Refresh for latest…: Disney’s Mulan ultimately settled for a $23.2M three-day opening in China, including previews. This is about where we saw it landing yesterday after downgrading projections for the Middle Kingdom launch. The movie from director Niki Caro ended up in the No. 1 spot for the session there, but was bested on Sunday
International Box Office
EXCLUSIVE: Following a strong start at the international box office last weekend, Voltage Pictures’ After We Collided had another passionate run overseas this session. In 21 markets, the sequel to 2019 $70M worldwide hit After added $4.2M this weekend to reach a running tally of $21M. The film will continue overseas rollout through September while
Mulan, Disney’s live-action update on its 1998 animated classic grossed an estimated RMB 52.5M ($8.26M) on its opening Friday in China. The figure includes midnights, and portends a three-day weekend around $26M. This is a disappointment for the Niki Caro-directed movie which has faced mounting controversy in recent days, and will have suffered from piracy
Refresh for latest…: Christopher Nolan’s Tenet added a further estimated $58.1M at the international box office this weekend, taking the overseas cume on the Warner Bros title to $126M after two sessions. With the time-bending film debuting in the U.S. this frame, the estimated worldwide total is $146.2M. The global weekend figure of $78.3M includes
Disney’s live-action take on its 1998 Oscar-nominated animated classic Mulan has finally been set for a China release on September 11. A new poster with the date was released today on the studio’s official Weibo account with a note that said, “Looking forward to meeting you and witnessing the blooming of Mulan together!” The Niki
Korea’s recent coronavirus resurgence has already taken a toll on the box office over the past two weekends, and exhibitors are now feeling a further pinch. According to the Yonhap news agency, Lotte Cultureworks, which includes multiplex chain Lotte Cinema, said it will offer voluntary retirement to employees who have been with the company for
Christopher Nolan’s Tenet has begun its offshore rollout, and while Warner Bros is keeping a tight lid on grosses until fully reporting Sunday, some international box office information is available on the highly-anticipated title. In Korea, one of the key plays on Tenet, the Wednesday opening day was a little over $827K from 2,228 screens.
France’s Prime Minister Jean Castex on Wednesday said that the state has earmarked 2B euros ($2.36B) for the cultural sector in the wake of the coronavirus. While the full economic recovery plan — 100B euros in total — will not be officially unveiled until September 3, the newly-installed Castex told France Inter radio that the
After jockeying release dates imposed by the uncertainty of the coronavirus evolution, Tenet time is finally here. Christopher Nolan’s mind-bending Tenet will be released by Warner Bros overseas beginning Wednesday in such markets as the UK, Korea, France, Germany, Australia, Italy and Spain. In total through Friday, there will be 40 markets playing what has
After being closed for over five months, Cineworld reopened about 200 of its Regal Cinemas in the U.S. this past weekend. Health and safety measures — which required an investment in the millions across the parent company’s full estate — were in place, and the response from audiences was “encouraging,” says Cineworld Group CEO Mooky
In an effort to rein in resurgent coronavirus cases in Seoul, Korean authorities last week tightened restrictions on public gatherings. This dealt a blow to the local box office which has seen strong performances over the past several weeks with titles like Peninsula and Deliver Us From Evil. But the Top 5 films in the
After pulling in $33.5M across five days of previews at the Chinese box office, local war epic The Eight Hundred overwhelmingly stormed theaters today, its first official day of release. Adding roughly $20M across the country on Friday — the biggest single-day box office since cinemas resumed operations — the Middle Kingdom cume is now
EXCLUSIVE: As the rolling process of cinema reopenings continues across various markets, IMAX has recently enjoyed strong grosses with local-language movies in Asia as well as the reissue of Christopher Nolan’s Interstellar in China. This week in the Middle Kingdom, it’s set to have a particularly vibrant frame with war epic The Eight Hundred. Already,
China was the big breakout this past weekend, leading the international box office for the fourth frame in a row and powered by the reissue of Warner Bros’ Harry Potter And The Sorcerer’s Stone in a 4K 3D restoration that conjured $13.6M on 16,000 screens over the three-day frame. With Monday and Tuesday’s Middle Kingdom
It’s not so much mischief managed as it’s magic managed: Warner Bros’ reissue of Harry Potter And The Sorcerer’s Stone has become the second film in the franchise to cross $1B worldwide. The film, originally released in 2001, counts a global cume of $1,001,260,000 after debuting in a remastered 4K 3D version in China this
Harry Potter And The Sorcerer’s Stone worked some magic in China on Friday with Warner Bros’ 3D reissue conjuring $4.6M. This is by far the biggesst single-day gross since cinemas resumed operations, overtaking the opening of WB’s earlier re-release of Chirstopher Nolan’s Interstellar by 66% (though that film bowed on a Sunday). Overall, China’s fourth
There was further good news from the international box office this weekend, even as it continues to be clear that markets need fresh titles to keep the reopening momentum going — be they local, from Hollywood or even reissues of older event pictures. We remain in uncharted waters around the globe. But progress in the
China’s third Friday back to the movies scored a slight increase on last week’s comparable day at $4.38M. It’s short of the $7.6M generated last Sunday which was boosted by Warner Bros’ reissue of Christopher Nolan’s Interstellar, but still a jump on last Friday, while midweeks were solid. Play today was led by DreamWorks/Amblin/Universal’s 1917
SATURDAY UPDATE: Since cinemas reopened in China’s low-risk areas on July 20, the market today had its biggest day yet. Box office was $5.74M (RMB 40M) overall for the day, according to Maoyan figures. That reps a 38% jump from Friday. After leading last weekend and the midweeks, then dropping to No. 2 on Friday,
China’s second Friday with cinemas back to business in low-risk areas rang up another $4M at local turnstiles, a 39% increase versus the same day last week. About 60% of movie theaters are now operating, with capacity limits and social distancing still in place, so all numbers are to be taken with a grain of
On their first Friday back to operations, Chinese cinemas did roughly $2.92M worth of box office business — more than tripling Thursday’s figures and making a sizable jump from Monday when theaters opened to about $501K in low-risk areas across the country. There was growth throughout the midweeks which is encouraging since less than 40%
EXCLUSIVE: Lots of movement on the international box office front this past weekend, and into the beginning of the week. Korean zombie sequel Peninsula, as we reported Sunday, made a meal of five overseas markets with a $21M Wednesday-Sunday frame. That’s the best start we’ve seen since March when Onward opened to $28M in 47
As expected, Chinese authorities have given the go-ahead for cinemas in Beijing to reopen this coming Friday. That’s also when the first new Hollywood titles will hit the market, including Dolittle and Bloodshot. Only cinemas in the capital’s low-risk areas will be able to resume operations — and with strict sanitary measures in place, state
As Chinese cinemas began the reopening process today, box office crossed $472K by 8PM local. Maoyan’s real-time ticketing platform reports that play is led by new entry A First Farewell at around $184K. Following it is the re-issue of Christmas title Sheep Without A Shepherd at about $80K and Disney/Pixar’s Coco in 3rd with just
Yeon Sang-ho’s Peninsula, the follow-up to his 2016 zombie smash, Train To Busan, made a meal of the international box office this weekend, in Korea and four other markets. The thriller sequel (aka Train To Busan Presents: Peninsula) already logged the biggest opening day score of the year in its home market on Wednesday and
EXCLUSIVE: Wasting no time as cinemas prepare to reopen beginning next week in most of China, a first batch of titles due for release has been identified. Universal’s Dolittle has been granted a July 24 date while we understand that Sony’s Bloodshot, handled locally by Bona Film, will also go out that same day. This
Peninsula, Yeon Sang-ho’s follow-up to his 2016 zombie smash, Train To Busan, is off to a thrilling start at the international box office where it kicked off in three markets beginning yesterday. In the home hub of Korea, Peninsula (aka Train To Busan Presents: Peninsula) had a Wednesday take of $2.4M on 2,338 screens to
EXCLUSIVE: As the international box office slowly limps back to life, the tendency for audiences to lean into fresh and local titles continues. France, for example, saw a 23% increase in ticket sales across the Top 10 over the most recent weekend, led by Gaumont’s new local comedy Tout Simplement Noir and followed by Warner
Jumanji: The Next Level has crossed $800M worldwide through Tuesday, July 7. Currently, the film stands at $319.2M domestically and $480.9M at the international box office. From Columbia Pictures, Seven Bucks and Matt Tolmach Productions, the Sony release began its offshore rollout in 18 markets last December, before adding domestic and wider release the following
Korean hit #Alive kicked up another $2.2M this weekend, holding well throughout the mid-weeks, but with an overall 63% Friday-Saturday-Sunday dip from the comparable weekend days last session. The timely thriller that’s set against the backdrop of a city in lockdown due to a virus has now grossed $11M. It’s a continued indication that moviegoers