launch frame. The film’s full weekend bow was $35.1M, the UK’s sixth biggest of all time and the biggest three-day start in the franchise’s history — and this
International Box Office
Refresh for latest…: MGM/Eon/Universal’s No Time To Die has sped the Aston Martin past the $300M global mark, coming off of an $89.54M sophomore frame at the international box office. That lifts James Bond 25’s overseas cume to $257.27M and, including domestic’s start this session, brings the worldwide total to $313.3M. The overall drop from
What does the international box office and cinema landscape look like in an emerging post-pandemic world? That was the gist of an executive roundtable at CineEurope in Barcelona today. Among the key takeaways: the relationship between exhibition and distribution and a need for more collaboration in terms of reaching consumers. With so much content available
Following last year’s cancelation and this year’s postponements, the annual CineEurope convention kicks off today in Barcelona. And what better time for studios and overseas exhibition to come together and celebrate the theatrical experience as we come off of a banner international box office weekend led by MGM/Eon/Universal’s lively launch of No Time To Die.
Refresh for latest…: A big and busy weekend at the international box office reaffirmed the power of theatrical as MGM/Eon/Universal’s No Time To Die bonded with audiences to the tune of $119.1M, coming in over on yesterday’s estimates. In like-for-like markets at current exchange rates No Time To Die is in line with Skyfall, and
While it was busy ringing in the second best previews night of the pandemic era domestically, Sony’s Venom: Let There Be Carnage set a new record for the Culver City studio in Russia on Thursday. With a $3.04M day one on Thursday, the Tom Hardy-starrer bested the previous film’s $2.97M in the market, making it
FRIDAY UPDATE, Refresh for latest… Full numbers for Wednesday and Thursday show MGM/Eon/Universal’s James Bond pic No Time To Die at a cumulative $22M through two days of early release at the international box office. That includes $20M from just yesterday in such markets as the UK, Brazil, Germany, Italy and the Netherlands. The figures look
Refresh for latest…: MGM/Eon/Universal’s highly-anticipated No Time To Die has clocked an estimated $6.2M-$6.8M (£4.5M-£5M) in the UK on its opening day today. Daniel Craig’s final turn as legendary secret agent 007 came in about 13% above Spectre (Monday opening) and just 26% below Skyfall (Friday opening). The Cary Joji Fukunaga-directed pic is enjoying the
It has been a long time coming, but this week, one of the most hotly awaited films of the pandemic era is finally hitting cinemas after several Covid-induced date changes. MGM/Eon/Universal’s No Time to Die begins rollout at the international box office starting Wednesday (September 29) in Korea and adds such majors as the UK,
Refresh for latest…: Warner Bros/Legendary’s Dune continued its spicy run at the international box office this weekend, adding a further $26.3M from 32 markets to lift the offshore total to $76.5M. To quote the Denis Villeneuve-directed film, this is only the beginning as the sci-fi epic is in early overseas release with many key areas
On Monday, Disney/20th Century Studios’ Free Guy crossed the $300M mark globally, becoming the fifth Hollywood title to the milestone this year. To date, the Ryan Reynolds-starrer has grossed $108.8M domestically and $193.6M at the international box office for a worldwide total of $302.4M. The video game-inspired romantic comedy from director Shawn Levy is the
Refresh for latest…: Warner Bros/Legendary’s Dune has surpassed expectations, harvesting $36.8M at the international box office from just 24 markets in early release. The Denis Villeneuve-directed sci-fi epic was the top movie overseas this weekend, coming in with No. 1s in virtually all openings. In like–for-likes and at today’s rates, Dune is tracking 4% ahead
Warner Bros/Legendary’s Dune is off to an epic start at the box office in France. The Denis Villeneuve-directed adaptation of Frank Herbert’s classic world-building 1965 novel grossed $1.55M in its first day on Wednesday (including Tuesday night previews). This is the market’s fourth best launch day of all time for the month of September. The
Warner Bros/Legendary Pictures’ sci-fi epic Dune is starting early rollout this weekend, looking to capitalize on momentum coming off of its star-packed world premiere at the Venice Film Festival, which was followed by an event at Paris’ Grand Rex cinema and screenings in Deauville and Toronto — all in just the past two weeks. The
The worldwide box office for 2021 is projected to come in at $20.2B, 52% down on the record-breaking 2019 and 68% above the pandemic-hobbled 2020, says a new report from Gower Street Analytics. The London-based film tech company, which specializes in predictive box office for the distribution and exhibition sectors, calculated the end-of-year estimate following
Refresh for latest…: Disney/Marvel’s Shang-Chi And The Legend Of The Ten Rings handily crossed the $250M mark globally this weekend, seeing a very good 34% drop at the international box office and maintaining No. 1s in such key markets as Australia, Brazil, France, Germany, Korea, Italy, Mexico, Russia, Spain and the UK. The overall overseas
EXCLUSIVE: Zátopek, a biopic about four-time Olympic champion Emil Zátopek, has become a box office champ in Czech Republic as it continues to dominate turnstiles after two weeks in release. From director David Ondricek, the movie originally debuted on August 26, scoring over 17M crowns ($791.5K) in its first frame to record the biggest opening
Refresh for latest…: Disney/Marvel’s Shang-Chi And The Legend Of The Ten Rings outperformed expectations at the global and international box office this weekend, coming in with $56.2M overseas for the standard frame, and a new Labor Day record $83.5M for the four-day domestic session ($71.4M three-day). Combined, and including the Labor Day estimate, the worldwide
Refresh for latest…: One of the only Hollywood titles to recently be granted a China release date, Disney/20th Century Studios’ Free Guy flew into the market with a $23.9M start. This is a solid launch in the Middle Kingdom, particularly in the current climate, and helped push the Ryan Reynolds-starrer past $100M at the international
Refresh for latest…: Disney/20th Century Studios’ Free Guy leveled up to take the No. 1 spot at the international box office in its sophomore session with $17.1M from 46 markets for a $53.1M cume to date. The overseas drop was a very strong 26%, with some markets seeing increases and amid No. 1 openings in
UPDATE, writethru: Disney/20th Century Studios’ Free Guy led the game at global turnstiles this session with a $51M worldwide debut. That includes domestic’s over-performance of $28.4M, and a $22.5M start in 41 material markets at the international box office — the latter in line with pre-weekend expectations. The offshore debut on the Shawn Levy-directed pic
Disney/Pixar’s sea monster story Luca has been granted an August 20 release date in China, signaling that the end of the giant market’s latest unofficial blackout period may be afoot. While Luca will take a prime slot amid a series of local holdovers and is the first Hollywood studio title to release since June, its
Refresh for latest…: After debuting to $6.7M from five overseas markets last weekend, Warner Bros/DC’s The Suicide Squad moved into wide offshore release this session, taking $35M from 69 total international box office markets. This is a touch below the like-for-like opening of 2020’s disappointing Birds Of Prey ($36.6M at today’s rates) and under the
Refresh for latest…: In its global launch, Disney’s Jungle Cruise grossed $61.8M at worldwide turnstiles. That does not include the “over $30M” that came from Disney+ in the day-and-date streaming release (which leads to $91.8M as Anthony has reported). In pure theatrical terms, the Dwayne Johnson/Emily Blunt-starrer performed ahead of expectations domestically, and came in
Refresh for latest…: As with domestic, a pair of new studio offerings opened at the international box office this weekend. However, the biggest grosses came from local pics in China where upcoming release dates for Hollywood continue to be a frustrating question mark. Getting to the studios first, in a 23-market rollout, Universal’s M Night
UPDATE: Disney/Marvel’s Black Widow narrowly led the international box office for Hollywood films this weekend, grossing an additional $29.9M from 48 material markets. That’s a 55% drop from opening, which most agree is decent even if there’s no getting around the fact that these are not Marvel-ous numbers. The overseas total is now even with
EXCLUSIVE: Mooky Greidinger, CEO of Cineworld, the world’s second-biggest exhibition circuit and owner of Regal Cinemas, says he’s satisfied with this past weekend’s $80M domestic theatrical box office opening for Disney/Marvel’s Black Widow. But he also tells Deadline he remains “convinced” that with an exclusive theatrical window, “we could have brought in maybe $110M, maybe
Disney/Marvel’s Black Widow started offshore rollout on Wednesday in 11 material markets including France, Italy and the UK, grossing an estimated $4.9M for the day and setting new post-Covid benchmarks. Not included in the total above are Korea previews of $1.8M yesterday. Early social sentiment there is strong (Naver 9.22/CGV 96%). In the UK and
Refresh for latest…: Universal’s F9 is gearing up to hit the $500M mark globally, a milestone it will cross on Monday as it becomes the first Hollywood movie to do so during the pandemic era, and the first since any studio film originally released during 2019. The Justin Lin-helmed title will also join China’s Hi,
EXCLUSIVE: Sony Pictures International Productions has acquired worldwide distribution rights to The Calm Beyond, a survivalist thriller that premiered in competition at the 2020 Adelaide Film Festival. This is the feature directorial debut of the late Joshua Wong, the award-winning commercials and shorts director, who tragically lost his battle with cancer in December 2020. From a
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