International Box Office

Refresh for latest…: Yet another international box office frame was led by Chinese movies in their home market as local May Day holdovers continued play coming off a record holiday session. While a handful of studio titles are doing business in other pockets of the world, we are in something of a holding pattern until
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Refresh for latest…: Warner Bros/Legendary’s Godzilla Vs Kong has reached a new global benchmark, crossing $400M with a cume through Sunday of $406.6M worldwide. Of that, $320M comes from the international box office in 41 markets. The monster mash, already the biggest Hollywood movie of the pandemic era, continues to track above its Monsterverse predecessors.
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Refresh for latest…: Warner Bros/Legendary’s Godzilla Vs Kong is approaching the $400M global mark, as it topped $300M at the international box office this weekend. Adding $12.2M from 41 overseas markets (a good -49% hold), the monsters have cumed an estimated $309.7M offshore for $390.2M worldwide through Sunday. After overtaking Tenet as the No. 1
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Refresh for latest…: Warner Bros/Legendary’s Godzilla Vs Kong continues to dominate the global and international box office, now with a $288.3M cume offshore for $357.8M worldwide. It will soon cross Tenet globally and overseas. Domestically, it has overtaken Tenet to become the No. 1 grossing movie of the pandemic era. The full overseas weekend was
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Refresh for latest…: After logging the best pandemic-era start for a Hollywood movie at the international box office last weekend, Warner Bros/Legendary’s Godzilla Vs Kong has punched up $285.4M worldwide through Sunday. The overseas running total, which added $76.1M this weekend, is $236.9M, giving GVK bragging rights as the quickest studio movie released during Covid
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Refresh for latest…: Warner Bros/Legendary’s Godzilla Vs Kong thrashed off to an estimated $21.5M (RMB 140M) start in China today, good for the best opening day of a Hollywood title in the market since Covid began and portending a weekend in the high $60Ms. The film positively dominated the Middle Kingdom with an 88% share and played
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Cineworld Group today reported its first-ever annual operating loss with the figure dropping over $2.98B in 2020 as compared to 2019. The previous year had seen profits of $724.7M while the period ended December 31, 2020 was at a negative $2,257.7M. The results were severely impacted by the Covid pandemic which forced the group to
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Warner Bros/Legendary’s Godzilla Vs Kong will slug it out in 38 offshore markets this weekend beginning Wednesday in such hubs as Mexico, Taiwan, Indonesdia and India; followed by Russia, Korea and Australia among others on Thursday and China notably on Friday. The Adam Wingard-directed pic is releasing abroad ahead of domestic which falls on March
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Refresh for latest…: James Cameron’s Avatar held the top spot at the global and international box office this weekend with $14.1M in China for the Friday-Sunday frame. The 2009 sci-fi epic re-released in the Middle Kingdom last weekend — when it reclaimed the title of all-time highest-grossing movie worldwide from Avengers: Endgame — and now
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Japanese box office phenomenon Demon Slayer – Kimetsu No Yaiba – The Movie: Mugen Train has been set for a North American theatrical release on April 23. Aniplex of America and Funimation are distributing the anime adaptation which in December became the highest-grossing film in Japanese history, dethroning Spirited Away, which had held the title
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Chloe Zhao recently became the first Asian woman to win a Golden Globe for Best Director and now has a shot to repeat that at the Oscars with her awards-season darling Nomadland garnering six nominations today for Best Picture, Director, Editing, Adapted Screenplay, Cinematography and Actress. Still, despite the accolades, questions remain: Will Nomadland ever see
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Refresh for latest…: As we first reported yesterday, James Cameron’s Avatar is again king of the all-time worldwide box office, having snapped the title back from Avengers: Endgame thanks to a very robust China reissue this session. The full three-day frame in the Middle Kingdom is estimated at $21.1M, also giving the sci-fi epic bragging
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As James Cameron’s Avatar once again became the highest-grossing film of all time worldwide today, a long-held Hollywood tradition of the previous record-holder paying homage continued. Marvel Studios, whose Avengers: Endgame was just eclipsed by Avatar, tweeted congratulations to Cameron, as well as producer Jon Landau and “all of the Na’vi Nation” for “reclaiming the
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As has been expected over the past few days, James Cameron’s Avatar has swapped places with Avengers: Endgame, reclaiming the title of highest-grossing movie ever worldwide. The China reissue of the 2009 3D sci-fi phenomenon had taken an estimated RMB 58M ($8.9M) through 5PM local time on Saturday after re-releasing on Friday in the market.
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Long-rumored for a China re-release, James Cameron’s Avatar suddenly popped onto the calendar this week. The erstwhile highest-grossing film of all time worldwide will hit Middle Kingdom cinemas on Friday, March 12. In so doing, it has a chance to jockey back up to the No. 1 spot globally, after Avengers: Endgame overtook it in
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Refresh for latest…: Disney’s Raya And The Last Dragon didn’t exactly come roaring out of the gate at the international box office with $17.6M from 32 markets. The global bow, including domestic’s launch, was $26.2M. Double-digit million-dollar debuts for Hollywood movies in the pandemic era are still a rare positive — and we’ve certainly seen
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German Chancellor Angela Merkel on Wednesday extended Germany’s current lockdown to March 28, while also unveiling plans to relax certain Covid restrictions. Under a five-step process, cinemas may be able to reopen beginning March 22 at the earliest (this would be part of Stage 4). All will depend on the infection rate, and Stage 4
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Refresh for latest…: Warner Bros’ hybrid live-action/animated feature Tom & Jerry began offshore rollout in mid-February, and this session became the first studio title to hit China in the wake of the Lunar New Year, as well as adding a host of other new markets. The Hanna-Barbera rascals scampered off with a further $19.4M from
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Chinese New Year movies continued to drive the global and international box office this weekend, after their astonishing Covid-era debuts last frame. Leaders last session, Detective Chinatown 3 and Hi Mom, both crossed the RMB 4B mark locally, with each at an estimated RMB 4.02B ($621M) cume through Sunday. This is after just 10 days
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In the span of six days, the Chinese box office roared to a $1.2B Lunar New Year record, with Wanda Pictures’ Detective Chinatown 3 setting global benchmarks for the biggest opening day and weekend in a single market. This happened even as some Covid restrictions remain in place in the Middle Kingdom. While the pandemic
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Refresh for latest…: Chinese moviegoers ushered in the Year of the Ox with the colossal three-day debut of Detective Chinatown 3 grossing an estimated RMB 2.56B ($397M). This tops Avengers: Endgame’s 2019 five-day China bow of RMB 2.22B to make DC3 not only the biggest opener in Chinese history, but also giving it bragging rights
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Talk about pent-up demand. Detective Chinatown 3, which was originally scheduled to hit Chinese cinemas during the Lunar New Year period in 2020, has sprung out of the gate today with an astonishing Maoyan-estimated RMB 1.05B ($163M) to score the biggest opening-day gross ever of any movie in a single market. The debut overtakes Avengers:
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Disney/Pixar’s Soul continues to shine overseas with a $96.2M cume after seven frames. In 11 markets this session, the Pete Docter-helmed original added $6.9M to its international box office kitty with No. 1s again in Russia and Korea. In China, it has surpassed Incredibles 2 to become the market’s 2nd highest-grossing Pixar title ever. China
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Holdover play continued to dominate the international box office this weekend, notably Disney/Pixar’s Soul which led the frame with $9.3M in 13 markets amid scant drops in both Russia and Korea. This brings the offshore total to $85.2M. Next up were a trio of Chinese movies that have been around for a few weeks as
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