Refresh for latest…: As it vroomed into domestic theaters, turbocharging North America with a pandemic record $70M start, Universal’s F9 also opened in 22 new overseas markets, lifting the international box office cume to $335M and putting $405M in the tank globally. F9 has surpassed the lifetime of last summer’s Tenet both internationally and worldwide,
International Box Office
Refresh for latest…: International box office markets this weekend were again rife with holdovers doing solid business, while also awaiting a new major title to swing summer into full gear. Lionsgate/Millennium’s Stateside champ, The Hitman’s Wife’s Bodyguard was the only signifiant new opener this session with an estimated $7.8M in its debut in 21 overseas
After debuting at the top of the U.S. specialty box office over Memorial Day weekend, family comedy/drama Dad, I’m Sorry (Bo Gia) has now surpassed the $1M mark, becoming the first Vietnamese-produced title to reach that milestone. Starring, written and co-directed by Tran Thanh, the movie added $116K in its third frame to bring its
Refresh for latest…: With no major new releases, this was a strong holdover weekend at the international box office, led by last week’s champ, New Line/Warner Bros’ The Conjuring: The Devil Made Me Do It, followed by Disney’s Cruella and Paramount’s A Quiet Place Part II. In the case of Conjuring 3, it crossed $100M
Refresh for latest…: While the horror genre was the biggest global draw this weekend, the results are far from horrific — and therein is something to be said about the communal experience of scary movies. New Line/Warner Bros’ The Conjuring: The Devil Made Me Do It led the international box office with $26.8M from 43
Refresh for latest…: It was a busy weekend at global turnstiles, with a particularly noisy start for Paramount’s A Quiet Place Part II. The John Krasinski-helmed sequel came out shouting with a $22M overseas debut in just 12 markets for a worldwide opening of $70.4M including the three-day $48.4M North American haul. AQP2 did better
Disney’s Cruella has received a June 6 release date in China, which will see it start on a non-traditional Sunday next week. This is the latest Hollywood title to be confirmed by the Middle Kingdom with a shortened lead-time versus the usual 30-day advance. The Emma Stone-starrer began domestic and international box office rollout this
Paramount’s A Quiet Place Part II is looking to make some noise in China with a last-minute release date now set for this coming Friday (May 28). This is notable given that the first John Krasinski-helmed thriller was among the rare horror pics to gain access to the Middle Kingdom, and then was even granted
Moviegoing kicked off again in the UK and France this week, with the former reopening cinemas on Monday and the latter on Wednesday. And so far, signs are very positive after roughly seven months of darkened screens in each market. Advance sales are strong and exhibitors in both are encouraged at the early results. In
China has added a pair of Sony movies to the release calendar with Columbia Pictures’ Peter Rabbit 2: The Runaway set for June 11 — one week before its domestic bow — and Sony Pictures Classics’ Oscar winner The Father due on June 18. The Will Gluck-directed Peter Rabbit sequel opened early in Australia and
Universal’s F9 put the pedal to the metal in its Korea bow with $3.4M (3.9M won) on day one today. That’s the best opening day ever for the Fast & Furious franchise in the market, as well as the top opening of all films in Korea since the pandemic began — even coming in ahead
The Toretto family will be back in action this week as Universal’s F9 speeds into early offshore release beginning in Korea and Hong Kong on Wednesday, followed by Russia and the Middle East on Thursday and China on Friday. In those markets combined, F9 is looking to drive off with an opening weekend in the
The Toretto family will be back in action this week as Universal’s F9 speeds into early offshore release beginning in Korea and Hong Kong on Wednesday, followed by Russia and the Middle East on Thursday and China on Friday. In those markets combined, F9 is looking to drive off with an opening weekend in the
Refresh for latest…: A significant week is ahead at the international box office as Universal’s F9 starts its engines in a handful of major markets including China, Russia and Korea — and as the UK and France will reopen cinemas after a roughly seven-month shutdown. In the meantime, Fast & Furious franchise alum Jason Statham’s
There’s excitement in the air — and a whole lot of movies lined up — across the UK and France as cinemas are set to reopen in both markets this week after roughly seven months of darkened screens. Below we take a look at how the situation is shaping up in these majors. In the
EXCLUSIVE: Following on from its agreement with Warner Bros, Cineworld has reached a deal with Universal on theatrical windows going forward. We have confirmed that the No. 2 global exhibition circuit and Uni have set terms for both the U.S. and UK which mirror some other recent industry deals. At Regal in the U.S., Universal’s
EXCLUSIVE: Cineworld has concluded a deal with Disney to show the studio’s movies at its Regal chain in the U.S. and its cinemas in the UK, Deadline has learned. This now means the world’s No. 2 exhibitor has new agreements in place with three of the major studios: Disney, Warner Bros and Universal, the latter
Refresh for latest…: Yet another international box office frame was led by Chinese movies in their home market as local May Day holdovers continued play coming off a record holiday session. While a handful of studio titles are doing business in other pockets of the world, we are in something of a holding pattern until
Refresh for latest…: After a couple of relatively slow sessions, China turned up the heat again this weekend as the five-day May Day/Labor Day holiday dawned. At least 10 new local titles released across Friday and Saturday with romance drama My Love in the lead through Sunday at an estimated RMB 424M ($65M). It was
Refresh for latest…: Warner Bros/Legendary’s Godzilla Vs Kong has reached a new global benchmark, crossing $400M with a cume through Sunday of $406.6M worldwide. Of that, $320M comes from the international box office in 41 markets. The monster mash, already the biggest Hollywood movie of the pandemic era, continues to track above its Monsterverse predecessors.
Refresh for latest…: Warner Bros/Legendary’s Godzilla Vs Kong is approaching the $400M global mark, as it topped $300M at the international box office this weekend. Adding $12.2M from 41 overseas markets (a good -49% hold), the monsters have cumed an estimated $309.7M offshore for $390.2M worldwide through Sunday. After overtaking Tenet as the No. 1
Refresh for latest…: Fuel-injecting some mega muscle into the international box office landscape, Universal’s F9 is revving up for a May 21 release date in China, a full five weeks before domestic. But China won’t be the only overseas market to release early, as I hear several other key hubs are also going throughout the
With a confirmed, and late-breaking, re-release date, Peter Jackson’s The Lord Of The Rings: The Fellowship Of The Ring has been scheduled to hit China’s movie theaters tomorrow (April 16). The second film, The Lord Of The Rings: The Two Towers, will follow next Friday, April 23. The Oscar-winning New Line trilogy will play in
Refresh for latest…: Warner Bros/Legendary’s Godzilla Vs Kong continues to dominate the global and international box office, now with a $288.3M cume offshore for $357.8M worldwide. It will soon cross Tenet globally and overseas. Domestically, it has overtaken Tenet to become the No. 1 grossing movie of the pandemic era. The full overseas weekend was
Refresh for latest…: After logging the best pandemic-era start for a Hollywood movie at the international box office last weekend, Warner Bros/Legendary’s Godzilla Vs Kong has punched up $285.4M worldwide through Sunday. The overseas running total, which added $76.1M this weekend, is $236.9M, giving GVK bragging rights as the quickest studio movie released during Covid
Refresh for latest…: Warner Bros/Legendary’s Godzilla Vs Kong thrashed off to an estimated $21.5M (RMB 140M) start in China today, good for the best opening day of a Hollywood title in the market since Covid began and portending a weekend in the high $60Ms. The film positively dominated the Middle Kingdom with an 88% share and played
Cineworld Group today reported its first-ever annual operating loss with the figure dropping over $2.98B in 2020 as compared to 2019. The previous year had seen profits of $724.7M while the period ended December 31, 2020 was at a negative $2,257.7M. The results were severely impacted by the Covid pandemic which forced the group to
Warner Bros/Legendary’s Godzilla Vs Kong will slug it out in 38 offshore markets this weekend beginning Wednesday in such hubs as Mexico, Taiwan, Indonesdia and India; followed by Russia, Korea and Australia among others on Thursday and China notably on Friday. The Adam Wingard-directed pic is releasing abroad ahead of domestic which falls on March
Refresh for latest…: James Cameron’s Avatar held the top spot at the global and international box office this weekend with $14.1M in China for the Friday-Sunday frame. The 2009 sci-fi epic re-released in the Middle Kingdom last weekend — when it reclaimed the title of all-time highest-grossing movie worldwide from Avengers: Endgame — and now
Japanese box office phenomenon Demon Slayer – Kimetsu No Yaiba – The Movie: Mugen Train has been set for a North American theatrical release on April 23. Aniplex of America and Funimation are distributing the anime adaptation which in December became the highest-grossing film in Japanese history, dethroning Spirited Away, which had held the title
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