Refresh for latest…: Warner Bros/Legendary’s Dune has surpassed expectations, harvesting $36.8M at the international box office from just 24 markets in early release. The Denis Villeneuve-directed sci-fi epic was the top movie overseas this weekend, coming in with No. 1s in virtually all openings. In like–for-likes and at today’s rates, Dune is tracking 4% ahead
Exhibition
The Eyes Of Tammy Faye has something going for it that Searchlight Pictures’ Summer of Soul did not — a minimum 45-day exclusive theatrical window now that Hollywood appear to be is in the midst of a pivot to encourage moviegoing. Eyes, directed by Michael Showalter, opens on 425 screens, expanding to another 400 next
Warner Bros/Legendary’s Dune is off to an epic start at the box office in France. The Denis Villeneuve-directed adaptation of Frank Herbert’s classic world-building 1965 novel grossed $1.55M in its first day on Wednesday (including Tuesday night previews). This is the market’s fourth best launch day of all time for the month of September. The
Warner Bros/Legendary Pictures’ sci-fi epic Dune is starting early rollout this weekend, looking to capitalize on momentum coming off of its star-packed world premiere at the Venice Film Festival, which was followed by an event at Paris’ Grand Rex cinema and screenings in Deauville and Toronto — all in just the past two weeks. The
The worldwide box office for 2021 is projected to come in at $20.2B, 52% down on the record-breaking 2019 and 68% above the pandemic-hobbled 2020, says a new report from Gower Street Analytics. The London-based film tech company, which specializes in predictive box office for the distribution and exhibition sectors, calculated the end-of-year estimate following
Rich Gelfond said he’d love Paramount to rethink Top Gun: Maverick’s recent move from this fall to next May, but it’s not likely. “I have spent a lot of time close to a lot of the decision makers at Paramount and… in Top Gun they think they have something very special. Tom Cruise waited more
Iconic Events Releasing, the event cinema company behind theatrical releases for the Emmy-winning Bo Burnham: Inside and this week’s one-night-only showing of David Byrne’s American Utopia, is teaming with kids entertainment company Pinkfong Baby Shark to release Pinkfong & Baby Shark’s Space Adventure in theaters next month. Via the deal with Pinkfong Baby Shark parent
Refresh for latest…: Disney/Marvel’s Shang-Chi And The Legend Of The Ten Rings handily crossed the $250M mark globally this weekend, seeing a very good 34% drop at the international box office and maintaining No. 1s in such key markets as Australia, Brazil, France, Germany, Korea, Italy, Mexico, Russia, Spain and the UK. The overall overseas
Focus Features landed another specialty success with The Card Counter, Paul Schrader’s biggest directorial opening in over 30 years since 1987’s Light of Day and with a likely No. 8 ranking at the North American box office this weekend. The film – starring Oscar Isaac, Tiffany Haddish, Tye Sheridan and Willem Dafoe — ran in 580
The prospects for Disney/Marvel’s Shang-Chi And The Legend Of The Ten Rings getting a China release date are dwindling. This in the wake of comments originally made by star Simu Liu in 2017 which resurfaced this week and have made waves on Chinese social media. In a 2017 interview with the CBC, the Chinese-Canadian actor
Paul Schrader’s The Card Counter moves from Venice into 579 theaters this weekend — the first in a welcome stream of specialty films from the Lido, Telluride and Toronto that could, perhaps maybe, buck up the struggling arthouse market this fall. The film is 90% certified fresh and hails from Focus Features, which presented one
Update: Warner Bros. has revealed this morning what we first saw at CinemaCon, the trailer for The Matrix: Resurrections. Why the more-than-two week delay? Because the studio’s James Wan movie Malignant is opening this weekend in cinemas (and on HBO Max). In recent years, Warners has typically debuted a fresh trailer for a hot film on top of
In the wake of Disney’s record breaking Labor Day weekend with Shang-Chi and the Legend of the Ten Rings, the No .1 movie circuit in the world, AMC Theatres, is launching the first ever $25M+ multi-media ad campaign “AMC Theatres. We Make Movies Better” featuring Oscar winner Nicole Kidman. It’s hard to think of the last
According to Imax chief executive Rich Gelfond, the box office power of Disney/Marvel’s Shang-Chi And The Legend Of The Ten Rings should lay to rest the question of moviegoers’ willingness to return to theaters. “The studios said, ‘This is an experiment.’ I think there is an answer to the experiment. We release it in the theatrical window
Before the industry could calculate summer’s final box office figures, they had to wait for Disney, which had the final say. Because when you have a Marvel movie like Shang-Chi and the Legend of the Ten Rings programmed during the final weekend of the season, and it delivers a Labor Day holiday opening of $94.67M, it
Tango Shalom — where a female Tango dancer (Dancing with the Stars champion Karina Smirnoff) invites an Orthodox Jewish Rabbi (Jos Laniado) to enter a televised dance competition — was an arthouse standout this weekend with a per screen average of over $4,000 at four theaters in New York and LA. The solid performance in a
Refresh for latest…: Disney/Marvel’s Shang-Chi And The Legend Of The Ten Rings outperformed expectations at the global and international box office this weekend, coming in with $56.2M overseas for the standard frame, and a new Labor Day record $83.5M for the four-day domestic session ($71.4M three-day). Combined, and including the Labor Day estimate, the worldwide
For the pandemic, Disney/Marvel’s Shang-Chi and the Legend of the Ten Rings posted a solid Thursday night preview gross especially before a slow Labor Day box office frame, with $8.8 million from showtimes that began at 6 p.m. On the high side, that figure is above the Thursday night start of Universal’s F9, which posted $7.1M
A glum arthouse market may be entering a gateway weekend into happier days after months of distributors — with rare exceptions — pulling out their hair at dismal per-screens averages. That’s because festival buzz is mounting for film after film – from Card Counter, Dune and Spencer (debuted in Venice, opening respectively Sept 10, Oct.
It’s not Venom: Let There Be Carnage going on Nov. 19, rather Sony’s Ghostbusters: Afterlife which received high praise from exhibition out of CinemaCon. Word was that the Marvel sequel would move from Oct. 15 after Paramount flew Top Gun: Maverick from its Nov. 19 date, however, it’s the Jason Reitman-directed, Ivan Reitman produced sequel to the Columbia Pictures comedy franchise.
Refresh for latest…: One of the only Hollywood titles to recently be granted a China release date, Disney/20th Century Studios’ Free Guy flew into the market with a $23.9M start. This is a solid launch in the Middle Kingdom, particularly in the current climate, and helped push the Ryan Reynolds-starrer past $100M at the international
Tom Cruise didn’t appear in person at CinemaCon; rather he flashed up on the big screen at Caesars’ Colosseum Theatre with Hayley Atwell from the set of Mission: Impossible 8. After showing off BTS footage of Cruise’s next big stunt from Mission Impossible 7, Paramount rolled the first 13 minutes of their Skydance co-production Top Gun: Maverick due out
Together, the lockdown drama from Bleeker Street, opens on 250 screens this weekend in a specialty market treading water and with little visibility on box office amid daily Covid headlines. The trend continues of specialty films going wider faster and narrowing the window from theatrical to VOD in a nod to the chunk of its
Universal/MGM/Monkeypaw’s reimagination of cult classic horror movie Candyman posted $1.9M on Thursday from 2750 theaters off shows that began at 7PM. The pic, in a recent rare feat for horror pics, has an 86% certified fresh score on Rotten Tomatoes. Interestingly enough, another critically acclaimed horror release that played the late August period in 2016 off an
Anyone who skipped CinemaCon this year out of fear of the pandemic in Las Vegas missed a spitfire of a luncheon chat this afternoon. Not only was Patty Jenkins smashing the theatrical day & date model, and wagging a finger at exhibition over the decline in moviegoing experience, but also Paramount Domestic Distribution Boss Chris
Today at Cinemacon, Lionsgate announced that they’re opening their Erwin Brothers-directed movie American Underdog a Christmas Day release. The pic was previously set to open on Dec. 10. Lionsgate timed the release of American Underdog to the climax of the NFL season. “This movie perfectly aligns with the emotions of the holiday season: The power of faith. A
Heading into Lionsgate’s CinemaCon presentation this afternoon, the studio’s Motion Picture Group Chairman, Joe Drake, was trying to figure out what he wanted to say to the room of exhibitors. He regaled those at Caesars Palace Colosseum with a story about how he met up with Cineworld and Regal Boss Mooky Greidinger at the confab
Moments before Universal’s CinemaCon presentation Wednesday afternoon, the studio has popped the champagne over Justin Lin’s F9, which is crossing the $700 million mark at the global box office. Technically, that feat occurs tonight. F9 is the only Hollywood MPA movie to cross that threshold to date for 2020 and 2021. The last film to do
Universal did drop something fresh during its presentation at CinemaCon in Las Vegas on Wednesday: the first look at Michael Bay’s action movie Ambulance. In the pic, starring Jake Gyllenhaal, Eiza Gonzalez, Yahya Abdul-Mateen II and Garret Dillahunt, two robbers steal an ambulance after their heist goes awry. Mateen plays a working-class guy with a
Following remarks by MPA chairman-CEO Charles Rivkin on Tuesday at CinemaCon, National Association of Theatre Owners chief John Fithian and No. 1 global circuit AMC boss Adam Aron took the stage to continue the patriotic messages for theatrical exhibition about how they are an essential to a multibillion-dollar industry. Fithian exclaimed “we will rise again”
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