Deadline has compiled a list of the highest-grossing movies at the North American box office for each since 1989, including the most recent winner, 2023’s Barbie. With a few noted exceptions, the list is dominated by superheroes, Star Wars, animation and, of course, Harry Potter. Click on the photo above to launch the photo gallery
Distribution
Lionsgate Motion Picture Group executive Helen Lee-Kim has inked a new long-term deal as President, International. The news comes before Lionsgate takes over the world this holiday season with the highly anticipated prequel, The Hunger Games: The Ballad of Songbirds & Snakes on Nov. 17, which was cleared for a SAG-AFTRA interim agreement; one of
Editor’s note: Dade Hayes and Jonathan Bing are co-authors of Open Wide: How Hollywood Box-Office Became a National Obsession. Hayes is Deadline’s Business Editor and Bing is Chief Communications Officer at Vice Media Group. The more things change, the more the Hollywood studios stay the same. At least that’s one of the surprising lessons of
D. Barry Reardon, former longtime Warner Bros. President of Sales and Distribution, has died at 92. The exec known as “The Dean of Distribution” among industry peers and filmmakers passed May 27 in Vero Beach, FL. Reardon was the head of theatrical distribution at Warner Bros from 1978-99, and was known for breaking the mold
The death of MGM distribution chief Erik Lomis on Wednesday has shocked many around Hollywood. More than just being a sage to filmmakers and executives about the motion picture business, Lomis was known for his generosity fundraising with the Will Rogers Institute, cultivating others’ careers, and even being a mentor to many in their personal
The head of the VC firm that invested several hundred million dollars in A24 a year ago says the indie producer-distributor’s “extraordinary” momentum could lead to a large international business and potential acquisitions. As is their wont, A24 executives are not talking publicly, but Stripes partner Ken Fox did speak with Deadline soon after the
Sony Pictures Classics said it’s planning to release Sean Mullin’s documentary on baseball superstar Yogi Berra, It Ain’t Over, in theaters in New York and Los Angeles on May 12, expanding over following weeks. The film is produced by Natalie Metzger, Matt Miller, Peter Sobiloff and Mike Sobiloff with Vanishing Angle and Off Media, and
Ahead of EFM, Dread, the specialty horror label of distribution and financing outfit Epic Pictures, along with Iconic Events, said they plan to release anthology film Satanic Hispanics on 800 screens in th U.S. Canada and Mexico this September. The film is in five segments directed by Alejandro Brugues (Juan of the Dead), Gigi Saul
Reading the tea leaves with regard to China in 2023 is even more difficult than usual. The country’s about-face on its longstanding zero-Covid policy has implications from geopolitics to economics and, closer to home for Hollywood, the state of the market after a dismal 2022. Exactly what those implications are is where the guesswork comes
EXCLUSIVE: Roadside Attractions has acquired Moving On, an original comedy written and directed by About a Boy Oscar nominee Paul Weitz starring Jane Fonda and Lily Tomlin as estranged friends who reunite to seek revenge on the petulant widower (Malcolm McDowell) of their recently deceased best friend. Along the way, Fonda’s character reunites with her
Roadside Attractions has taken domestic rights for To The End, the follow-up film from Rachel Lears (Knock Down The House), and set a Dec. 9 theatrical-only release date. The deal was announced by Co-Presidents Howard Cohen and Eric d’Arbeloff. The film, which premiered at Sundance, covers three years of both hope and crisis leading to
Widespread optimism months ago that domestic box office might readily return to pre-Covid levels has given way to a new sense of pragmatism about the movie business. This year’s tally will far surpass last year’s $4.5 billion haul, but it will certainly fall billions short of 2019’s $11.4 billion in receipts, and all bets are
Sony Pictures Classics has announced October-December release plans for The Return of Tanya Tucker; Salavatore: Shoemaker Of Dreams; The Son; Living; and Turn Every Page. Additionally, it said, One Fine Morning, written and directed by Mia Hansen-Løve and starring Léa Seydoux, and Davy Chou’s Return To Seoul, which were both acquired out of Cannes, will
EXCLUSIVE: Universal Pictures International is forming a new partnership with Emirates-based Majid Al Futtaim Distribution which will see the latter release Universal movies in Saudi Arabia and other GCC countries (Bahrain, Kuwait, Oman, Qatar, UAE) and Egypt. In Lebanon and Cyprus, Uni will retain its longstanding distribution relationship with Four Star Films. The new deal,
What does the international box office and cinema landscape look like in an emerging post-pandemic world? That was the gist of an executive roundtable at CineEurope in Barcelona today. Among the key takeaways: the relationship between exhibition and distribution and a need for more collaboration in terms of reaching consumers. With so much content available
Here’s something no one saw coming at CinemaCon, unless you could decipher the three-hour block Sony reserved for its presentation: The studio surprised those who braved the mid-pandemic Las Vegas confab tonight with a screening of Jason Reitman’s Ghostbusters: Afterlife. The pic hits theaters on Veterans Day, Nov. 11. In the follow-up to the classic 1984
Sony, which was last seen at CinemaCon in 2018, brought the confab back to post(ish)-pandemic life today. Its President of the Motion Picture Group, Josh Greenstein, took center stage and reiterated the Culver City lot’s “commitment to protecting and preserving the theatrical window.” That drew a great roar from the Caesar’s Palace Colosseum crowd. Despite
The Delta Variant, streaming wars and surging piracy loom large as CinemaCon launches Sunday at Caesars Palace in Las Vegas, the first in-person gathering of theaters owners and Hollywood studios since the pandemic struck 18-months ago. The virus has slashed registered attendees to circa 2,000 from 3,500 pre-pandemic, with a sizeable European contingent entirely shut
EXCLUSIVE: Mooky Greidinger, CEO of Cineworld, the world’s second-biggest exhibition circuit and owner of Regal Cinemas, says he’s satisfied with this past weekend’s $80M domestic theatrical box office opening for Disney/Marvel’s Black Widow. But he also tells Deadline he remains “convinced” that with an exclusive theatrical window, “we could have brought in maybe $110M, maybe
It’s thrilling to watch Lionsgate make a run at the box office top spot with The Hitman’s Wife’s Bodyguard, a grown-up comedy. Not a kiddie fantasy, like Peter Rabbit 2 or Cruella. Not a Covid-era placeholder, like The War With Grandpa, or a streaming event, like Borat Subsequent Moviefilm. But a rough, raucous, R-rated action
On Wednesday morning, studio executives and exhibitors will rally at AMC’s Century City 15 multiplex to cheer the return of movie theaters that had been closed by the pandemic. “The Big Screen Is Back,” they’ll declare. Glad to hear it. That’s great, as far as it goes. But those movers and shakers should probably charter
EXCLUSIVE: Universal executive Xavier Albert, who has been Managing Director for France since 2016, is taking on a dual-market role with the studio and will also become Managing Director for Italy. Albert will take over the MD Italy post from Richard Borg who is retiring in July after 30 years with the Universal Pictures International
Lionsgate has slated Barb and Star Go to Vista Del Mar for a February 12 release on premium video on demand, the latest concession to a theatrical marketplace upended by Covid-19. The comedy, which was set up nearly two years ago, had originally eyed a 2020 release. It pairs Kristen Wiig and Annie Mumolo, who
It was supposed to be a year when the playing field became even. After losing to Disney for four years in a row, with the Burbank studio setting an industry record in 2019 of $13.2 billion global box office, a new major studio was set to become the domestic king. “I think 2020 is going
What a great time not to be a movie marketer. Theaters half-closed, with COVID-19 again rising. Pipeline dried up. Academy of Motion Picture Arts and Sciences asking, in a survey that was due last week, how the pandemic is affecting your craft. Or what’s left of it. But movie promoters on the whole are an
In response to MGM’s No Time to Die moving out of the Thanksgiving corridor to Easter weekend 2021, Cineworld is closing down 128 of its UK and Ireland cinemas as well as its U.S. Regal chain as of next week according to reports. This is the first massive exhibition casualty during the pandemic. It remains to
Watching Wayne Wang’s Coming Home Again, set for a virtual release (online, but through individual theaters) by Outsider Pictures on Oct. 23, delivered a jolt. Like getting nicked by a live wire. The picture is so small–shot in just over three weeks on a micro-budget. So personal: The story is about a young Korean-American man
In or around 1976, I caught a forlorn moment near New York’s Bleecker St. It was early morning. The sun was just up. Two ragged guys were shuffling toward me on the sidewalk, when one offered the other a bottle in a bag. But the drink was declined. “I guess I lost my taste for
Talk about box-office drama. As the July 4 weekend unwinds, IFC’sThe Truth might be slugging it out with Homewrecker from Dark Star and The Outpost from Fathom for the honor of ranking somewhere in the 300s, near IFC’s own Wiener-Dog, among all-time Independence Day performers. (Who can say for sure, as release dates have become
Warner Bros has keyed up a re-release of Christopher Nolan’s Dark Knight trilogy in Hong Kong and Taiwan, ahead of the mid-July launch of the director’s latest epic, Tenet. The three films — Batman Begins, The Dark Knight and The Dark Knight Rises — will release over several weeks. The first rollout is in Taiwan