Drive My Car

“The donkey is cute, but this is not a Disney movie,” said Jonathan Sehring, the former IFC Films head whose young distribution outlet Sideshow, with Janus Films, presents Jerzy Skolimowski’s Cannes Jury Prize winning EO at two NYC theaters this weekend. “We launched Sideshow for great movies that would otherwise get overlooked to give them
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“Deliver a good entertainment, and the audience will come.” That’s what the venerable director Robert Wise told me after defying Hollywood doubters with his hit musical West Side Story (yes, the 1961 version). Courtly and gracious, Wise also was a tough realist who, following his success, decided to turn to disaster movies like The Hindenburg and
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Holdovers Drive My Car, Red Rocket and The Scary Of Sixty First looked good in limited runs on a weekend with few new specialty releases and even fewer numbers. Streamers – which presented The Lost Daughter (Netflix), Swan Song (Apple) and The Tender Bar (Amazon), don’t reveal them and smaller distributors often report early in
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Neon and Participant opened animated documentary Flee to a $25,033 debut in four locations. That makes for a strong per-theater average of $6,258 ahead of a rollout early next year for the much-decorated Danish film ahead of Academy Award nominations Feb. 8. It’s one of a few rather particular offerings, including Drive My Car, that
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