International Box Office

China’s third Friday back to the movies scored a slight increase on last week’s comparable day at $4.38M. It’s short of the $7.6M generated last Sunday which was boosted by Warner Bros’ reissue of Christopher Nolan’s Interstellar, but still a jump on last Friday, while midweeks were solid. Play today was led by DreamWorks/Amblin/Universal’s 1917
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SATURDAY UPDATE: Since cinemas reopened in China’s low-risk areas on July 20, the market today had its biggest day yet. Box office was $5.74M (RMB 40M) overall for the day, according to Maoyan figures. That reps a 38% jump from Friday. After leading last weekend and the midweeks, then dropping to No. 2 on Friday,
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China’s second Friday with cinemas back to business in low-risk areas rang up another $4M at local turnstiles, a 39% increase versus the same day last week. About 60% of movie theaters are now operating, with capacity limits and social distancing still in place, so all numbers are to be taken with a grain of
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On their first Friday back to operations, Chinese cinemas did roughly $2.92M worth of box office business — more than tripling Thursday’s figures and making a sizable jump from Monday when theaters opened to about $501K in low-risk areas across the country. There was growth throughout the midweeks which is encouraging since less than 40%
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EXCLUSIVE: Lots of movement on the international box office front this past weekend, and into the beginning of the week. Korean zombie sequel Peninsula, as we reported Sunday, made a meal of five overseas markets with a $21M Wednesday-Sunday frame. That’s the best start we’ve seen since March when Onward opened to $28M in 47
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As Chinese cinemas began the reopening process today, box office crossed $472K by 8PM local. Maoyan’s real-time ticketing platform reports that play is led by new entry A First Farewell at around $184K. Following it is the re-issue of Christmas title Sheep Without A Shepherd at about $80K and Disney/Pixar’s Coco in 3rd with just
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Yeon Sang-ho’s Peninsula, the follow-up to his 2016 zombie smash, Train To Busan, made a meal of the international box office this weekend, in Korea and four other markets. The thriller sequel (aka Train To Busan Presents: Peninsula) already logged the biggest opening day score of the year in its home market on Wednesday and
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Peninsula, Yeon Sang-ho’s follow-up to his 2016 zombie smash, Train To Busan, is off to a thrilling start at the international box office where it kicked off in three markets beginning yesterday. In the home hub of Korea, Peninsula (aka Train To Busan Presents: Peninsula) had a Wednesday take of $2.4M on 2,338 screens to
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EXCLUSIVE: As the international box office slowly limps back to life, the tendency for audiences to lean into fresh and local titles continues. France, for example, saw a 23% increase in ticket sales across the Top 10 over the most recent weekend, led by Gaumont’s new local comedy Tout Simplement Noir and followed by Warner
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Jumanji: The Next Level has crossed $800M worldwide through Tuesday, July 7. Currently, the film stands at $319.2M domestically and $480.9M at the international box office. From Columbia Pictures, Seven Bucks and Matt Tolmach Productions, the Sony release began its offshore rollout in 18 markets last December, before adding domestic and wider release the following
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Korean hit #Alive kicked up another $2.2M this weekend, holding well throughout the mid-weeks, but with an overall 63% Friday-Saturday-Sunday dip from the comparable weekend days last session. The timely thriller that’s set against the backdrop of a city in lockdown due to a virus has now grossed $11M. It’s a continued indication that moviegoers
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EXCLUSIVE: While many offshore markets are showing increasing signs of life as cinemas return, there are still several question marks surrounding when the majority of the world gets back to the theatrical business – chief among them for the international box office is China. There has been some chatter that Middle Kingdom movie theaters may
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The international box office this weekend was again led by Korea, with major local release #Alive taking a 70% share of the market. The zombie horror thriller from Spackman Entertainment’s Zip Cinema sold 1.06M tickets in its first five days for a gross of $7.4M through Sunday, again demonstrating the strength of new offerings, particularly
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As Regal Entertainment owner Cineworld prepares to re-open its movie theaters, the group has agreed a $250M secured debt facility with a set of private institutional investors. The new facility reaches maturity in 2023 and follows covenant amendments and a revolving credit facility increase of $110M set at the end of last month. Under that
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The UK’s Cinema First has announced that 450 films will be made available for theatrical screenings once movie theaters re-open for business in the coming weeks. The content has been collated by the Film Distributors’ Association with the aim of aiding programmers and cinema operators to choose the widest possible mix of product that will
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EXCLUSIVE: Looking at the international box office over the past few weekends, if there’s one trend that’s beginning to emerge from the smattering of cinemas back in operation, it’s that audiences are responding to new product — and fresh re-releases. Exhibitors are getting the job done with what’s available to them, but it’s still slim
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France’s movie theaters will be allowed to re-open from June 22, Prime Minister Edouard Philippe announced this evening. This is earlier than expected, as French Culture Minister Franck Riester said this week that cinemas were eyeing a July 1 re-start. The decision was made in concert with the industry, Philippe said today, in order to
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As France awaits official updates that are expected to come later this week with regard to the re-opening of restaurants and perhaps fewer restrictions on travel, Culture Minister Franck Riester reiterated today that cinemas are eyeing a July 1 re-start. Speaking to France Info, Riester said the government is mulling dates to re-open cultural venues
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EXCLUSIVE: It’s all very quiet on the international box office front, but this past weekend saw some decent increases in various markets. Cinemas are still just sputtering back to operations around the world, notably in parts of Europe and Asia. Germany remains the key major driving admissions — and largely from drive-ins, though Vue International’s
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Italy’s cinemas will get back to business from June 15, the government announced Saturday as it outlined an overall easing of lockdown protocols in what was the initial epicenter of the European continent’s coronavirus outbreak. As with other markets that are beginning to lift restrictions on moviegoing, there will be social distancing measures in place
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