Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering the conversation
Haunted Mansion
Very early figures here for Barbenheimer given their wonderous first week. So early we don’t have the figures for Disney’s Haunted Mansion previews yet, nor the official studio numbers. But it’s another sexy $20M+ day for Barbie with an estimated $21.4M on Thursday (-7% from Wednesday), ending its first week at $258.6M. The pic should
We knew Warner Bros’ Barbie and Universal’s Oppenheimer were going to be big — but not this big. Paramount’s Tom Cruise sequel Mission: Impossible – Dead Reckoning Part One learned that the hard way (65% Weekend 2 decline with $19.3M) by going one weekend before the dual tidal wave, trying to avoid the wake of
It was a magnificent movie weekend. Barbie, Oppenheimer, Sound of Freedom. All hits, a blow-out! So what else have you got? The question sounds obnoxious, like its near-cousin, the always infuriating: “What have you done for me lately?” But it’s an honest query, and an important one for a strike-bound, streaming-bent, pandemic-emergent industry that is
UPDATED: Disney has summarized a bulk of release dates that had been made known over the weekend out of D23. The important news to note here is that Rogue Squadron, the Star Wars movie that Patty Jenkins couldn’t commit to, has been removed from its Dec. 22, 2023, release date — not shocking. The film, we hear,