Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering the conversation
Greta Gerwig
Olivia Colman was supposed to have a cameo in the Barbie movie, according to Helen Mirren. (Photo by Steve Granitz/WireImage) Whether Barbie movie narrator Helen Mirren has revealed that Olivia Colman was originally supposed to appear in the Greta Gerwig film, but her hilarious cameo was ultimately cut. As well as its record-breaking box-office figures,
The film festivals can always be counted on to deliver surprise hits at this time of year, but meanwhile Hollywood must deal with another issue: Its Barbitude hangover. Barbie’s billions will importantly impact upon how decision-makers frame future strategies on budget, content and promotion. The megahit could also cast a pink cloud over awards season:
National Cinema Day will return this Sunday, August 27, for a second edition, the nonprofit Cinema Foundation announced today, with discounted admissions for all movies at over 3,000 participating theaters and 30,000 screens. Tickets for all tickets, all shows and all formats will be no more than $4. Concession discounts are up to each exhibitor. At
Sequin- and self-actualization sprinkled congratulations are in order for Greta Gerwig, Margot Robbie and all the dolls and guys as the phenomenon that is Barbie has now crossed $1B global in just its third weekend. We said yesterday it was on the cusp, and now here’s the pudding. Through Sunday, the international box office estimate is
The Barbenheimer phenomenon just keeps going. To wit: there is so much energy happening at international box office turnstiles that Tuesday’s grosses on Warner Bros’ Greta Gerwig-directed Barbie and Universal’s Christopher Nolan opus Oppenheimer were down just 1% from Monday. The offshore gross through Tuesday on Barbie is now $258.5M with global at $472.6M. As
After a blowout debut weekend, Barbenheimer showed strong continued momentum at the international box office on Monday. Warner Bros’ Barbie for its part had the best Monday ever for the studio overseas at $32M from 69 markets (it also scored the studio’s best Monday domestically). The running offshore total through Monday is $226.3M, bringing the
When it comes to the road to blockbuster glory, some projects are willed, some happen instantaneously, while others go through a long development hell. That’s just what happens when you’re perfecting toward a hopeful billion-grossing title. In the case of Mattel’s Barbie, it was arguably a 14-year journey that began at Universal. It stands to
One of the prime records Barbie is breaking this weekend is the best domestic start for a movie helmed by a female director with $155M. That figure beats that of 2019’s Captain Marvel which was co-helmed by Anna Boden and had a $153M start. Other big starts for movies helmed by a woman filmmaker include
While the Hollywood Studios and WGA and SAG-AFTRA are at a standstill in labor talks –streaming residuals being a big bone of contention– the theatrical side of the business exploded with Barbenheimer together grossing over $511M worldwide, $235.5M of that being domestic. Never before in the history of Hollywood movies have two films opened respectively
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that